The Lucky Issue | An issue dedicated to Luck can only be a good omen. In this march 2023 issue of Vogue Portugal, we dive into themes of good fortune, bad luck, the weight of talismans and how each and everyone of us can - and should - be their own lucky charm. Though it doesn't hurt to grab Vogue as an extra one. One makes its own luck: buy making sure you have your copy before it's sold out.

English version available on all articles through QR codes

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The Lucky Issue | Uma edição dedicada à sorte só pode ser um bom augúrio. Neste número da Vogue Portugal de março de 2023, exploram-se os temas da boa fortuna, os jogos de azar, o peso dos talismãs e como cada um de nós pode - e deve - ser o seu próprio amuleto. De qualquer modo, não custa dar uma ajuda com este lucky charm que é a Vogue. A sorte faz-se: garantindo a sua cópia antes que se esgote.

Nesta edição de Abril, somos convidados a explorar as profundezas da nossa conexão com o passado, presente e futuro através do prisma das memórias. "Gosto de acreditar que a memória, em última análise, reside no amor, na criação e na vida de cada dia presente. As pessoas que mais amamos tornam-se uma parte física de nós, enraizadas nas nossas sinapses e nos caminhos onde as memórias são criadas."
Um pequeno excerto do editorial da diretora Sofia Lucas, presente no The Memories Issue.

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In this April issue, we are invited to explore the depths of our connection with the past, present and future through the prism of memories. "I like to believe that memory ultimately lies in love, in creation and in living each day in the present. The people we love most become a physical part of us, rooted in our synapses and in the pathways where memories are created."
A short excerpt from director Sofia Lucas' editorial in The Memories Issue.

"As flores têm uma longa história de encantamento sobre a humanidade, com o seu esplendor e simbolismo. Florescem na primavera e desvanecem no outono, para nos lembrarem de como a vida é efémera e, sobretudo, que deve ser vivida." Este excerto do editorial da diretora Sofia Lucas reflete uma edição dedicada à chegada da primavera e, mais do que às flores, ao florescer: de novas tendências, novas oportunidades, de novos crescimentos, de novos amores. The Blossom Issue chega às bancas com um suplemento de casamentos.
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"Flowers have a long history of dazzling humanity, with their splendor and symbolism. They bloom in spring and fade in autumn, to remind us how ephemeral life is and, above all, that it must be lived." This excerpt from the editorial by editor in chief Sofia Lucas reflects an issue dedicated to the arrival of spring and, more than just flowers, dedicated to blossoming: new trends, new opportunities, new growth, new loves. The Blossom Issue hits newsstands including a wedding supplement.

"Nesta edição, prestamos uma homenagem ao kitsch, ao seu lado lúdico e naif, e deixamos on hold conceitos como bom gosto, elegância, sofisticação ou subtileza. Brincamos com a estética mais julgada, criticada e desprezada de sempre." É assim que Sofia Lucas, diretora da Vogue Portugal, resume a edição de fevereiro, “The Kitsch Issue”: um elogio aos prazeres culpados e às coisas “foleiras”, a tudo o que não se enquadra nos parâmetros da estética minimalista e clean das últimas décadas. Sim, está na altura de tirar os cães de louça do armário. Sem medos.

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"In this edition, we pay homage to kitsch, to its playful and naive side, and we leave concepts such as good taste, elegance, sophistication or subtlety on hold. We play with the most judged, criticized and despised aesthetic of all time.” This is how Sofia Lucas, editor in chief of Vogue Portugal, sums up the February issue, “The Kitsch Issue”: a eulogy to guilty pleasures and “tacky” things, a tribute to everything that doesn't fit within the parameters of the minimalist and clean aesthetic of recent decades. Yes, it's time to get the china dogs out of the cupboard. No need to be afraid.

Esta edição é uma carta de amor. Ao próprio amor e ao amor-próprio, sublinhada pela esperança. A esperança de que, nos artigos e imagens que aqui se coleciona, seja capaz de exponenciar o Amor com letra grande numa altura em que tanto precisamos dele. "Love & Hope" é a edição de dezembro'23/janeiro'24.
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This issue is a love letter. To love itself and self-love, underlined by hope. The hope that, in the articles and images collected here, it will be able to spread Love -with capital latter - at a time when we need it so much. "Love & Hope" is the December'23/January'24 issue.

Arts Issue | “Quando a poeira dos séculos assenta, o que resta de cada civilização não são os seus dogmas e as suas ideologias, nem as suas razões para ir à guerra, mas as suas artes”, escreve a diretora Sofia Lucas para a edição de novembro. “Um artista também é uma espécie de historiador emocional”. Como Marina Abramovic, um dos nomes que dá rosto e está em discurso direto neste número dedicado a todo o género de artes, como a performance art, celebrando obra e artista mas, acima de tudo, a criatividade e a audácia de quebrar barreiras através da expressão artística.

