This issue, we feature the works of several award-winning architects and designers.

In this issue of d+a, we feature the restoration of the Danish Seamen’s Church (Golden Bell Mansion), an architectural gem nestled within the greenery of Mount Faber. We also look at properties housed within historic buildings: a heritage townhouse in Shanghai and an 18th century villa Lake Como. 
Aside from projects that celebrate architecture and design that honour the past while looking to the future, we explore the forward-looking Built Environment Innovation Hub (BEIH) within the BCA Braddell Campus. And we asked three Singapore-based designers to share their vision for the modern workplace — evolved office spaces that encourage efficiency, interaction, and creativity.

This issue of d+a features the refurbished Embassy of Switzerland, surrounded by lush, mature trees. Through a modern Swiss approach, the redesign reuses the original structure, retaining its existing intimate qualities while introducing updated functionality and a contemporary aesthetic. Over in Japan, we visit Banyan Tree Higashiyama Kyoto whose architecture (by Kengo Kuma) integrates with the serene Higashiyama landscape, offering a sanctuary that embodies Kyoto’s understated elegance. We explore two multi-generational homes. One is a vacation house reimagined for a multi-generational family to gather for holidays in the verdant setting of Yongjia in Zhejiang, China. The other is a multi-generational house in Singapore that fosters a renewed sense of connection (balanced with privacy) among different family units. Also meet Aoki Akio, the founder of Designart Tokyo, to gain insights into the legacy of Tokyo’s distinguished art and design event and its significance for young creatives in Japan.

We bid adieu to the beloved Taman Bebek in Bali as we say hello to the SJ Campus, Safdie Architects’ latest project in Singapore. Check out our new Sourcing Section that aims to connect suppliers with specifiers.

In this issue of d+a, we feature architectural projects that not only redefine our built environment but also reaffirm our intrinsic connection to nature. Kuala Lumpur’s Sentul Pavilion is a glass and steel structure nestled within a lush private park. This multifunctional space fuses with its natural surroundings while offering a tranquil oasis for both intimate gatherings and public events. This ethos is also seen in the new House Maya in Andermatt, Switzerland whose living spaces embrace the surrounding natural beauty of the mountainous region. Over in tropical Sanya, the architects of Sanya Wellness Retreat draw inspiration from the coastal landscape. Another country that exemplifies its dedication to responsible design and sustainability is Japan. Thoughtfully designed by Kengo Kuma & Associates (KKAA), the Itomachi Hotel 0 is Japan’s first zero-energy hotel. Created as a community hub, the hotel’s inviting courtyards beckon guests to enjoy the outdoors. We also feature the meticulously restored Rumah Kechik in Malacca which showcases well-preserved architectural features and traditional craftsmanship woven with a touch of modernity.

In this first edition of 2024, we embark on a design journey that embraces the lush world of tropical architecture for residences. This is where the lines between indoor and outdoor spaces blur, and nature becomes an integral part of our living environments. We feature several contemporary residential projects in Bangkok, Kuala Lumpur and Singapore whose designs integrate verdant green pockets and trees. Beyond residences, we also visit MPavilion 10 in Melbourne, a unique structure conceived by Tadao Ando, Pritzker Prize winner and one of the world’s leading architects. The architectural masterpiece reflects Ando’s signature use of striking geometric interventions in nature and his precise use of concrete. Over in northern Thailand, the newly revamped Intercontinental Chiang Mai The Mae Ping boasts contemporary interiors that celebrate craftsmanship as well as pay homage to the Lanna heritage.

In this issue, we cover residential, mixed-use and hospitality properties around Asia that are marked by unique designs. For instance, some are woven with their own nostalgia, and others bear the unique stamp of their owners/residents.

In Japan, Zentis Osaka, the Palace Hotel Group’s first offering under the Zentis category, weaves in Osaka’s history and heritage with a modern and vibrant vibe. Check out its contemporary interiors, which are reminiscent of a stylish residence. Another boutique hotel that’s also the first of its stable is Else Kuala Lumpur in Malaysia. This beautifully restored commercial property injects a new consciousness into KL’s Chinatown district.

 Some projects are designed with notes of nostalgia injected into the fabric of their design. Oslo-based design firm Snøhetta referenced developer Nan Fung Group’s textiles heritage and the Kai Tak site’s aviation past for the design and build of commercial complex Airside, a mixed-use commercial development in Hong Kong. In Singapore, the rejuvenated Delta Sport Centre at Alexandra Road, undertaken by Red Bean Architects, highlights the viability and value of adaptive reuse.

Private residential properties are also given innovative ideas that have the power to reframe residents’ experiences - from the ultra-luxurious Scope Langsuan in Bangkok to the deliberately left unfinished Project Conservatory in Kuala Lumpur. 

This issue of d+a features Petronas Leadership Centre’s new contemporary campus of pedigree and inspiration. Malaysia’s Veritas Architects’ design for this institution is one that is sensitive to the dynamics of the natural environment and emissions.

In Tokyo, the Toranomon district is now home to two new green skyscrapers. Germany’s ingenhoven associates and Japanese real estate developer Mori Building, envisioned a ‘vertical garden city’ that implemented the principles of green and inclusive and accessible architecture.
 
On the topic of sustainability, the world’s largest furniture fair, Salone del Mobile, saw the gathering of product designers and interior designers who shared their insights on how they are shaping the furniture industry to become greener. 
 
Also meet founder of PLP Architecture Lee Polisano who tells us how his firm focuses on a life-centric approach to urban planning with an intention to create livelier, safer, healthier, future-proofed and more sustainable cities. 

In this issue of d+a, look out for  unique projects around Asia Pacific including the Ulaman Eco Luxury Resort in Bali which showcases avant-garde design and construction utilising highly durable and sustainable materials. Over in Sydney, the Quay Quarter Tower (QQT), designed by Danish firm 3XN, is dubbed the world’s first “upcycled” high-rise. Launched in 2022, it is poised to transform the city’s skyline. Learn about the new Hong Kong Palace Museum (HKPM), home to ancient artefacts that have never been shown to the public before. And a revitalised heritage estate in Chiang Mai that gets new life as a teahouse. Other design highlights in this issue include furniture and lifestyle company Kernel which bridges Singaporean furniture making with Japanese craftsmanship as well as Cubo, a company that produces stylish, low-cost and environmentally-friendly modular houses in the Philippines.

