The October issue of frieze magazine opens with a series of columns dedicated to the medium of dance: Charles Aubin writes on Yvonne Rainer’s return to dance after a two-decade hiatus, Damien Jalet speaks to associate editor Marko Gluhaich about choreographing Jacques Audiard’s Emilia Pérez (2024), associate editor Vanessa Peterson examines Rebecca Horn’s use of performance as a form of exploring our subconscious desires and Travis Alabanza pens a tribute to MarikisCryCryCry’s choreographic horror ‘Goner’ (2024–25). Plus, Joseph Sissens and Joseph Toonga discuss The Royal Ballet’s Rhythm in Resilience, a new festival celebrating Black excellence within the Company.

In the September issue of frieze, assistant editor Sean Burns profiles Marlene Dumas as she prepares for her show at Frith Street Gallery, London. Plus, an extensive oral history on Bidoun, a magazine offering perspectives in and of the Middle East and the Arab Diaspora.

In the summer issue of frieze, writer Dan Fox profiles Primary Information, a New York-based publisher of artists’ books and writing. Plus, a dossier highlighting four emerging galleries to watch in Tokyo. Ahead of her show at London’s Cubitt Gallery, Marlene Smith speaks to friend Lubaina Himid about intimacy and experimentation. Plus, Hanayo contributes to our series of artists’ ‘to-do’ lists, and the latest iteration of Walter Scott’s new cartoon series.

In the May issue of frieze, writer Lynne Tillman speaks to artist Joan Jonas as she prepares for her current show at MoMA. Plus, Thomas J. Lax, Rodney McMillian and Zoé Whitley pen a survey on the iconic exhibitions at Studio Museum in Harlem and the projects that shaped them.

The April issue of frieze is dedicated to the 60th Venice Biennale Arte. Dare Turner talks to Jeffrey Gibson, Archie Moore and Inuuteq Storch about the challenges and opportunities of working within the settler colonial framework of their respective national pavilions. Plus, novelist Colm Tóibín observes the city through the lens of its artists and writers, with specially commissioned photography by Eric Scaggiante.

In the March issue Jeppe Ugelvig profiles artist Nina Beier, ahead of two major museum shows. Plus, an extensive oral history of Berlin’s legendary Times Bar with contributions from Karen Archey, Dan Bodan, Skye Chamberlain, Simon Denny, Calla Henkel, Lindsay Leonard, Ken Okiishi and Max Pitegoff

In the January/February issue composerMarina Rosenfeld speaks to artist Meredith Monk as she celebrates six decades of creating art, and Edna Bonhomme visits artist Ellen Gallagher at her Rotterdam studio as her solo show opens at Amsterdam’s Stedelijk Museum.

Frieze Magazine Cover - Issue 246 -  October 2024 Edition

Issue 246 -  October 2024

Frieze Magazine - Issue 246 -  October 2024

Frieze Magazine Cover - Issue 245 -  September 2024 Edition

Issue 245 -  September 2024

Frieze Magazine - Issue 245 -  September 2024

Frieze Magazine Cover - Issue 244 - June - August 2024 Edition

Issue 244 - June - August 2024

Frieze Magazine - Issue 244 - June - August 2024

Frieze Magazine Cover - Issue 243 - May 2024 Edition

Issue 243 - May 2024

Frieze Magazine - Issue 243 - May 2024

Frieze Magazine Cover - Issue 242 - April 2024 Edition

Issue 242 - April 2024

Frieze Magazine - Issue 242 - April 2024

Frieze Magazine Cover - Issue 241 - March 2024 Edition

Issue 241 - March 2024

Frieze Magazine - Issue 241 - March 2024

Frieze Magazine Cover - Issue 240 - January/February 2024 Edition

Issue 240 - January/February 2024

Frieze Magazine - Issue 240 - January/February 2024

Frieze is a contemporary art magazine, published eight times a year. It was founded in London in 1991 and is renowned for publishing essays, profiles, interviews and reviews by today’s leading writers, artists and curators. Across all platforms and live events frieze elevates the provocative, brilliant and leading voices who shape and challenge today’s art world.

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Frieze Magazine - Issue 246 - October 2024

Frieze Magazine - Issue 246 - October 2024

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