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Arts Issue | “When the dust of the centuries settles, what remains of each civilization are not its dogmas and ideologies, nor its reasons for going to war, but its arts”, writes editor in chief Sofia Lucas in our November issue. “An artist is also a kind of emotional historian.” An artist such as Marina Abramovic, that is a cover star and speaks out in this issue dedicated to all types of arts, such as performance art, celebrating work and artist but, above all, creativity and the audacity to break barriers through artistic expression.

#TheFameIssue Paulina Porizkova, supermodelo original, amplamente considerada uma das mulheres mais bonitas do mundo, protagoniza uma das capas deste número. “No futuro, toda a gente será mundialmente famosa durante 15 minutos.” A frase, alegadamente proferida por Andy Warhol em 1968, transformou-se numa assustadora premonição da cultura das celebridades em que vivemos. Num século “moldado por uma obsessão pela fama”, como escreve Sofia Lucas, diretora da Vogue Portugal, é inevitável olhar para os caminhos do sucesso e questionar o que está por detrás dos holofotes e do glamour. Ao longo de 320 páginas, a edição de outubro analisa aplausos e elogios, mas reflete também sobre o lado obscuro da fama. 

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#TheFameIssue Paulina Porizkova, the original supermodel, widely regarded as one of the most beautiful women in the world, stars on one of the covers of this issue. “In the future, everyone will be world famous for 15 minutes.” The phrase, allegedly uttered by Andy Warhol in 1968, has become a frightening premonition of the celebrity culture in which we live. In a century “shaped by an obsession with fame”, as Sofia Lucas, editor in chief of Vogue Portugal, writes, it is inevitable to look at the paths to success and question what lies behind the spotlight and the glamor. Over the course of 320 pages, the October issue looks at applause and praise, but also reflects on the dark side of fame.

Let’s work! A Vogue celebra - e celebra é o verbo certo - o regresso ao trabalho com uma edição que aborda o horário de expediente no seu todo: na Moda, no Lifestyle, na Beleza, nos temas mais sensíveis e também nas abordagens mais otimistas, assumindo que a rentrée significa tanto o fim das férias como o início de uma nova etapa, um recomeço, até um começar do zero.

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Let's work! Vogue celebrates - and celebrates is the right verb - coming back to work with an issue that addresses office hours as a whole: in Fashion, in Lifestyle, in Beauty, in the more sensitive themes and also in the most optimistic approaches, assuming that rentrée means both the end of holidays as much as the beginning of a new stage, a reboot, even starting from scratch.

“Bem-vindos à silly season e ao The(Un)popular Issue, a nossa edição de verão – uma zona absolutamente segura, onde a impopularidade não é julgada nem desvalorizada e onde a popularidade pode ser questionada.” As palavras da diretora Sofia Lucas resumem o espírito deste novo número da Vogue Portugal, onde se celebra tudo o que é diferente, invulgar e kitsch: de tendências estranhas a músicas uncool, passando por sabores improváveis e discussões obrigatórias (depilar ou não depilar, eis a questão), há 288 páginas prontas a dissecar tudo o que for #unpopular. 

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“Welcome to the silly season and The(Un)Popular Issue, our summer issue – an absolutely safe zone, where unpopularity is neither judged nor devalued and where popularity can be questioned.” The words of director Sofia Lucas sum up the spirit of this new issue of Vogue Portugal, which celebrates all that is different, strange and kitsch: from weird trends to uncool music, improbable flavors and mandatory discussions (to wax or not to wax, that is the question), there are 288 pages ready to dissect everything that is #unpopular.

“Viajamos para nos perdermos; e viajamos para nos encontrarmos”. As palavras da diretora Sofia Lucas são a sinopse perfeita para uma edição da Vogue Portugal dedicada às viagens, em todas as suas formas e dimensões: no espaço, no tempo, na imaginação. Uma revista que é não só um itinerário repleto de escalas em temas que, em si, também nos fazem viajar, mas também uma bússola, para que nela, algures, também encontre o seu rumo.


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“We travel to lose ourselves; and we travel to find ourselves.” The words of editor in chief @Sofia.slucas are the perfect synopsis for an issue of Vogue Portugal dedicated to traveling, in all its forms and dimensions: in space, time, imagination. A magazine that is not only an itinerary full of stopovers on topics that, in themselves, also make us wander, but also a compass, so that in it, somewhere, somehow, you may also find your way.

