ARTCO monthly Broadening the Visions of Chinese Contemporary Art.
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〈吉祥如「藝」　觀誰的光？〉
公共藝術與吉祥物，兩者之間交錯著曖昧不明的界限，近年亦有層出不窮的相關事件掀起群眾討論，首先是關乎藝術性的美學討論，另一邊則是關乎場域公共性的歸屬，與在地脈絡的有無。本專題期盼透過交織觀光與藝術的討論，另闢一種對於公共與藝術的思維，並檢視近年熱議事件中，「奇觀吉祥物」的作者，試圖思考審美或思辯式報導背後，皆難以觸及的個案狀態。

ARTCO monthly Broadening the Visions of Chinese Contemporary Art.
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〈40影蹤　金穗獎的不惑實驗〉
金穗獎作為台灣實驗電影的創作推手，培養出許多新銳電影創作者。在今年，金穗獎邁入不惑之年，本期的「40影蹤」專題，嘗試由不同角度回看金穗獎40年來的樣貌，梳理該獎項創設緣起與發展脈絡；同步觀察台灣社會背景與影像創作之間的變化，試圖了解金穗獎對影像創作的影響與延續，並透過評審委員專訪，思考金穗獎未來的可能性。

ARTCO monthly Broadening the Visions of Chinese Contemporary Art.
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〈思辨．辯思　兩藝校長大辯論〉
2017年11月25日──台灣史上第一場「兩藝校長大辯論」，邀請台藝大校長陳志誠與北藝大校長陳愷璜，對於高等藝術教育發表想法，論綱涵蓋藝術大學的理念與定位、如何協助學生銜接產業、推動國際交流等。在本專題裡，我們邀約與會的六位提問人與三位青壯世代的文化觀察者、藝術家、藝評人對此事進行評論與針砭，再一次讓各種思辨介入此事件的對話場域。

ARTCO monthly Broadening the Visions of Chinese Contemporary Art.
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〈藏品再策，故事新敘〉
在藝術品成為私人與機構的藏品後，是否有開啟新章的可能？我們又能如何識別此種重新開啟的過程？本回專題以私人收藏展、收藏家、專業經理人、美術館行政與獨立策展融合的實驗展示等多方角度，來談論藏品再策時產生的反饋和嶄新成果。期待這項對於藏品的回望，一方面重新詮釋藝術收藏的意義，另一方面，能成為社會漠然應對文化資產與歷史記憶的提醒。

ARTCO monthly Broadening the Visions of Chinese Contemporary Art.
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〈美術館時代──台灣藝術史的建制〉
台灣藝術史研究長期處於被忽視的隱憂之中，直至近年才正式重啟政府與民間的重視與行動，本期專題則試圖將討論途徑擴展至過往較少著墨之處，分別從美術館、藝術修復與檔案平台取徑，期望擴增台灣藝術史紮根的媒介、藉由現代技術與藝術史料的交會，讓藝術資源成為更多藝術愛好者的土壤養分，提供外界或台灣自身一個對台灣藝術史積極認識的機會。

ARTCO monthly Broadening the Visions of Chinese Contemporary Art.
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〈展演飛地──第三勢力崛起與突變〉
在台灣，原先藝文界展演專業分離的慣習逐漸變得不同，「展中有演」、「演外有展」等作品發表形式成為新興勢力，舞蹈、身體、戲劇、音樂、聲音、影像的元素連結與揉合，突破了既有的空間想像，展示與表演間的共生關係掀起話題。在本次的專題，我們邀請藝評人、策展人、藝術家們，盼能透過多元而不設限的角度，觀察與討論展演跨界融合的新面向。

ARTCO monthly Broadening the Visions of Chinese Contemporary Art.
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〈第Q性──穿越歧路花園〉
今年五月出爐的748號釋憲，使台灣可望成為亞洲首個同性婚姻合法化的地區，而性別議題自然地在我們周遭存在著，藝術在其中又扮演了什麼角色？本期專題「第Q性」，既是提問，也期望展開更多可能性。分別從策展、藝術家作品與電影文本為取徑，探尋人類面對各種性別身體喜好時，如何兼容異質又保持開放，朝向無「正常」與無「標準」的社會心理狀態。

ARTCO monthly Broadening the Visions of Chinese Contemporary Art.
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〈邊緣身體‧踰越感官──90年代次文化場景〉
隨著1987年解嚴，報禁、黨禁解除，台灣社會經歷一段劇烈的變動，瀰漫起騷動的氣氛，出現更多元的聲浪，本期專題即聚焦1990年代的狂野高潮，延伸自台北市立美術館的《破身影》一展，特別藉由「反文化身體藝術運動」之切面進入，邀請讀者一同認識1990年代的另類藝文樣貌，窺探當時的藝文工作者如何以充滿能量的姿態，劃破大環境的苦悶風景。

