转播技术和观看方式影响世界杯主办

解决基于IP的广播运作的复杂性
拉斐尔·丰塞卡
当广播公司转向基于IP的媒体（media over IP）时，他们融合了两个世界：音视频/媒体和IT。在此过程中，他们极大地增加了基础设施的复杂性——以至于涉及大量人机交互的传统管理方法不再可行。

基础设施即代码基础知识
卡尔•保尔森
如果你是一个媒体创作单位，你希望充分利用通过内容创作各个阶段的潜在机会。其中之一是开发一组针对特定工作流程要求的可重复的需求，这样就更容易实现“常规”模式下操作。

数字广播标准可以共存吗？
鲁克桑德拉·奥布雷贾
尽管新冠肺炎疫情冻结了许多项目，并将广播展会从线下转到线上，但广播数 字化的新闻仍在不断涌现……。

容器化：一个替代虚拟化的选择
斯科特·杰伦瑟 安迪·卡尔瓦内塞
为了在一台机器或云实例上运行许多不同的应用程序，容器化 正在成为虚拟化一个很流行的备选方案。虚拟化的许多优点它 都有，但缺点则很少，使得它在从固定地点演播室转换到虚拟 运作时非常有用。

内容创作】县市级电视台使用基于虚幻引擎的虚 拟演播室应用实践
——以浙江瑞安市广播电视台为例
林海 姜钢荣
使用基于虚幻引擎的新一代虚拟演播室系统是我台近年来最为 大胆的一次技术尝试。作为中国第一家上线该类型产品的县市 级电视台，我台通过一年时间的摸索，在掌握了新设备使用方 式的同时，亦提升了自身的技术能力和设计能力

特殊之年，索尼为用户提供高质量影像产品初心不变
李爱光
BIRTV线上展前夕，我们依然能够东京、北京、深圳三地连线，进行了不亚于 面对面的对索尼总部、索尼中国专业系统集团高层的采访.

TVU轻量化远程直播制作解决方案在广电媒体领 域的应用
白志伟 武智 王静 吴素娟

色域广 色彩真 对比高
今天，您HDR了吗
本刊编辑部
“高清晰大视角”的观看，一直是用户看视频最理想的追求体验，影视制作 和视频平台为满足用户的观看体验需求，纷纷推出高清、超高清、HDR等模 式提升观看体验。然而，当我们体验到了HDR之后，却再也欲罢不能……。

JPEG XS降低电缆带宽需求
鲍勃·科瓦奇
现在有了电缆和连接器可以用于连接实际设备的12G-SDI标准。它很有效， 虽然频率越高，对电缆就越挑剔。在12G的数据率下，铜缆的轻微卷曲或弯 曲半径有一点过紧都会导致信号迅速劣化。

5G世界大步向前
本刊编辑部
如果是2019年是5G商用元年，那2020将是5G大规模建设元年，同时也是 5G产业链业绩兑现的关键时期.

5G时代下的智慧广电探索
顾洁旻 金逸乐
从5G的定义和发展阶段出发，介绍了SMG目前对于5G技术在智慧广电的应 用与探索，并就5G的三大特性：超大带宽、超低延时、海量通信进行了未 来模式的展望。..

IP音频：如何在基于IP的环境中克服其复杂性
奥利弗·胥阿尔
近年来，在向IP广播制作转换的过程中，由于视频传输需要大量带宽，所以 广播公司主要关注视频传输。然而，音频也存在挑战。与视频相比，音频不 仅包含更大量的码流，而且在制作中使用了多种标准。

为IP音频带来互操作性
史蒂夫·哈维
遵循AES67的产品市场近几年发展起来，其中SMPTE 2110标准系列中的互 操作性标准成为IP音频的一个里程碑。但在数字混录调音台系统产品率先接 受AES67的同时，最终用户网络兼容产品发展到什么程度？还有什么接受阻 力以及可以做些什么来推动更多的AES67网络实现？

疫情期间，媒体公司如何利用旧有内容填补内容空缺
由于新冠疫情期间体育直播的取消，或连续播出剧集的制作延期，许多线性电 视节目表被迫中止，广播公司正在寻找替代节目，以填补这一巨大的空缺。 《传播与制作》杂志姊妹刊《欧洲电视广播》邀请了三位专家，让他们谈谈 现代存档系统如何帮助媒体公司充分利用他们的旧有内容。

面向奥运全4K制作的超大型转播车设计
谢秦
东京奥运会公共信号制作将采用全4K HDR的制作模式，无论 对奥运会制作要求，还是对OBS的转播技术要求都是一项巨大 的挑战。本文将介绍SMT上海东方传媒技术有限公司从2018年 平昌冬奥会转播到东京奥运会4KHDR转播技术的变化，着眼 2022年北京冬奥会，介绍SMT在超大型4K HDR转播车建设的最 新理念。

【解构】荧屏背后，战疫前线报道的技术支撑力
新型冠状病毒肺炎疫情战役 打响后，硝烟弥漫，在这场 特殊的“战疫”中，“逆行者” 们的身影尤为突出。除专业 的医护人员外，众多媒体工 作者也第一时间赶赴现场， 在战疫前线，及时向公众传 递真实、权威、有效的新闻信息。 而在这场充满着苦难的报道中，让人欣慰的是，我们可以看到今时今日中国 的媒体技术实力正在渐强中，让我们一起来见证中国媒体跨屏的“融合力”， 尖端的视频直播力、卓越的云视频竞争力以及有担当的在线教育整合力和全 覆盖零死角的应急广播能力。

湖南卫视《歌手》启动“隔空竞唱，云上录制”
由于新冠肺炎疫情原因，湖南卫视《歌手》节目启动了“隔空竞唱，云上录 制”。这也是《歌手》举办八年以来首次在线尝试“云竞演”。歌手们要怎么 异地异台竞技？500位大众听审如何云打分？尤其是远在海外的歌手如何参 与竞演？我们电视湘军如何直面挑战？..

用数据预测未来
本刊编辑部
关于未来，充满了不确定性，我们都害怕落伍，害怕自己被未来趋势给抛 弃，因此我们都希望提早看到未来的机会，本次搜集了国际前沿的一些数 据，不求充满洞见，但求在您前行时给一些启发和参考。

管窥未来，2030年我们将会怎样？
本刊编辑部
在这个瞬息万变的世界，试图做出准确的预测是困难的。因此，德勤在一项 新的研究中提出了电视和视频行业在2030年可能会变成什么样子的四种可能 情景。

8K会和4K一样被消费者快速接受吗？

从今年展会看业界IP、AI等发展趋势

BIRTV检阅新中国成立70周年广电成就

5G将成为广播电视未来的一部分

大力推动人工智能应用于广电
最近接连参加了业界一些活动，如ICTC2018和研华物联网共创峰会，深深感到智能技术的发展，给我们的生活和工作带来无尽想象空间，一个前所未有的人工智能世界正在向我们招手。未来，人工智能将在各行各业无处不在。
现在，A I应用于媒体取得显著进展，它不仅在研发实验室内，而且正逐步进入创意和技术媒体专业人士的心中。当前正是滤除市场杂音，为特定媒体工作流程找到合适AI工具的时机。不及早采用AI，到时会悔之晚矣。
在业界，AI在编播管存等方面都大有可为。

中国广播电视发展的一个重大里程碑

本月广电界的大事非BIRTV 2018莫属。
今年的BIRTV以“品质融媒体，智享新生活”为主题，精准阐释新时代广播
电视的重要使命：以高品质定义媒体深度融合，以新智慧提升人民美好生活。

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