“Nada é mais simples que o prazer”, terá dito o poeta e dramaturgo Jean Cocteau. É assim que resumimos o protagonista da edição de maio da Vogue Portugal, o hedonismo. Conhecido universalmente como “a busca do prazer”, o hedonismo é uma corrente filosófica complexa, que vai muito além de só fazer aquilo de que se gosta. Não sendo possível entrevistar o seu fundador, Aristipo de Cirene, por motivos óbvios, escolhemos a via mais óbvia: explorar o conceito que criou em (quase) todas as suas vertentes: estética, ética, filosófica e psicológica. É possível que, no final destas 288 páginas, até os mais descrentes se convertam a este modo de vida. Capa 01 de 02.

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“Nothing is simpler than pleasure”, the poet and playwright Jean Cocteau reportedly said. This is how we summarize the protagonist of the May issue of Vogue Portugal, hedonism. Universally known as “the pursuit of pleasure”, hedonism is a complex philosophical current that goes far beyond just doing what one likes. Since it is not possible to interview its founder, Aristippus of Cyrene, for obvious reasons, we chose the most obvious route: to explore the concept he created in (almost) all its aspects: aesthetic, ethical, philosophical and psychological.  It is possible that, at the end of these 288 pages, even the most skeptical will be converted to this way of life. Cover 01 of 02.

#TheRevolutionIssue No mês em que Portugal celebra 49 anos da Revolução dos Cravos, a Vogue lança uma edição dedicada às várias revoluções que diariamente se travam, um pouco por todo o mundo, por um futuro melhor e mais justo. Porque a verdadeira revolução nasce dentro de nós, e entre nós, para equilibrar as necessidades do indivíduo com as necessidades da comunidade. Porque a verdadeira revolução é interior, é uma questão de atitude. Como escreve Sofia Lucas, diretora da Vogue: “Eu não posso fazer a revolução, só posso ser a revolução. Que ou está no espírito de cada um de nós ou não está em lugar nenhum.”

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#TheRevolutionIssue In the month in which Portugal celebrates 49 years of its Revolution, Vogue launches an issue dedicated to the various revolutions that are fought every day, all over the world, for a better and fairer future. Because the real revolution is born within us, and among us, to balance the needs of the individual with the needs of the community. Because the real revolution is inside, it's a matter of attitude. As Sofia Lucas, editor in chief of Vogue, writes: "I cannot make

THE AGE OF INNOCENCE “Se o preço da sabedoria é a inocência, à medida que nos tornamos mais sábios ficamos, tristemente, menos inocentes. Mas à medida que envelhecemos talvez nos seja possível encontrar a sabedoria que nos leva de volta à inocência, provavelmente como uma evolução e preparação natural, já que nos aproximamos do regresso ao lugar desconhecido e divino de onde viemos.” Sofia Lucas, diretora da Vogue, reflete sobre os diferentes estágios da inocência, num editorial que dá início ao novíssimo The Innocence Issue. Esta capa tem realidade aumentada.
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THE AGE OF INNOCENCE "If the price of wisdom is innocence, as we become wiser we become, sadly, less innocent. But as we grow older perhaps it is possible for us to find the wisdom that brings us back to innocence, probably as a natural evolution and preparation as we approach a return to the unknown and divine place from which we came." Vogue director Sofia Lucas reflects on the different stages of innocence in an editorial that initiates the brand new The Innocence Issue. This cover has augmented reali

The holiday season wants to bring out the best of human connections and touch is its best manifest.

The subtle warmth of a handshake with someone you haven’t seen in a long time. The softness of a heartfelt embrace. The richness of a kiss. Senses are all heightened for Christmas, but touch - so important and mandatory for a full experience when flipping through the pages of a magazine - is the star of Vogue Portugal’s latest double issue.

And not just any touch: the velvet touch in a metaphorical softness that’s a common thread to all dimensions of the season, as well as the content of this December/January issue, with four covers that are as sweet as red velvet, as seductive as black velvet, as nostalgic as velvet underground.

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A época festiva pressupõe o melhor das ligações humanas e o toque é a sua melhor materialização.

O tato subtil de um aperto de mãos a quem já não se vê há muito tempo. A suavidade de um abraço sentido. A sumptuosidade de um beijo. Os sentidos são todos apurados na época natalícia, mas o tato - tão importante e determinante para uma experiência plena quando se folheia uma revista - é a estrela da mais recente edição dupla da Vogue.

E não um toque qualquer: o toque do veludo numa suavidade metafórica transversal a todas as dimensões da temporada e, também, ao conteúdo deste número de dezembro/janeiro, com quatro capas que são tão doces como um red velvet, tão sedutoras como black velvet, tão nostálgicas como velvet underground.

The 20th Anniversary Issue. “À medida que amadurecemos, tornamo-nos na soma de experiências, de memórias, de conhecimento e auto-conhecimento — e o que fazemos deve evoluir em conformidade. Essa é uma responsabilidade acrescida, que se estende ao ato de editar a Vogue Portugal.” As palavras de Sofia Lucas, diretora da Vogue Portugal, servem de mote a uma reflexão sobre as últimas duas décadas, que deixa espaço ao muito que ainda está por vir. Porque, afinal, o futuro continua a ser tão excitante como sempre foi. 