This issue features unique projects around Asia including a triangular multigenerational family home in Ghaziabad, India that celebrates nature as well as Shinta Mani Mustang, Bill Bensley’s first resort in Nepal. The property, slated to open in 2023, is built with purpose and exemplifies Bentley’s sustainable ethos. Learn more about upcoming projects in Singapore including the tallest building – 8 Shenton Way – with cutting-edge technological and sustainability features.

Another featured project is Waldorf Astoria Maldives Ithaafushi’s exclusive restaurant Terra, whose futuristic dining pods are made of bamboo, and tucked high amid a lush bamboo forest. Design-wise, meet Teo Yang, South Korea’s accomplished designer who’s determined to translate Korean heritage into modern designs, woven with meaning and purpose. The issue also shines the spotlight on Southeast Asian design talents who find inspiration in transforming  waste or discarded materials into a collection of useful pieces ranging from lamps to coffee tables.

A wide array of architectural projects and design output demonstrates the depth and breadth that currently define both practices.

Gracing the cover is St James Power Station. Following a restoration and refurbishment by W Architects in close collaboration with Studio Lapis, the almost 100-year-old national monument has been adapted into an office fit for the 21st century.

In the same issue, check out the hotel Capri by Fraser in Kuala Lumpur’s Bukit Bintang. Despite having a relatively compact site, it has a distinctive silhouette of angled glass façades, fins and floors that makes it stand out from among the surrounding high-rises. Another featured project is the Viettel Headquarters in Hanoi (by Gensler) that impresses with its unique massing and energy-efficient green roof.

Not to be missed either is a piece where four emerging interior designers (Janka Podbielski, Matthew Kek, Lam Jun Nan and Jay Liu) share their thoughts on where the industry is headed. This is the last in a series of stories published in collaboration with the Interior Design Confederation of Singapore over the first half of this year. 

Is the interior design industry merely surviving? In a bid to answer this, we have collaborated with the Interior Design Confederation of Singapore in the first half of this year to examine how creatives can up their game – look out for the feature that offers some useful suggestions. 

In fact, in 2022, d+a will be more d than a i.e. have a stronger focus on design, while still retaining our exclusive niche as an architecture magazine. A story that details how a new playbook that guides organisations towards embracing a design thinking mindset is representative of this direction. 

On the architecture front, admire the Changshu Jinmao Sales Centre that made it onto our cover, designed by Aedas and outstanding for an entrance with its blue brick courtyard walls and cascading fibre-optic water curtain. In Malaysia, we spotlight the architecture of its universities, demonstrating how they are using design to attract students. 

Do also make time for the piece on how architecture can support sustainability-related financing solutions. Banks have finally awakened to the reality that they need to help fight climate change and there is a seat at this table for designers too. 

It has literally been an eventful few months since our last issue. From COP26 to Singapore Archifest, the opening of the Expo 2020 Dubai and Salone del Mobile, the calendar has been very full. 

The Singapore Pavilion, designed by WOHA, graces our cover in all its green glory, and the Malaysia Pavilion, designed by Hijjas Architects + Planners, is the only 
net zero carbon pavilion at the Expo. 

Our annual report on the Milan Furniture Fair identifies six trends that will influence architecture and interior design in the year ahead. 

Look out too for the spectacular Al Dana Amphitheatre by S/L Architects, which scores points for generously deploying recyclable materials throughout, such as used shipping containers and wooden pallets. 

The issue closes on a light but thoughtful note, spotlighting the air-purifying eco-machine Air Bubble by ecoLogicStudio, staged at COP26. 

From the team at d+a, we wish you a Merry Christmas and a happy, eventful 2022!

Every single project feature in this issue is beautiful. There is nothing trivial about this sentiment, not when we are surrounded by so much ugliness, literally and metaphorically. Design has many important functions but remember that among the key ones is aesthetics. It pleases the senses and contributes to well-being; it is inspirational. 

We wish we could open our window every morning and gaze at Star Art Gallery, the project featured on the cover. By Singapore-headquartered architecture firm MAPS, it takes its cues from the surrounding mountain ranges of Yunnan, China and constellations in the night sky.

We would love to work in an office that faces the 18 Robinson skyscraper by KPF. When taking a break, we can look up and admire its sculptural form, interrupted by a sky garden a quarter way up. 

When we can travel for leisure, we will book a trip to Thailand to visit the Hyatt Regency Koh Samui by The Office of Bangkok Architect. The zen-like white box that makes up the lobby, with its quadrangular skylights, sets the stage for what promises to be a restorative holiday. 

We hope that in the next three months, this issue serves as the light in the dark. The projects that were curated to fill the following pages is our way of saying that even as you have to consider the other myriad of elements that go into designing a space or building, beauty should never be neglected or compromised.

As we mark our 20th anniversary this year, we realised we have grown up with an entire generation of architects, serving as companions to them through their university days, those early years as young practitioners and later, ascension to senior positions or even the setup of their own firms.

Over the past two decades, we have featured their projects, supporting them in their contribution to Singapore’s built environment, while also subliminally giving definition to the country’s architecture. It is therefore apt that this become the focus of a feature, where we trace its evolution in the last 20 years.

Yet, even as we look back, we must look forward. We have singled out eight architects to keep our eyes on, making up the next generation who will shape Singapore’s buildscape. 

Elsewhere in Issue 120 (yes, we have also published 120 issues to date), read about the project featured on the cover, Dusit Thani Laguna Singapore, a hotel and clubhouse conceptualised by Mercurio Design Lab. This remarkable piece of architecture is distinctive for its swooping roof, which reflects the silhouette of the golf course it is sited by, giving it that all-important contextuality. 

Worth highlighting too is Gibert&Tan;’s ECT Headquarters in Klang, Malaysia. We have identified how it is the latest in a slew of award-winning industrial architecture projects in the country that eschew boring and boxy for creativity and consideration.

We like to think it is our ability to spot trends like this (among other reasons) that keep our readers loyal to us since their days as an architecture student. Thank you so much and we look forward to remaining lifelong friends.

After showering attention on Asia for the past three years, we will shift our gaze back to Singapore and Malaysia in 2021, where our print edition is circulated. Our real estate is more precious now that we are only publishing every quarter, which is why we want to support the designers and architects who have been our loyal readers.

