In the art of filmmaking, there's a special place for movies by directors who know whereof they film. When a baseball movie is made by a former professional baseball player—for instance, Ron Shelton's "Bull Durham" (1988) or when, as with Oliver Stone's "Platoon" (1986), a Vietnam War movie is made by a decorated and twice-wounded veteran of that war, there's an implied assurance of something deeper than just research. The assurance is of a personal stake, of having the story in one's blood, and maybe vice versa. Such movies fit within a larger genre, what one could call the lid-lifter-fact-based fictions that offer behind-the-scenes glimpses into realms that are usually inaccessible. Ava DuVernay's "Origin" (2023) reveals how a nonfiction writer goes about her research; David Fincher's "The Social Network" (2010) shines a light on the hectic maneuvering of the tech-startup scene. Another subset of this larger genre is the movie-business movie: Robert Altman's "The Player" (1992), say, or Robert Townsend's "Hollywood Shuffle" (1987). These films have an extra layer of built-in reflexivity: set in a world that the directors inherently know, they go behind their own scenes, via sly allusions and bold metafictions.
Esta historia es de la edición May 13, 2024 de The New Yorker.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 8500 revistas y periódicos.
Ya eres suscriptor ? Conectar
Esta historia es de la edición May 13, 2024 de The New Yorker.
Comience su prueba gratuita de Magzter GOLD de 7 días para acceder a miles de historias premium seleccionadas y a más de 8500 revistas y periódicos.
Ya eres suscriptor? Conectar
A Reporter at Large – You Make Me Sick
How corporate scientists discovered—and then helped to conceal—the dangers of forever chemicals.
OLD ENGLISH
“Player Kings,”\"The Cherry Orchard,” and \"London Tide.”
THOROUGHLY MODERN
Yuja Wang uses her star power to lead audiences out of their comfort zones.
THE PERFECTIONIST
Why we're still catching up to Brancusi.
DESERT ISLAND
Tastes of Hawati abound in Las Vegas.
HIGHER AND HIGHER
To preserve humanity—and the planet—should we give up growth?
MAXED OUT
“Furiosa: A Mad Max Saga.”
WOMAN, FROG, AND DEVIL
January Wojnicz, a retired civil servant and a landowner, was a splendid man, as they said in Lwów, handsome and dignified.
THE STASI FILES
Piecing together the secrets of East Germany’s past.
LAND OF MAKE-BELIEVE
Zach Horwitz was a mystifying presence on the big screen, until the F.B.I. showed up.