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The 20th Anniversary Issue. “As we mature, we become the sum of experiences, memories, knowledge, and self-knowledge — and what we do must evolve accordingly. This is an added responsibility, which extends to the act of editing Vogue Portugal.” The words by Sofia Lucas, editor-in-chief of Vogue Portugal, serve as a starting point to reflect upon the past two decades, which still leave so much space to what’s to come. Because, after all, the future is still as exciting as it always has been.

Uma borboleta bate as asas noutro canto do mundo e nasce uma nova edição da Vogue Portugal. Este mês, dedicamo-nos ao verdadeiro Butterfly Effect: “A mudança como uma série de eventos interligados que afeta tudo e todos em qualquer lugar do planeta.” As palavras são de Sofia Lucas, diretora da Vogue Portugal.

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A butterfly flaps its wings in a distant corner of the world and a new issue of Vogue Portugal is born. This month, we dedicate ourselves to the real Butterfly Effect: "The change as a series of interconnected events that affects everything and everyone anywhere on the planet." The words are from Sofia Lucas, director of Vogue Portugal

Não são cinco, mas é hora de servir o chá. O segredo mais bem guardado da estação fria está prestes a ser revelado e encontra-se nas páginas da Vogue Portugal. Fofocas, boatos, rumores e mexericos estão no centro da edição de setembro, onde se aborda tanto o seu poder destrutivo como a sua influência cultural. The Gossip Issue está já disponível aqui, na nossa loja online.

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It's not five o’clock, but it’s time to spill the tea. The most well kept secret of the cold season is about to be revealed and it is in the pages of Vogue Portugal. Gossip, rumors, scandals and whispers are in the center of the September issue, where we talk about their destructive power as well as their cultural influence. The Gossip Issue is available here, in our online store.

Abril 2024 - The Memories Issue

Março 2024 - The Blossom Issue

Fevereiro 2024 - The Kitsch Issue

Dezembro 2023/Janeiro 2024 - Love & Hope Issue

Novembro 2023 - The Arts Issue

Outubro de 2023

Setembro de 2023

Julho de 2023

Junho 2023

Maio 2023

Abril 2023

Março 2023

Fevereiro 2023

December 2022 - January 2023

November 2022

October 2022

A Vogue Portugal é uma revista direccionada para o público feminino, embora reúna leitores de todos os géneros, idades, origens. É conhecida como uma revista de moda, mas aborda também temas de beleza e estilo de vida, além de assuntos atuais. É independente e faz uso de sua liberdade de expressão. É uma revista impulsionada pela criatividade, consciência, valores orientados para a igualdade, garantindo sempre que o produto final, tanto em papel como digitalmente (através da sua versão online, plataforma web e redes sociais), seja de qualidade superior.

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is the World's largest and fastest growing self-service, cross-platform digital newsstand with over 87 million users since its inception in 2011 and thousands of magazines and newspapers across 40+ categories and 60+ languages. Headquartered in New York, Magzter has its local presence in Amsterdam, London, Mexico City, Chennai, Mumbai, New Delhi, Bengaluru, Singapore, and will soon be expanding to other countries. Founded by global entrepreneurs, Girish Ramdas and Vijay Radhakrishnan in June 2011, Magzter enables magazine and newspaper publishers around the world to create and deliver digital editions of their titles to global consumers.

n. We will also use usage information in order to ensure users adhere to our Terms of Use. For example, a user’s usage information will help us confirm that a user only downloads a magazine or other content a permitted number of times or to a permitted number of devices.

which gives digital readers unlimited access to 9,000+ magazines and newspapers for a monthly subscription price. Magzter also has the largest number of stories in the world with its game-changing ezRead 2.0 feature for its apps, which enables smartphone and small-screen mobile users to enjoy magazine content the way it was meant to be enjoyed, with article text that is easy to read and is accompanied by stunning videos and high resolution photography.

{{magzter}} is the World's largest and fastest growing self-service, cross-platform digital newsstand with over 87 million users since its inception in 2011 and thousands of magazines and newspapers across 40+ categories and 60+ languages. Headquartered in New York, Magzter has its local presence in Amsterdam, London, Mexico City, Chennai, Mumbai, New Delhi, Bengaluru, Singapore, and will soon be expanding to other countries. Founded by global entrepreneurs, Girish Ramdas and Vijay Radhakrishnan in June 2011, Magzter enables magazine and newspaper publishers around the world to create and deliver digital editions of their titles to global consumers.

Vogue Portugal Magazine - Março 2023

Vogue Portugal Magazine - Março 2023

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