It is therefore befitting that the project we have featured on the cover is the Asian Institute of Chartered Bankers (AICB) Building by one of Malaysia’s premier practices, GDP Architects. Contributor Nizar Musa writes that it is easy to miss but spot it and what is unmistakeable is its occupation of a “unique design middle ground, of having neither too much nor too little, of being stately without statement”.

The same can be said of Outram Community Hospital in Singapore, which was conceptualised by B+H Architects. A complex, multi-faceted project that also has facilities for rehabilitation, administrative offices and even a kindergarten, it still manages to have an architectural language that is compositional, sculptural and cheerful.

Along a quiet residential lane in the eastern part of the country is a three-storey house by Ming Architects that used a series of staggered voids along its central axis to optimise the use of natural light and space. You’d never guess all this was happening behind its unassuming façade.

Do make time to read the feature on placemaking. This is a topic we are spotlighting in the first half of this year and a list of stories will be published in our print issue and website to delve deeper into it. With borders still closed because of the COVID-19 pandemic, and fuelled by the human need for connection and sense of belonging, this has become a glue to forge closer ties with one another. 

Do you wish we could just cancel out 2020? We know many architects would, no thanks to the COVID-19 pandemic. Fortunately, there are also those who managed to make lemonade out of lemons. Since this is our last issue of the year, it is befitting we fill our pages with some optimism through a feature story where four architects reflect on the past 11 months, while sharing their aspirations for 2021. Another heartening piece of news that broke in October was how the Urban Redevelopment Authority (URA) has proposed for Golden Mile Complex (GMC) to be gazetted for conservation. Since June this year, we have been championing the issue of saving Singapore’s modern built heritage and this move by the URA is truly ground-breaking. A second feature story this issue has nine other projects designed in the same style, which we hope will be accorded the same status as GMC. On the cover is the stunning Otemon Gakuin University Academic-Ark by Mitsubishi Jisho Sekkei, located in Osaka, Japan. With the massing of an inverted triangular pyramid, the new campus was inspired by Japan’s shrines and temples and how they double up as lively gathering places for their local communities. Do also read about Aemulus at the Runway, an electronics facility by Kuala Lumpur-based Design Unit Architects, set beside the Penang International Airport. Its distinctive red brick-on-pilotis aesthetic jazzes up the neighbourhood and offers an ingenious spin on industrial architecture. 

Singapore is well into Phase 2 of the reopening of its economy, yet, many of us continue to work from home and, based on the manpower surveys, seem to be happy to keep this up. Consequently, our abodes have become the new centre of our lives, which is why this issue is themed upon residences. 

In curating eight of them from Singapore, Malaysia, China and Europe, we hope that some (or all) of their unique elements will inspire you when you design your next residential project. On the cover is the award-winning Casa A by Portuguese firm REM’A Arquitectos. It uses sustainable wood, arranged in a diagonal pattern, to sheath its upper volume, and has deep triangular voids that blur the boundaries between indoors and out. 

Don’t miss the report featuring products that would have been launched at Salone del Mobile, if it had been held this year. There are some beautiful, eco-friendly and technologically-advanced pieces worth including in your next project. 

Real estate has also been dedicated to Dr. Chang Jiat Hwee, an Associate Professor at the Department of Architecture in the National University of Singapore, whose areas of interest include modern architecture. He has contributed a piece on how such buildings are actually more ubiquitous than we realise in Singapore. 

Finally, an update on the magazine. We will be adjusting the frequency of our print edition and our next issue will publish in November (the last one for 2020). From 2021, we will become a quarterly instead of a bimonthly. Do continue to keep up with us via Facebook and Instagram; check in with our website for design and architecture news and projects from around Asia. We look forward to remaining connected with you in the digital space. 

Singapore has been in a partial lockdown since 7 April, because of COVID-19, which means Issue 116 was produced while everyone was working from home. We are happy to report that it was smooth process, and are grateful to the newsmakers, advertisers and freelance writers for cooperating with us to make this happen. 

Gracing the cover is Sinan Books Poetry Store, an unexpected find of an adaptive reuse project by Wutopia that saw the conversion of a Russian orthodox church in Shanghai, China into a home for literary tomes. Dominating its interior is a dramatic steel bookcase structure that follows the outline of the walls and ceiling in the main hall. 

Sinan Books is obliquely connected to the feature story on conserving Singapore’s modern built heritage as an example of how to creatively respond to and reinvent a building’s programme. The first piece in a year-long series spotlighting this important topic, it offers the architectural perspective and analyses what the fuss is all about. 

The second feature is centred on architects sharing their thoughts on how the built environment will evolve in a post-COVID-19 world. Six personalities with different areas of specialisations – from urban planning to landscape architecture – offer their views on how their work is going to be impacted by the threat of pandemics. 

On a more light-hearted note, check out the delightful spread by our creative director. It features versatile furniture pieces that were curated for their ability to smoothly transit between home, hotel, office, public space…or wherever you want them to be. 

Flip through Issue 115 and you might notice d+a is a little different this issue. For starters, we have given the design some A&A, in renovation speak. The result is more breathing space in the layouts, a fresh set of fonts and overall, a chicer appearance. 

Another change is the introduction of the new section, Life. It offers snapshots of how design is applied in other disciplines outside of the built environment. We kick things off with a spread on interesting dial designs on timepieces, and a feature on fitting out a private jet. 

Elsewhere in the magazine, look out for two stories written after a trip to Germany in January. One is the coverage of Heimtextil, a fair that increased our appreciation of textiles and the important role they play in softening the edges of a space. The other is of a visit to the unconventional Hansgrohe Aquademie, the headquarters of the bathroom and kitchen fitting manufacturer, nestled deep in the Black Forest in the town of Schiltach. 

Stellar is the project published on the cover, a study in balancing form and function. Located in Gujarat, India and designed by Sanjay Puri Architects, the mixed-use building stands out for a rust-red, sculptural volume, inspired by origami, perched on the open, north-oriented terrace. 

Another project worth highlighting is Sun City Kobe Tower, a 35-storey building dedicated to luxury senior living, designed by Richard Beard Architects and BAMO. Together, they have successfully created a resort-like experience with a plethora of beautiful communal spaces. 

The first full issue of the year and decade offers a line-up centred on technology, continuous learning and community – all of which are important to the future of design and architecture. The commitment to advancing knowledge is always a good resolution to have and we advocate this through a feature on different Master of Architecture programs you can take up. 

Successively, the focus shifts to virtual reality. Our bets are on this immersive tool revolutionising the architectural design process and we introduce a few companies that you should be acquainted with. 

