Exploring the Significance of Film Festivals: Perspectives and Reflections
Chalachitra Sameeksha|March 2023
In Conversation Jabbar Patel, Malti Sahai and Shaji N Karun | During the 27th IFFK, a panel discussion was held where Malti Sahai, former Director of the Directorate of Film Festivals, along with Filmmakers Shaji N. Karun and Jabbar Patel, shared their views on the significance of film festivals, the process of selecting films for festivals, and how film festivals can engage audiences in the digital age.
- Catherine Thomas
Exploring the Significance of Film Festivals: Perspectives and Reflections

Malti Sahai: I am Malti Sahai, former Director of the Directorate of Film Festivals (DIFF), India. I was there for 20 years. I was there when the two eminent directors sitting on my right and left came to Delhi to participate in the International Film Festival of India (IFFI) with their first films; Piravi (Shaji N Karun) and Samna (Jabbar Patel). I don’t think they need much of an introduction. Shaji is from here and he’s very well-known both in the country and internationally for his films, outstanding among them was the very first one Piravi followed by Swaham and Vanaprastham. He won the Caméra d’Or award at the 1989 Cannes Film Festival. Since he was there on the red carpet for Piravi, no Indian film has got into the Cannes Film Festival.

On my left here is Jabbar Patel. He is best known for ‎Umbartha which was a film on the women’s movement. I was sitting with Nandita Das today at breakfast and she was telling me that Umbartha was the first film that gave her the direction to go into social services for women’s rights. The other film that I remember very well is Dr Babasaheb Ambedkar which was a mammoth exercise because it was a biopic of Ambedkar. Mammootty played the role of Ambedkar in that film and gave an excellent performance. Along with being eminent film directors, they both are also directors of film festivals. Jabbar runs the Pune International Film Festival (PIFF) and Shaji is the Chairman of the Kerala State Film Development Corporation (KSFDC), which organised the International Film Festival of Kerala (IFFK) until 1998.

この蚘事は Chalachitra Sameeksha の March 2023 版に掲茉されおいたす。

7 日間の Magzter GOLD 無料トラむアルを開始しお、䜕千もの厳遞されたプレミアム ストヌリヌ、8,500 以䞊の雑誌や新聞にアクセスしおください。

この蚘事は Chalachitra Sameeksha の March 2023 版に掲茉されおいたす。

7 日間の Magzter GOLD 無料トラむアルを開始しお、䜕千もの厳遞されたプレミアム ストヌリヌ、8,500 以䞊の雑誌や新聞にアクセスしおください。

CHALACHITRA SAMEEKSHAのその他の蚘事すべお衚瀺
Action Hero Pauly Hegemonic Masculinity in the Grammar of Realism
Chalachitra Sameeksha

Action Hero Pauly Hegemonic Masculinity in the Grammar of Realism

Distinguished cinematic movements inevitably reflect the structural and formal changes of the film industry into its stardom. The faces of the cinematic medium have always created an iconicity.

time-read
10+ 分  |
April 2023
àŽšàŽ°àŽ¿àŽ€àµàŽ°àŽ€àµàŽ€àŽ¿àŽšàµàŽ±àµ† àŽžàŽŸàŽ‚àŽžàµàŽ•àŽŸàŽ°àŽ¿àŽ• àŽµàŽ¿àŽ•àµ‡àŽšàµàŽŠàµàŽ°àµ€àŽ•àŽ°àŽ£àŽ™àµàŽ™àµŸ
Chalachitra Sameeksha

àŽšàŽ°àŽ¿àŽ€àµàŽ°àŽ€àµàŽ€àŽ¿àŽšàµàŽ±àµ† àŽžàŽŸàŽ‚àŽžàµàŽ•àŽŸàŽ°àŽ¿àŽ• àŽµàŽ¿àŽ•àµ‡àŽšàµàŽŠàµàŽ°àµ€àŽ•àŽ°àŽ£àŽ™àµàŽ™àµŸ