ARTCO monthly Broadening the Visions of Chinese Contemporary Art.
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〈30/20解嚴與移交後的藝術場景〉
2017年7月，台灣解嚴走入第30年，香港移交主權第20年，這段期間，台港兩地環境急遽變化，藝術創作者與運動者在各事件中振聾發聵，激起許多思潮與對話。《典藏‧今藝術》在30/20年後的今日，邀請台灣、香港兩地藝術家與藝評人，以「事件後的空間」為概念，分別以紙上創作、展覽及文字形式深探當中的歷史脈絡，並持續關注現況，放眼未來。

ARTCO monthly Broadening the Visions of Chinese Contemporary Art.
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〈反轉課桌──創造性的藝術教育現場〉
藝術教育應具備跨科別的彈性，引導發展與思辨能力的提升，台灣當前教育體系實踐的成效如何？是否淪為表層的執行，進而錯失進入深層文化性思考與判讀的機會？本次專輯尋找實際在義務教育中實驗與拓展的教師、學校與私人基金會，討論能否有更具實驗性、更靈活有效的方法，審慎思考、反省當今政策的缺失與蒼白，以期更多人能為藝術教育注入積極的支持能量。

ARTCO monthly Broadening the Visions of Chinese Contemporary Art.
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〈追尋另類出口──約翰伯格紀念專輯〉
藝術評論巨擘約翰．伯格於今年初逝世，享年90歲，身兼畫家與藝評角色的伯格，藝評創作聚焦在觀看與閱讀之間的啟示。本期《典藏．今藝術》邀請四位作者，以伯格影響力最大的著作──《觀看的方式》為基調，重探伯格之眼究竟看到了什麼。另外，編輯部將其生平與著作出版資料進行綜合性的整理，敞開伯格影響後世深遠且難以被定義的一生！

ARTCO monthly Broadening the Visions of Chinese Contemporary Art.
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〈港島的亞洲脈動〉
香港巴塞爾藝術展於3月盛大展開，無畏近年政經動盪對藝術市場的影響，銷售金額持續成長。本期《典藏‧今藝術》專題「港島的亞洲脈動」，將帶領讀者親臨香港巴塞爾現場以及周邊眾多展會，包含邁入第三屆的Art Central、國際藝廊雲集的中環、新出現的西浦189藝術里等，探討香港藝術評論當前發展，一窺香港藝術動能的最新樣貌。


ARTCO monthly Broadening the Visions of Chinese Contemporary Art.
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〈來自民間的當代再述〉
本期《典藏‧今藝術》「來自民間的當代再述」專題將深入探討〈近未來的交陪：2017蕭壠國際當代藝術節〉展覽，並連接到殖民現代性對民間信仰藝術體系的拒斥，及在混血式的宗教建築反觀台灣的文化性格，還有自該展的藝術家及其作品出發，思考民俗攝影的創作與展呈方式如何與當代結構相互對話。精采內容不容錯過，請看本期報導！

ARTCO monthly Broadening the Visions of Chinese Contemporary Art.
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〈觸地的書寫〉
本期專題以「觸地的書寫」為題，試圖回訪建築最初與人丶環境的關係，並梳理普立茲克獎的發展歷程。由最早於台灣土地長出的普立茲克獎得主作品台南菁寮聖十字架堂為起點，銜接八里的聖心女中校舍，以及在台作品數量最多的伊東豊雄作品，到八卦山上的台豐高爾夫球會館等，讓讀者知悉普立茲克獎得主在台作品，以在地視角分析這些作品如何與當地環境對話。請看本期精彩報導！

ARTCO monthly Broadening the Visions of Chinese Contemporary Art.
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〈大數據時代〉
近年數位化的革新來臨，藝術「檔案化」的現象已成為訊息傳播的一種集體行為。本期將探討大數據時代藝術檔案建置的挑戰與矛盾，與過去傳統美學價值產生的歧異變化。當「檔案化」已進入全球的藝術社群，是否影響了當代創作與策展展示的趨勢？特別是以AI人工智慧從事「藝術創作」的現況和技術演變，其定義及觀念價值的翻轉，將是藝術檔案化的挑戰！請看本期精彩報導！


ARTCO monthly Broadening the Visions of Chinese Contemporary Art.
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〈理解的霧區〉
本期探討「台－泰」等東南亞地區的藝術交流與實踐，思考我們能和東南亞鄰人建立何種新的互動關係，並直接碰撞彼此的政治丶社會，進而生產展覽。「翡翠計畫」補助方向為何？此機制之下，是否限縮了藝術的創造性？都值得我們省思和探究。此外，香港文化人出戰選委，關心未來的發展，因而組成「文化同行」團隊爭取權益，企圖扭轉香港的命運，為文化圈盡一己之力！