Of the project features, the 10 we have curated this issue each represents one or more of the themes important to us at d+a. The cover is of A Simple Headquarters, the corporate office of car dealership Wearnes Automotive. Aesthetically striking, it is designed by Pencil Syndicate and embodies that ideal balance of form and function. 

There are two projects located in India; one, a Hindu temple, and the other, a house. Temple In Stone and Light is a contemporary interpretation of this traditional place of worship. Chhavi, the Desert House conforms to the ancient Indian architectural principles of Vastu Shastra.

Another abode published in this issue is House68 by Design Collective Architects. The residence is an adroit composition of materials and bespoke parts divided into three distinct pavilions, giving it a five-star resort aesthetic. 

We close the issue with a possible solution for mass, affordable housing. TECLA, as the project is named, has a structure made from reusable, recyclable materials taken from the local terrain and produced by a 3D printer. This is a topic that has dominated headlines around the world and it is heartening to learn how architects are harnessing technology to find an answer.

The latest issue of d+a is a reflection of how busy the last quarter of the year typically is. For example, it starts with a feature story based on an exclusive press trip to Europe, invited by Vitra and W. Atelier, to visit a textile mill in northern Italy that manufactures fabrics for Vitra’s furniture. We then crossed the Swiss Alps to the small German town of Weil Am Rhein to tour the impressive Vitra Campus.
There were events aplenty, which we were media partners of. These included the annual ArchiFest 2019, the PropertyGuru Asia Property Awards and the 8th mASEANa International Conference. Please don’t miss the important message the latter is trying to convey – we must remain united against allowing our national heritage to be erased. We interviewed Tim Kobe, the founder and CEO of Eight Inc., who is best known for conceptualising the original brick-and-mortar Apple Store. An experience designer, he is a strong proponent of designing with the end-user in mind, which is why his statement that an architect’s job “is fundamentally to serve people” really resonated with us. On the cover this issue is the Lost Villa Boutique Hotel. Marvel at how DAS Lab has camouflaged the project into the village of Dawan in Ningxia, China. You will realise the intention is both to harmonise with the surrounding landscape and local village architecture. Special mention must go to Masjid Daing Abdul Rahman, a contemporary-style mosque in Malaysia by Razin Architects that is a three-storey cube of glass, brick and steel. Its description of the project aptly sums it up, “We wanted to show a progressive image, not be
stuck with the conventional dome and minaret.”

“Most children enjoy running around in circles.” This is what Japanese architect Takaharu Tezuka shared, when interviewed about what motivated his design for Muku Nursery in Shizuoka, Japan. The outcome is what you see on the cover of this issue, a cluster of buildings each with a circular footprint. It reflects his practice of always asking how a project is going to enhance the lives of those who use it, before he starts designing it. 

Tezuka’s approach to architecture is reflective of a larger trend that is less of the “me”, and more of the “we”. It was most noticeable at the Kuala Lumpur Architecture Festival 2019’s conference, DATUM:KL, held in July. Across three days, speakers from all over the world repeated themes about the importance of complementing nature, the shying away from designing edifices, and a deep-seated respect for the community, locality and placemaking.

Elsewhere in this issue, we showcase two adaptive reuse projects. The Temasek Shophouse is made up of five three-storey conservation shophouses in Singapore that date back to 1928 and have been successfully refurbished by Surbana Jurong Consultants. Kaomai Estate 1955 is a project in Chiang Mai, Thailand that used to be a tobacco processing estate. 

Look out too for the curvaceous and dramatic Malaysia International Trade and Exhibition Centre by RSP Architects, located in Kuala Lumpur. On a smaller scale (but no less short on drama either) is the Marquee nightclub and Avenue cocktail lounge by ICRAVE in Marina Bay Sands Singapore. Occupying what was formerly a three-storey theatre with a 21m ceiling height, both venues are designed as contrasts of each other and complete sensorial experiences. 

Earlier this year, the Building Better Building Beautiful Commission from the UK released a report entitled Creating space for beauty. In it, it states, “Beauty is a part, not the whole part but an inescapably necessary part of the good life, of what, long ago, the Greeks called eudemonia. And beauty should be shared and democratic[,] not forgotten.”

We were heartened to learn about the existence of this organisation and excited to read how it wants “to put beauty back on the agenda”. This is something we try to do ourselves and, we hope, inspire our audience to follow. 

Case in point is the project on our cover this issue, the UCCA Dune Art Museum by OPEN Architecture, in Qinhuangdao, China. Its beauty lies in how it is partially submerged beneath natural sand dunes and composed of organically-shaped, interconnected, grotto and cave-like segments that mediate the space between land and sea. 

Equally good-looking are the three bungalows that we have featured – each set in a slightly different tropical context. The first is in Malaysia, by MJKanny Architect, that uses a funnel to build anticipation up towards the view, enhanced by a half-radial layout. The second is in Thailand, by Sunday* Architects, and draws on classic Mid-century Modern design elements. The third is in Indonesia, by Saota, a collection of buildings connected by gardens, courtyards and planted terraces. 

Still on the topic of homes, our anchor feature is on affordable housing and the architectural firms that are innovating in this space. The lack of reasonably-priced homes to be offered to the masses is a global issue and governments are now examining the challenge on their hands. This story spotlights a few projects and the architects who are behind them.

A meet-up with Piero Lissoni in his Milan office last March revealed his emphatic belief that architects must always be respectful and responsible when designing a project by not making others “victims” of their work. One application of this is to the importance of context – something that the projects featured in this issue are mindful of. 

For example, Raya Heritage is a new hotel in Chiangmai, Thailand by Boon Design. Faced with a brief from the client to have the property connect to traditional northern Thai culture, the firm created a building with tiered roofs and a structural integrity inspired by vernacular architecture. From Spain comes a villa, Stgilat Aiguablava, by architect Enric Ruiz-Geli and Cloud 9. It establishes a dialogue with the landscape, culture and materials of the Costa Brava region where the house is located. 

A second house, featured on the cover of this issue, is named Surprising Seclusion by HYLA Architects. Designed more as a response to the context of a dense, noisy urban environment, it turns inward with spacious inner courtyards layered with interlocking voids, and an abundance of internal landscaping and natural light. 

