BlackFlash Magazine - 41.1
BlackFlash Magazine - 41.1
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In this issue
Artist Project:
Material Conversations
Aralia Maxwell
Conversation:
Ghosts in the fold: in conversation with Jennifer Laflamme (Mifi Mifi)
Dhvani Ramanujam
Conversation:
legs l’eggs legs
Jennifer Still in conversation with Christine Fellows and Chantel Mierau
Feature:
My cuttlebone is a broken heart and it propels me forward
Lauren Prousky
Artist Project:
Purdah: Veiled Realities
Mariam Magsi
Feature:
Reconfiguring the Aerial: (In)visibility in the Naqab and Fazal Sheikh’s Desert Bloom
Mika Yassur
Profile:
Locutions: Fragments out of a Deluge
Sage Wosminity
Profile:
Infinity first dwells within a mortal body: Jeneen Frei Njootli
Trey Le
BlackFlash Magazine Description:
Publisher: Buffalo Berry Press Inc.
Category: Art
Language: English
Frequency: 3 Issues/Year
BlackFlash Magazine is a platform for contemporary visual art.
BlackFlash is dedicated to presenting critical opinions, urgent issues, and innovative ideas about divergent artistic practices from across Canada, the United States and beyond. Each issue includes feature articles, profiles, interviews, and artist projects from a diverse selection of artists, writers, and curators. BlackFlash fosters a rich public engagement with image-based practices, such as photography and video as well as sound, performance and social practice by promoting energetic debate and showcasing diverse voices and communities (local, regional, national and international).
BlackFlash was founded in 1983 by the Saskatoon artist-run centre, The Photographer’s Gallery (TPG). We are currently working on our 38th year of publication, making us one of Canada’s longest running magazines. BlackFlash is proudly published, designed, and disseminated in Saskatoon, Saskatchewan, and is an internationally recognized resource and authority on Canadian and international contemporary art.
BlackFlash was created to promote contemporary photography and over its thirty-five year history, the magazine evolved, following the artistic trajectory of photo-based practice to include artists working with new technologies such as video and digital media. In its commitment to being responsive to artists and relevant to contemporary art practice, the magazine has recently broadened its editorial mandate, while affirming its distinctive prairie perspective.
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