ARTCO monthly Broadening the Visions of Chinese Contemporary Art.
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〈培力未來尺度的城市行動〉
2016年忠泰集團邁入30週年，旗下的建築文化藝術基金會成立第十年，基金會定位清晰的兩條脈絡，分別為延續「明日博物館」的藝術與建築遊牧策展，正式成立「忠泰美術館」；與延績「城中」丶「URS21」經驗，進駐萬華的「新富町文化市場」。面對此費力深耕城市與文化「研發型」的團隊，以此系列報導回望他們曾走過的十年。此外，台北數位藝術中心命途多舛的營運過程，亦為當今政府棘手的考驗。本期將完整報導！

ARTCO monthly Broadening the Visions of Chinese Contemporary Art.
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〈當下檔案‧未來系譜〉
2016年台北雙年展在9月份正式登場，在「當下檔案‧未來系譜」的命題下，本屆雙年展主軸落在「透過檔案演繹和詮釋」的藝術創作。本期以「關鍵字」的方式展開閱讀，探討過去雙年展在臺灣藝術評論留下的討論空間、影像類作品從「潛在事件」生產出可見檔案的新觀看方法、策展人的策畫歷程等。近期，行政院成立了文化會報機制，與其他政府部門進行資源整合，此一新的機制能否落實實踐部會所倡導的文化價值與理念，且看本期報導。

ARTCO monthly Broadening the Visions of Chinese Contemporary Art.
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〈思慕的影像〉
台語電影歷時60年，本期特別與國家電影中心合作，邀集相關作者於紙上共談台語電影的時代背景及脈絡、佚失的影像歷史，與數位修復時代如何讓老電影再次躍上銀幕。並於9月底與「台北城市散步」共同策劃現地導覽，帶領讀者重返影片拍攝現場，再次回味老影人如何在城市中創造出瑰麗的時代影像。此外，時下「精靈寶可夢」（Pokémon Go）手遊的流行熱潮，亦為博物館等文化機構帶來怎樣的影響？而他們又會如何因應？請看本期精彩報導！

ARTCO monthly
Broadening the Visions of Chinese Contemporary Art.
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〈博物館的變革時代〉
本期將從行政法人制度看博物館變革，解析高雄市政府即將開創的美術館行政法人化之首例，專輯內容不只分析台灣第一個推行行政法人經驗的國家兩廳院之經驗談，更要向國際借鏡，了解英國與日本完善的規畫與運作，期使能讓此次推行的制度真正符合台灣的需要，是政府與全民的共同企望。此外，英國藝術家在多年的籌備下，終於獲得政府許可成立視覺藝術公會，諸多藝術產業公共性議題都在本期完整揭露！

ARTCO monthly
Broadening the Visions of Chinese Contemporary Art.
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〈為何我們逃不出過勞？ 〉
「勞工」近期成為台灣新聞版面的主角，從選前的薪資政見、休假認定，一直到罷工事件，勞工權益問題開始在各產業中發酵。同樣在文化藝術產業中，勞動條件景況相比之下也不惶多讓，從打卡制、責任制的變相組合、通訊軟體讓工時無界限，如何走出過勞的台灣，本期「藝術行政職災自救手冊」將提供全方位的觀察與進一步的文化工作者的自救方案。

ARTCO monthly
Broadening the Visions of Chinese Contemporary Art.
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〈歷史的頁眉〉
在各地傳出「先拆後奏」的文資災情，是否能隨著新政府對《文化資產保存法》的大幅翻修而出現轉機甚或一點點的曙光？文資法本身在1982年公布至今，經歷過什麼樣的改變與增訂？在都市更新和文化保存之間的拉扯下，「充實國民精神生活，發揚多元文化」的宗旨又能保留及實現多少？本期今藝術從文資法的演變，到文化資產現場的實際探查，要為文資法做一套修正後的大盤點！
另一方面正在北師美術館展出的第14屆台新藝術獎年度得獎作品，從戲劇到行為、傳統到創新，無不充滿亮點！千萬別錯過本期對得獎作品的特別報導！

本期主題：典藏庫房學
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台灣一年有近300天的相對濕度逾70%，不但易於誘發過敏體質者不適，對於珍貴藏品或是高價位的藝術品，無論是在保存維護或展示方面，亦是極大的威脅因素。對於擁有眾多腹藏的美術館而言，庫房是展品的最重要也最長時間存放的空間。本期今藝術揭開庫房的神秘面紗，為你介紹美術館的典藏庫房學。
另一方面，香港持續上演的事件與抗爭，在情勢混亂之際，依然迎來了巴塞爾盛會與M+博物館的開幕，究竟香港藝術圈目前的質變如何進行？又走到了哪裡？請見本期特別報導！