Even interior projects can and should be aware of context. The Penthouse Suites of the Ascott Orchard Singapore – and the entire property, for that matter – take their cue from its location along the shopping belt and have interiors inspired by fashion. Designed by Ascott's in-house team led by Kian Liew, they are fitted out with pieces from the home collection of Fendi. 

Our April/May 2019 is all about twinning. We published two reports: one on Ambiente, an important consumer goods exhibition, and the other on Bangkok Design Week. We spotlight the area of Tanjong Pagar twice. The first is in a feature on its waterfront, where the Future Cities Laboratory has come up with a few interesting possible scenarios as to how it can develop once the port moves out. The second is of the mixed-use development Tanjong Pagar Centre, which is now Singapore’s tallest project, designed by SOM. Look out too for a pair of projects from the Middle East. Atelier Brückner has designed the permanent exhibition Arabian Journeys in the King Abdulaziz Center for World Culture. We uncover some of the technologies they used to bring the stories to life. In Israel, Asaf Gottesman has completed the Postscript Residence. This project marks a return to designing a typology he was a leader of in the 1990s, but has not done since 2001. The second home in this issue, Project #4, is a type of twin too, albeit a fraternal one. Created by Studio Wills + Architects, it is a re-arrangement of the massing of Project #3, itself another house in the same neighbourhood. We hope it intrigues you as much as it did
us.

The themes of technology, heritage and conservation make their presence felt this issue. On the tech front, the feature story lists some of the latest tools that architects and designers can add to their kit to improve the way they work, and benefit the environment and the people utilising those spaces. On the heritage and conservation front, the second feature story covers in depth how Bangkok is borrowing these elements to revitalise the banks of the Chao Phraya. Warehouses, shophouses and even the city’s grand dame, the Mandarin Oriental hotel, are undergoing adaptive reuse and being updated. In Singapore, a shophouse along Blair Road has been beautifully restored. Read how its architect Terence Quah had to overcome unexpected several roadblocks posed by the Urban Redevelopment Authority.  Found in the People section is Chooake Wongwattanasilpa who heads the user experience and design division of DBS Bank. He sheds light on design thinking and in a complementary story on the d+a website, shares how architects can enter the field too.

This issue kicks off with a feature on architecture for the silver generation. Earlier in 2018, Colliers International released a report on Asia’s ageing crisis and the increasing need for senior housing. This sparked the story idea that analyses how design can play a part in mitigating this challenge. On the projects front, two five-star hotels in Shanghai, China have opened recently. Both Bulgari Hotel Shanghai and The Middle House (page 52) have strong ties to Italy, but attempt to introduce, in their own ways, that highly important sense of place. Look out for Seascape Lembongan a villa on Nusa Lembongan in Indonesia that takes its cue from the Mediterranean aesthetic. Also taking inspiration from Europe is Merci Marcel, a restaurant that hopes to bring a slice of France to Singapore, yet offers a strong connection to its
locality. Don’t miss either the retrospective coverage of Design Affair, d+a’s very first event, which we are happy to share was very well-received. We look forward to your continued support. Finally, since this issue straddles 2018 and 2019, here’s wishing you a Merry Christmas and Happy New Year.

The Oct/Nov 2018 issue is a geographically diverse one, unveiling many gems across Asia. The feature story takes us to Cambodia (page 30), where we examine how design-oriented boutique hotels have helped the city of Siem Reap attract higher net worth tourists. We also have projects from further north: the office of Taipei-based singer-songwriter JJ Lin, a stunning penthouse in Hong Kong’s Mid-Levels, and an urban ryokan located in Tokyo that successfully embodies all the characteristics of this traditional Japanese inn. Back in Southeast Asia, there is more than what meets the eye of the Unilever Headquarters in Jakarta. Its architects actually borrowed ideas from Indonesian villages to design it. In Malaysia, we peel back the brick walls of the Jandabaik Villas in Pahang to see how it co- exists peacefully with nature. Stories from our home base in Singapore include the versatile office-cum-showroom of architect Terence Chan, Inte Architect’s first bungalow project in Old Holland Road, and Meating Place, a restaurant that translates its specialty in proteins into its interiors.

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d+a is a bi-annually design magazine that covers the latest trends and developments in design, architecture, and technology. The magazine is known for its high-quality photography and in-depth articles on a wide range of topics, including:

* Design: d+a covers the latest design trends in everything from product design to interior design to graphic design. The magazine also features profiles of leading designers and design studios.
* Architecture: d+a covers the latest architectural projects from around the world, with a focus on sustainable and innovative design. The magazine also features interviews with renowned architects and architecture firms.
* Technology: d+a covers the latest technological innovations that are shaping the world of design and architecture. The magazine also features articles on how technology is being used to create new and exciting design possibilities.

d+a is a must-read for anyone who is interested in design, architecture, and technology. The magazine provides readers with a unique perspective on the latest trends and developments in these fields, as well as insights from leading designers, architects, and technologists.

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1. Sie stimmen zu, dass die Nutzung von Magzter.com, der Anwendung und ihren Diensten ausschließlich auf Ihr eigenes Risiko erfolgt. Weder Magzter.com noch seine Partner, Mitarbeiter oder Drittanbieter von Inhalten garantieren, dass der Dienst völlig unterbrechungsfrei, fehlerfrei oder narrensicher gegen betrügerische Aktivitäten ist. Sie garantieren auch nicht, dass Sie genau die Ergebnisse erhalten, die von der Website oder dem Produkt erwartet oder versprochen werden.