àŽ®àŽ°àµàŽ•àŽŸàŽ±àŽ¿àŽšàµ† àŽ®àµàµ»àŽšàŽ¿àµŒàŽ€àµàŽ€àŽ¿àŽ¯àµàŽ³àµàŽ³ àŽµàŽ¿àŽ¶àŽ•àŽ²àŽšàŽ‚

time-read
7 分  |
April 2023
Action Hero Pauly Hegemonic Masculinity in the Grammar of Realism
Chalachitra Sameeksha

Action Hero Pauly Hegemonic Masculinity in the Grammar of Realism

Distinguished cinematic movements inevitably reflect the structural and formal changes of the film industry into its stardom. The faces of the cinematic medium have always created an iconicity.

time-read
10+ 分  |
April 2023
Cinema as a Personal Quest - A Conversation with Independent Filmmaker Amit Dutta
Chalachitra Sameeksha

Cinema as a Personal Quest - A Conversation with Independent Filmmaker Amit Dutta

In the interview, Amit Dutta discusses the struggles faced by independent filmmakers in India in terms of financing, distribution, and exhibition. With a candid and reflective approach, the interview offers a unique perspective on the art of filmmaking and the creative process behind it.

time-read
10+ 分  |
April 2023
àŽªàŽ°àŽ¿àŽ®àŽ¿àŽ€àŽ¿àŽ•àŽ³àµ† àŽžàŽŸàŽ§àµàŽ¯àŽ€àŽ•àŽ³àŽŸàŽ•àµàŽ•àµàŽšàµàŽš àŽ•àŽ²àŽ¯àŽŸàŽ£àµ àŽ‡àŽ±àŽŸàŽšàŽ¿àŽ²àµ† àŽžàŽ¿àŽšàŽ¿àŽ®
Chalachitra Sameeksha

àŽªàŽ°àŽ¿àŽ®àŽ¿àŽ€àŽ¿àŽ•àŽ³àµ† àŽžàŽŸàŽ§àµàŽ¯àŽ€àŽ•àŽ³àŽŸàŽ•àµàŽ•àµàŽšàµàŽš àŽ•àŽ²àŽ¯àŽŸàŽ£àµ àŽ‡àŽ±àŽŸàŽšàŽ¿àŽ²àµ† àŽžàŽ¿àŽšàŽ¿àŽ®

