Pipeline - Issue 49
Pipeline - Issue 49
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Every photography issue of Pipeline has been different.
We made our first efforts to acknowledge the medium in 2011, with a special issue about photographers, then put out a call inviting them to participate a year later. Last year I invited co-jurors to help us expand our judging muscles, and we have kept this model for this second juried issue of our Photo Annual. The various approaches have reflected our intention to poke around and discover things, try new angles and enjoy the level of experimentation that a non-commercial, independent magazine affords us.
For this issue I had the pleasure to be joined as co-jurors by curators Alia Swastika and Esther Lu. We came up with a selection in which no one series resembles another. They include a photo essay by Ange Ong, who roams the post-umbrella-movement streets of Hong Kong
experimentally; and young practices of self-exploration through geography, such as Mahroo Movahediâs
mirror images, John Clangâs superimposed portraits about family ties, and the Nordic reveries documented in Cédric Maridetâs landscapes. We slipped in a couple of more established series: a documentary but artistic take on portraiture of young male street prostitutes in Thailand by Ohm Phanphiroj, and a project by Wawi Navarroza that is both street-based and rather plant- and earth-oriented. There is also room for staged photography and Photoshop, with Allysa Sing Zhi Bingâs kitsch, amulet-like
constructions, and Daniel Eskenaziâs smoke machines resembling Chinese stones.
We will always value photography as a medium and are thrilled to offer a platform for the expression of projects that place an idea or concept at their core. I would like to encourage more original takes, critical vision and openness from artists, especially in a medium that still has so much unexplored potential.
Pipeline Magazine Description:
åºç瀟: Double Pipe Publishers Limited
ã«ããŽãªãŒ: Art
èšèª: Chinese - Traditional
çºè¡é »åºŠ: 45 Days
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