11. DER DIENST UND ALLE VERÖFFENTLICHUNGEN WERDEN „WIE BESEHEN“ UND „WIE VERFÜGBAR“ ZUR VERFÜGUNG GESTELLT. MAGZTER, SEINE TOCHTERGESELLSCHAFTEN, LIEFERANTEN, LIZENZGEBER UND VERTRETER SCHLIESSEN AUSDRÜCKLICH ALLE GEWÄHRLEISTUNGEN JEGLICHER ART AUS, OB AUSDRÜCKLICH ODER STILLSCHWEIGEND, EINSCHLIESSLICH, ABER NICHT BESCHRÄNKT AUF DIE STILLSCHWEIGENDEN GEWÄHRLEISTUNGEN DER MARKTGÄNGIGKEIT, EIGNUNG FÜR EINEN BESTIMMTEN ZWECK UND NICHTVERLETZUNG. Ohne das Vorstehende einzuschränken, übernehmen weder Magzter noch seine verbundenen Unternehmen, Lieferanten, Lizenzgeber oder Vertreter eine Garantie dafür, dass (i) der Dienst Ihren Anforderungen entspricht, (ii) der Dienst unterbrechungsfrei, pünktlich, sicher oder fehlerfrei verfügbar ist, ( III) DIE INFORMATIONEN, DIE DURCH DIE NUTZUNG DES DIENSTES ERHALTEN ODER IN DEN VERÖFFENTLICHUNGEN ENTHALTEN WERDEN KÖNNEN, RICHTIG ODER ZUVERLÄSSIG SIND, ODER (IV) DIE QUALITÄT JEGLICHER VERÖFFENTLICHUNGEN ODER DES DIENSTES IHREN ERWARTUNGEN ENTSPRECHEN. SIE SIND ALLEIN VERANTWORTLICH, EINE ZUVERLÄSSIGE INTERNETVERBINDUNG UND IHR GERÄT ZU ERHALTEN UND AUFZUBEWAHREN. MAGZTER IST NICHT VERANTWORTLICH, WENN SIE INHALTE NICHT HERUNTERLADEN KÖNNEN. JEGLICHES HERUNTERLADEN ODER ANDERWEITIGE ERHALTEN VON MATERIALIEN DURCH DIE NUTZUNG DES DIENSTES ERFOLGT NACH IHREM EIGENEN ERMESSEN UND AUF IHR RISIKO. SIE SIND ALLEIN VERANTWORTLICH FÜR SCHÄDEN AN IHREM COMPUTERSYSTEM ODER MOBILEN GERÄT ODER DATENVERLUST, DIE AUS DEM HERUNTERLADEN SOLCHER MATERIALIEN ENTSTEHEN. KEINE RATSCHLÄGE ODER INFORMATIONEN, OB MÜNDLICH ODER SCHRIFTLICH, DIE SIE VON MAGZTER ODER ÜBER DEN DIENST ERHALTEN, BEGRÜNDEN EINE GARANTIE.

2. Sie werden diese Informationen pflegen und umgehend aktualisieren, um sicherzustellen, dass sie wahr, genau, aktuell und vollständig sind. Sie sind dafür verantwortlich, die Vertraulichkeit Ihres Kontos und Passworts zu wahren und den Zugriff auf Ihren Computer einzuschränken, und Sie erklären sich damit einverstanden, die Verantwortung für alle Aktivitäten zu übernehmen, die unter Ihrem Konto stattfinden, einschließlich der Auswahl und Nutzung aller Inhalte und Dienste.

3. In keinem Fall haften Magzter.com oder eine natürliche oder juristische Person oder ein Dritter, der an der Erstellung, Produktion und Verbreitung der Inhalte auf der Website und der Anwendung beteiligt ist, vertraglich oder gesetzlich für Schäden, einschließlich, aber nicht beschränkt auf, direkte, indirekte, zufällige, besondere und Folgeschäden, die Ihnen während oder bei der Nutzung von Magzter.com entstehen. Durch die Registrierung auf der Website oder das Herunterladen der Anwendung erklären Sie sich damit einverstanden, dass die in diesem Abschnitt genannten Bestimmungen für die gesamte Nutzung und den Inhalt der Website und der Anwendung gelten.

3. Ohne vorherige schriftliche oder autorisierte Genehmigung von Magzter dürfen Sie die von Magzter erhaltenen Inhalte nicht ändern, kopieren, verbreiten oder verkaufen, da alles, was hier veröffentlicht wird, Eigentum von Magzter oder seinen Lizenzgebern ist. Da eine solche unbefugte Nutzung auch gegen geltende Gesetze, einschließlich Urheber- und Markenrecht, verstoßen kann, verbietet Magzter dies streng und sperrt Ihren Zugang und Ihr Konto, wenn eine solche illegale Aktivität nachgewiesen oder entdeckt wird. Sie sollten auch für die durch diese unerlaubten Aktivitäten verursachten Schäden haftbar gemacht werden. Sofern vom rechtmäßigen Eigentümer der Veröffentlichung nicht gestattet, erkennen Sie an, dass Sie durch das Herunterladen von Veröffentlichungen, auf die Sie über den Dienst zugreifen, keine Eigentumsrechte erwerben. Sofern nicht ausdrücklich durch das Urheberrechtsgesetz vorgeschrieben oder durch die Funktionen des Dienstes erlaubt, dürfen Sie diese nicht verändern, zurückentwickeln, veröffentlichen, übertragen, anzeigen, an der Übertragung oder dem Verkauf teilnehmen, davon abgeleitete Werke erstellen oder sie in irgendeiner Weise kommerziell nutzen oder bereitstellen ohne die ausdrückliche Genehmigung von Magzter und dem Eigentümer dieser Inhalte an Dritte weiterzugeben. Wir gewähren Ihnen keinerlei Lizenzen, weder ausdrücklich noch stillschweigend, am geistigen Eigentum von Magzter oder den Lizenzgebern von Magzter.

5. Sie erkennen ausdrücklich an, dass Magzter.com nicht für verleumderisches, beleidigendes oder rechtswidriges Verhalten anderer Nutzer oder Dritter oder deren Inhalte jeglicher Art haftet und dass das Verletzungsrisiko aus dem Vorstehenden vollständig bei Ihnen liegt.

8. Magzter behält sich alle Rechte vor, die von Ihnen veröffentlichten und eingegebenen Inhalte zu überwachen, um festzustellen, ob Sie diese Allgemeinen Geschäftsbedingungen und andere von Magzter festgelegte Betriebsregeln einhalten. Magzter hat das Recht, über die Inhalte zu entscheiden und diese nach eigenem Ermessen zu löschen.