àŽ­àŽ°àŽ£àŽ•àµ‚àŽŸàŽ€àµàŽ€àŽ¿àŽšàµàŽ±àµ† àŽšàŽ¿àŽ°àŽšàµàŽ€àŽ°àŽ®àŽŸàŽ¯ àŽµàµ‡àŽŸàµàŽŸàŽ¯àŽŸàŽŸàŽ²àµàŽ•àµŸàŽ•àµàŽ•àŽ¿àŽ°àŽ¯àŽŸàŽ¯àŽ¿àŽŸàµàŽŸàµàŽ‚ àŽžàŽ¿àŽšàŽ¿àŽ®àŽ•àŽ³àŽ¿àŽ²àµ‚àŽŸàµ† àŽªàµŠàŽ°àµàŽ€àŽ¿àŽšàŽ¿àŽšàµàŽš àŽ‡àŽ±àŽŸàŽšàŽ¿àŽ¯àµ» àŽžàŽ‚àŽµàŽ¿àŽ§àŽŸàŽ¯àŽ•àµ» àŽœàŽŸàŽ«àµŒ àŽªàŽšàŽŸàŽ¹àŽ¿àŽ¯àµàŽŸàµ† àŽ®àŽ•àµ» àŽªàŽšàŽŸàŽ¹àµ àŽªàŽšàŽŸàŽ¹àŽ¿ àŽ‡àŽšàµàŽšàµ àŽ²àµ‹àŽ•àŽ®àŽ±àŽ¿àŽ¯àµàŽšàµàŽš àŽšàŽ²àŽšàµàŽšàŽ¿àŽ€àµàŽ°àŽ•àŽŸàŽ°àŽšàŽŸàŽ£àµ. àŽ…àŽŠàµàŽŠàµ‡àŽ¹àŽ‚ àŽ†àŽŠàµàŽ¯àŽ®àŽŸàŽ¯àŽ¿ àŽžàŽ‚àŽµàŽ¿àŽ§àŽŸàŽšàŽ‚ àŽšàµ†àŽ¯àµàŽ€ àŽ¹àµàŽ°àŽžàµàŽµàŽšàŽ¿àŽ€àµàŽ°àŽ®àŽŸàŽ¯ àŽŠ àŽ«àŽžàµàŽ±àµàŽ±àµ àŽ«àŽ¿àŽ²àŽ¿àŽ‚ àŽ®àµ‹àµºàŽŸàµàŽ°àŽ¿àŽ¯àµœ àŽšàŽ²àŽšàµàŽšàŽ¿àŽ€àµàŽ°àŽ®àµ‡àŽ³àŽ¯àŽ¿àŽ²àµ‡àŽ•àµàŽ•àµ àŽ€àµ†àŽ°àŽžàµàŽžàµ†àŽŸàµàŽ•àµàŽ•àŽªàµàŽªàµ†àŽŸàµàŽŸàŽ¿àŽ°àµàŽšàµàŽšàµ. 2021-൜ àŽªàŽšàŽŸàŽ¹àµ àŽªàŽšàŽŸàŽ¹àŽ¿ àŽžàŽ‚àŽµàŽ¿àŽ§àŽŸàŽšàŽ‚ àŽšàµ†àŽ¯àµàŽ€ àŽ¹àŽ¿àŽ±àµàŽ±àµ àŽŠ àŽ±àµ‹àŽ¡àµ àŽ•àŽŸàµ» àŽšàŽ²àŽšàµàŽšàŽ¿àŽ€àµàŽ°àŽ®àµ‡àŽ³àŽ¯àŽ¿àµœ àŽªàµàŽ°àµ€àŽ®àŽ¿àŽ¯àµŒ àŽšàµ†àŽ¯àµàŽ¯àŽªàµàŽªàµ†àŽŸàµàŽ•àŽ¯àµàŽ‚ àŽ¬àµàŽ°àŽ¿àŽŸàµàŽŸàµ€àŽ·àµ àŽ«àŽ¿àŽ²àŽ¿àŽ‚ àŽ‡àµ»àŽžàµàŽ±àµàŽ±àŽ¿àŽ±àµàŽ±àµàŽ¯àµ‚àŽŸàµàŽŸàŽ¿àŽšàµàŽ±àµ† àŽ²àŽ£àµàŽŸàµ» àŽ«àŽ¿àŽ²àŽ¿àŽ‚ àŽ«àµ†àŽžàµàŽ±àµàŽ±àŽ¿àŽµàŽ²àŽ¿àµœ àŽ‰àŽšàµàŽšàŽ€ àŽªàµàŽ°àŽžàµàŽ•àŽŸàŽ°àŽ™àµàŽ™àµŸ àŽšàµ‡àŽŸàµàŽ•àŽ¯àµàŽ‚ àŽšàµ†àŽ¯àµàŽ€àµ. àŽ¬àµ†àŽ‚àŽ—àŽ³àµ‚àŽ°àµ àŽšàŽ²àŽšàµàŽšàŽ¿àŽ€àµàŽ°àŽ®àµ‡àŽ³àŽ¯àŽ¿àµœ àŽœàµ‚àŽ±àŽ¿ àŽ…àŽ‚àŽ—àŽ®àŽŸàŽ¯àŽ¿ àŽµàŽšàµàŽš àŽªàŽšàŽŸàŽ¹àµ àŽªàŽšàŽŸàŽ¹àŽ¿àŽ¯àµàŽ®àŽŸàŽ¯àµàŽ³àµàŽ³ àŽ…àŽ­àŽ¿àŽ®àµàŽ–àŽ€àµàŽ€àŽ¿àŽšàµàŽ±àµ† àŽªàµàŽ°àŽžàŽ•àµàŽ€àŽ­àŽŸàŽ—àŽ™àµàŽ™àµŸ

time-read
5 分  |
April 2023
The Epistemology of Darkness: Many Meanings of Night in Malayalam Cinema
Chalachitra Sameeksha