9. Magzter ist ein Vertreiber und KEIN Herausgeber der Veröffentlichungen und daher hat Magzter keine redaktionelle Kontrolle über den Inhalt, einschließlich Meinungen, Ratschläge, Aussagen, Dienstleistungen, Angebote usw., der in den Magazinen dargestellt wird. Daher übernimmt Magzter keine Verantwortung für die Richtigkeit oder Zuverlässigkeit der darin enthaltenen oder über den Dienst zur Verfügung gestellten Informationen oder Fakten, die nicht von autorisierten Magzter-Mitarbeitern im Rahmen ihrer offiziellen Befugnisse bereitgestellt werden. Dementsprechend haben wir keine redaktionelle Kontrolle über die Veröffentlichungen. Alle Meinungen, Ratschläge, Aussagen, Dienstleistungen, Angebote oder andere Informationen oder Inhalte, die von Dritten geäußert oder zur Verfügung gestellt werden, einschließlich derjenigen, die in den vom Dienst angebotenen Veröffentlichungen gemacht werden, sind die des jeweiligen Autors bzw. der jeweiligen Autoren oder Herausgeber und nicht von Magzter. Magzter haftet nicht für Verluste oder Schäden, die dadurch entstehen, dass Sie sich auf Informationen verlassen, die Sie über den Dienst oder aus den Veröffentlichungen erhalten. Der Dienst kann Links zu anderen Internetseiten und Ressourcen Dritter enthalten und Magzter übernimmt keine Verantwortung oder Haftung für die auf solchen verlinkten Websites verfügbaren Mitteilungen oder Materialien. Diese Links werden nur zu Ihrer Bequemlichkeit bereitgestellt. Es liegt in Ihrer alleinigen Verantwortung, die Allgemeinen Geschäftsbedingungen zu verstehen, die gelten, wenn Sie die Website eines Drittanbieters besuchen oder über diese eine Bestellung aufgeben.

 Einzelheiten zum anstößigen Inhalt, einschließlich seines Links auf unserer Plattform

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Gift your loved ones with a Magzter Gift Card instantly and give them the freedom to read their favorite magazines from thousands of best-selling titles.

Schenken Sie Ihren Liebsten eine Magzter-Geschenkkarte, die sie umgehen erhalten, und geben Sie ihnen die Freiheit, ihre Lieblingsmagazine aus {{magCount}} internationalen Bestseller-Titeln zu lesen.

Girish Ramdas ist Mitbegründer und CEO von Magzter, einem in New York ansässigen Startup, das im globalen digitalen Verlagsgeschäft für Aufsehen gesorgt hat. Magzter hat seit seiner Einführung im Jahr 2011 80 Millionen Nutzer aus mehr als 150 Ländern mit Tausenden von Zeitschriften, Zeitungen und Büchern von mehr als 4.500 Verlagen weltweit. Er verfügt über mehr als 25 Jahre Erfahrung im plattformübergreifenden Publishing, einschließlich Print-, Mobil- und Webentwicklung. In dieser Zeit war er Mitbegründer und Leiter von drei erfolgreichen Start-up-Unternehmen. Er hat Zeitschriftenunternehmen die Digitalisierung ermöglicht und hilft ihnen, ihre Inhalte in der digitalen Welt zu monetarisieren. Girishs umfassende Branchenerfahrung in Online-, Mobil- und Verlagsökosystemen hat ihn zu einem Experten für die Akquise, Vermarktung und Monetarisierung digitaler Inhalte auf allen Plattformen weltweit gemacht.

 Für den Fall, dass Sie auf unserer Plattform auf anstößige Inhalte stoßen, haben wir eine Beschwerderichtlinie eingeführt, um auf Ihre Bedenken einzugehen.

Magzter Inc. (”Unternehmen”, ”wir”, ”uns” oder ”unser”) weiß, dass es Ihnen wichtig ist, wie Ihre persönlichen Daten verwendet und weitergegeben werden. Bitte lesen Sie die folgende Datenschutzrichtlinie (die ”Richtlinie”), um mehr über unsere Datenschutzpraktiken zu erfahren.Indem Sie eine der vom Unternehmen betriebenen Websites und deren Subdomains besuchen oder eine unserer mobilen Anwendungen und anderen Methoden der Inhaltsverteilung(zusammen der ”Dienst”) nutzen, erkennen Sie an, dass Sie die dargelegten Praktiken und Richtlinien akzeptieren in dieser Richtlinie und Sie stimmen hiermit zu, dass wir Ihre Daten auf die folgende Weise sammeln, verwenden und weitergeben.

Magzter Inc. ist der weltweit größte und am schnellsten wachsende plattformübergreifende digitale Zeitungskiosk mit Selbstbedienung mit über 80 Millionen Nutzern seit seiner Gründung im Jahr 2011 und Tausenden von Zeitschriften und Zeitungen in über 40 Kategorien und über 60 Sprachen. Magzter hat seinen Hauptsitz in New York und ist vor Ort in Amsterdam, London, Mexiko-Stadt, Chennai, Mumbai, Neu-Delhi, Bengaluru und Singapur vertreten und wird bald in andere Länder expandieren. Magzter wurde im Juni 2011 von den globalen Unternehmern Girish Ramdas und Vijay Radhakrishnan gegründet und ermöglicht Zeitschriften- und Zeitungsverlagen auf der ganzen Welt, digitale Ausgaben ihrer Titel zu erstellen und an globale Verbraucher zu liefern.

 Magzter ist bestrebt, unseren Benutzern eine sichere Plattform bereitzustellen. Bitte beachten Sie, dass Magzter lediglich eine Plattform für Verlage zur Verbreitung ihrer Inhalte ist. Wir kontrollieren oder unterstützen die auf unserer Plattform veröffentlichten Inhalte nicht. Wir können nicht für die Handlungen unserer Herausgeber oder deren Inhalte verantwortlich gemacht werden.

Magzter ist nicht dafür verantwortlich, eine Partei zu entschädigen, die aufgrund eines Inhalts oder eines Teils des Inhalts, der ihre Rechte verletzt, Schäden oder Kosten erlitten hat. Magzter haftet nicht für zivilrechtliche Schritte wegen Rechtsverletzungen, die durch einen Inhalt oder einen Teil des Inhalts verursacht werden, der die Rechte Dritter verletzt.

Magzter bietet den weltweit größten ”All-You-Can-Read” - Abonnementdienst namens Magzter GOLD an, der digitalen Lesern zu einem monatlichen Abonnementpreis unbegrenzten Zugriff auf mehr als 8.000 Zeitschriften und Zeitungen bietet.Darüber hinaus verfügt Magzter mit der bahnbrechenden ezRead 2.0 - Funktion für seine Apps über die größte Anzahl an Geschichten weltweit.Nutzer von Smartphones und Mobilgeräten mit kleinem Bildschirm können die Zeitschrifteninhalte so genießen, wie sie gedacht sind, nämlich mit Artikeltext Es ist leicht zu lesen und wird von atemberaubenden Videos und hochauflösenden Fotos begleitet.

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Bitte füllen Sie dieses Formular aus, falls Sie Hilfe bei der Veröffentlichung Ihrer Inhalte auf Magzter benötigen

 Vor Magzter war er Präsident von Dot Com Infoway (DCI) und Galatta Media. Zu seinen Aufgaben gehörten strategisches Marketing, Partnerschaftsentwicklung und die weltweite Monetarisierung von Inhalten. DCI wuchs von einem kleinen Team von 3 im Jahr 2000 auf 300 im Jahr 2011 und beschäftigte sich mit der Web-, Software- und App-Entwicklung für Kunden auf der ganzen Welt.

Seit der Einführung hat sich Magzter dazu verpflichtet, mit globalen Organisationen zusammenzuarbeiten, um die bestmögliche Zeitungskiosk-Technologie und den besten Service für unsere Kunden anzubieten. Egal, ob Sie Magazin-Abos für Ihren Kundenstamm anbieten oder einfach nur mehr erfahren möchten, engagiert sich Magzter für das Wachstum Ihres Unternehmens. Um mehr zu erfahren, füllen Sie bitte den folgenden Fragebogen aus:

 Das DMCA ermöglicht es uns, die entfernten Inhalte wiederherzustellen, wenn die Partei, die die ursprüngliche DMCA-Mitteilung eingereicht hat, nicht innerhalb von zehn Werktagen nach Erhalt der Kopie Ihrer Gegendarstellung eine gerichtliche Klage gegen Sie einreicht.

Diese Richtlinie deckt den Umgang des Unternehmens mit personenbezogenen Daten(”personenbezogene Daten”) und anderen Informationen über Sie und Ihren Computer oder Ihr Gerät ab, die das Unternehmen erfasst, wenn Sie auf den Dienst zugreifen. Wir können personenbezogene Daten von Ihnen erfassen, wie nachstehend ausführlicher erläutert, und wir verwenden diese personenbezogenen Daten intern im Zusammenhang mit unseren Diensten, unter anderem zur Personalisierung, Bereitstellung und Verbesserung unserer Produkte, Dienste, Inhalte und Werbung und um Ihnen die Möglichkeit zu geben um ein Benutzerkonto und -profil einzurichten, um Sie zu kontaktieren, um Ihre Anfragen für bestimmte Produkte und Dienstleistungen zu erfüllen und um zu analysieren, wie Sie die Dienste nutzen. In bestimmten Fällen geben wir möglicherweise einige personenbezogene Daten auch an Dritte weiter, jedoch nur wie in Punkt 4 beschrieben.

Dieser Titel ist in Ihrem Magzter GOLD-Abonnement enthalten

 Analysieren Sie die Qualität von Inhalten und geben Sie den Herausgebern entsprechendes Feedback

 Wir haben einen Beschwerdebeauftragten benannt, der alle Beschwerden im Zusammenhang mit anstößigen Inhalten bearbeitet.

 Wir bitten Sie, jede Beschwerde im Zusammenhang mit anstößigen Inhalten per E-Mail an die oben genannte E-Mail-Adresse an den Beschwerdebeauftragten zu richten. Wir bitten Sie außerdem um die Angabe der folgenden Angaben, wenn Sie eine Beschwerde einreichen

und die App, die Ihnen die Möglichkeit bietet, verschiedene Zeitschriften, Bücher, Nachrichten sowie magazin- und publikationsbezogene Inhalte (gemeinsam als „Veröffentlichungen“ bezeichnet) zu bestellen, zu abonnieren und deren Lieferung zu erhalten und sich diese digitalen Versionen der Veröffentlichungen liefern zu lassen

C.Wir sammeln auch Informationen im Zusammenhang mit Ihrer Nutzung der Anwendung, um personalisierte Empfehlungen abgeben zu können.Wenn Sie uns die Zugangsdaten für Ihr Drittanbieterkonto zur Verfügung stellen, verstehen Sie, dass einige Inhalte und / oder Informationen in diesen Konten(”Drittanbieterkontoinformationen”) möglicherweise an Ihr Konto bei uns und an dieses Drittanbieterkonto übermittelt werden, wenn Sie solche Übertragungen autorisieren An den Dienst übermittelte Informationen fallen unter diese Richtlinie.

 F. Die von uns erfassten personenbezogenen Daten ermöglichen es uns, auf Ihre Anfragen zu reagieren, unsere Produkte und Dienstleistungen zu verbessern, die Werbung und Inhalte, die Sie sehen, anzupassen und mit Ihnen über neue Produkte zu kommunizieren.

ist der weltweit größte und am schnellsten wachsende plattformübergreifende digitale Zeitungskiosk mit Selbstbedienung mit über 85 Millionen Nutzern seit seiner Gründung im Jahr 2011 und Tausenden von Zeitschriften und Zeitungen in über 40 Kategorien und über 60 Sprachen. Magzter hat seinen Hauptsitz in New York und ist vor Ort in Amsterdam, London, Mexiko-Stadt, Chennai, Mumbai, Neu-Delhi, Bengaluru und Singapur vertreten und wird bald in andere Länder expandieren. Magzter wurde im Juni 2011 von den globalen Unternehmern Girish Ramdas und Vijay Radhakrishnan gegründet und ermöglicht Zeitschriften- und Zeitungsverlagen auf der ganzen Welt, digitale Ausgaben ihrer Titel zu erstellen und an globale Verbraucher zu liefern.

 N. Wir verwenden Nutzungsinformationen auch, um sicherzustellen, dass Benutzer unsere Nutzungsbedingungen einhalten. Mithilfe der Nutzungsinformationen eines Benutzers können wir beispielsweise bestätigen, dass ein Benutzer eine Zeitschrift oder andere Inhalte nur zulässig oft oder auf eine zulässige Anzahl von Geräten herunterlädt.

 Damit erhalten digitale Leser zum monatlichen Abonnementpreis uneingeschränkten Zugriff auf über 8.000 Zeitschriften und Zeitungen. Darüber hinaus verfügt Magzter mit der bahnbrechenden ezRead 2.0-Funktion für seine Apps über die größte Anzahl an Geschichten weltweit. Nutzer von Smartphones und Mobilgeräten mit kleinem Bildschirm können die Zeitschrifteninhalte so genießen, wie sie gedacht sind, nämlich mit Artikeltext Es ist leicht zu lesen und wird von atemberaubenden Videos und hochauflösenden Fotos begleitet.

d+a - Issue 128

d+a - Issue 128

In dieser Angelegenheit

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