The Epistemology of Darkness: Many Meanings of Night in Malayalam Cinema

Drawing on darkness/night as a conceptual framework and a socially mediated space/time, the current paper is an attempt to analyze how Kumbalangi Nights (2019), a contemporary cinema in the Malayalam language, aesthetically and politically redefine the dominant meaning(s) of darkness/night in the discourses of Malayalam Cinema (hereafter MC).

time-read
10+ 分  |
March 2023
Exploring the Significance of Film Festivals: Perspectives and Reflections
Chalachitra Sameeksha

Exploring the Significance of Film Festivals: Perspectives and Reflections

In Conversation Jabbar Patel, Malti Sahai and Shaji N Karun | During the 27th IFFK, a panel discussion was held where Malti Sahai, former Director of the Directorate of Film Festivals, along with Filmmakers Shaji N. Karun and Jabbar Patel, shared their views on the significance of film festivals, the process of selecting films for festivals, and how film festivals can engage audiences in the digital age.

time-read
10+ 分  |
March 2023
Preserving Cinematic Heritage: A Discussion on Film Restoration, Analog to Digital Transition, and Preservation
Chalachitra Sameeksha

Preserving Cinematic Heritage: A Discussion on Film Restoration, Analog to Digital Transition, and Preservation

In a conversation at the 27th IFFK, German film director Veit Helmer and Prakash Magdum, the former Director of the National Film Archive of India (NFAI) discussed the process of restoring films, the shift from analog to digital technology, and the importance of film preservation. Their insightful discussion sheds light on the intricacies of film preservation and the efforts required to ensure that films can be enjoyed for generations to come.

time-read
10+ 分  |
March 2023
From Inspiration to Image: Insights into Bela Tarr's Filmmaking Process
Chalachitra Sameeksha

From Inspiration to Image: Insights into Bela Tarr's Filmmaking Process

Bela Tarr is a highly revered Hungarian filmmaker known for his unique cinematic style and storytelling approach. Tarr has received numerous awards and accolades for his work, including the Lifetime Achievement Award at the 27th IFFK. In this conversation, he discusses his creative process and shares insights into the various elements that go into making a cinematic masterpiece.

time-read
10+ 分  |
March 2023
àŽ…àŽ•àŽ€àµàŽ€àŽ³àŽ™àµàŽ™àŽ³àŽ¿àµœ àŽ…àŽ•àŽªàµàŽªàµ†àŽŸàµàŽŸ àŽªàµ†àŽ£àµàŽ£àµàŽ™àµàŽ™àµŸ
Chalachitra Sameeksha

àŽ…àŽ•àŽ€àµàŽ€àŽ³àŽ™àµàŽ™àŽ³àŽ¿àµœ àŽ…àŽ•àŽªàµàŽªàµ†àŽŸàµàŽŸ àŽªàµ†àŽ£àµàŽ£àµàŽ™àµàŽ™àµŸ

àŽŠàŽ¿ àŽ—àµàŽ°àµ‡àŽ±àµàŽ±àµ àŽ‡àŽšàµàŽ€àµàŽ¯àµ» àŽ•àŽ¿àŽšàµàŽšàµ», àŽ®àŽ±àµàŽ±àµŠàŽ°àŽŸàµŸ àŽŽàŽšàµàŽšàµ€ àŽžàŽ¿àŽšàŽ¿àŽ®àŽ•àµŸ àŽ†àŽ§àŽŸàŽ°àŽ®àŽŸàŽ•àµàŽ•àŽ¿ àŽ’àŽ°àµ àŽ€àŽŸàŽ°àŽ€àŽ®àµàŽ¯àŽµàŽ¿àŽšàŽŸàŽ°àŽ‚

time-read
10+ 分  |
March 2023