本期主題：待解的公共美學
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「有5個跡象顯示台灣為新興國家，而非已開發國家：違章建築、綠地過少、執法被動、生活品質欠佳與人群關係緊張。」
從台灣的公共空間來看，既有重見天日的北門、亦有猴年主燈、三井倉庫和故宮南院獸首的問題，突顯了台灣在文史保存與公共美學上的不足，本期專題從時事切入，討論「不只Not to die，而是Living well」的態度，檢視台灣待解的公共空間議題。
同時在三月於香港熱鬧開展的巴塞爾，不只場內、連同周邊的畫廊和衛星展也生機盎然，本刊趁此機會排除萬難採訪到傳奇的瑞士收藏家烏利．希克，精彩內容、千萬別錯過！

ARTCO monthly
Broadening the Visions of Chinese Contemporary Art.

本期主題：再見中國城
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「這是一個混雜的空間，一個不容易一概而論的空間，一個看起來可怕但又那麼多人嘗試正常生活的空間。」
在台南市中正路尾端，由李祖原設計的「中國城」從極盡時尚摩登的消費場所轉向沒落，我們應該如何抓住這處濃縮了台南人生活記憶的奇異空間當中，一息尚存的文史氣味與色彩？本期專題從政策與歷史面梳理，輔以法國公部門一項與藝術家合作的影像實驗，探討文化遺產如何存活於現代的解決方案。
第二專題「香港巴塞爾展前報」中，從畫廊角度出發，討論如何考慮參展策略與藝術圈的生態觀察，提供更全面的展前視野！

ARTCO monthly
Broadening the Visions of Chinese Contemporary Art.

本期主題：于彭的無涯山水
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本月專題名稱「最後一筆才是開始」，引自于彭生前最後一次受訪時所言。一九五五年生於台北外雙溪的于彭，猶如《世說新語》裡的人物，「但求一醉」以覓得心中最真實的部分。本次專題收錄2014年紫藤廬主辦的座談，與多位重要人士切入于彭創作精神，以此追憶于彭在藝術上的怪誕，靈魂裡的古意。
 
第二專題「情味時代」，從電影畫面和運鏡，討論小津安二郎作品中特有的家庭與人際表現，從餐桌聲響、廚房食材到物件細節，無一不是精心配置的場景，卻又自然平淡地讓人一眨眼錯過。在春節將至的月份，邀您一同感受小津著迷的日常家庭與空間。

ARTCO monthly
Broadening the Visions of Chinese Contemporary Art.

本期主題：日本終戰七十年
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日韓甫達成慰安婦賠償與道歉協議，然而二戰結束已七十年，諸國對日本的侵略史實仍有許多分歧觀點，更多的是殘留在各地的傷痕與遺跡。去年多場戰爭主題的展覽與電影，或許也是日本現代社會危機所引發的反應。從藤田嗣治的戰爭畫創作，到近代電影和通俗劇對戰爭的描寫，本期專題將呈現更深刻的戰後探討。

同時，大選逼近，始終處於弱勢的文化政策，正因為過去四年的施政成果並不理想，今年依舊要繼續大聲爭取！典藏今藝術與「群氓之聲」、「大內藝術節」合作以大型看板向政府提問「我們有博士級的政經訴求，卻只有＿＿＿級的藝文想像」希望喚起關注。同時臺灣文化政策研究學會將於1月9日進行論壇與直播，以此繼續為文化政策發聲！

ARTCO monthly
Broadening the Visions of Chinese Contemporary Art.

本期主題：戰後東亞藝術在台灣
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近期國際間紛紛針對1960年代以降的當代藝術展開歷史研究。今年10月的「台灣當代藝術史國際研討會」中，13位海內外學者從多角度切入，討論以台灣為中心的東亞藝術與其真實面貌。建立在美軍基地中的沖繩藝術村Nishimui，或者陳界仁於1983年在西門町進行的游擊行動與記錄……在亞洲地域之內的分歧表現，將在本月專題中詳述。

另外以產業觀點來看，北京、上海、香港和新加坡的「亞洲文化自由貿易陣線」蓄勢待發，在多方角力之下，台灣的立場和發展策略又將何去何從？本月第二專題「藝術特區與自由港」，將深入討論這個新一波的亞洲戰場！

ART COllects the cerebration and what we face human being & the world.

本期主題：檔案蒙太奇
如同美國獨立電影製作人艾倫‧柏林納蒐集與剪接從車庫拍賣低價買進的大量家庭影片，濃縮成眾人生老病死的一生；台灣錄像藝術也在各種資料影像中尋找、剪貼出未曾被重視的符號與意識，特別是在2015年重現的如今，設備與機材的進步更凸顯了「復刻」的難度，在關渡美術館進行的「啟視錄：臺灣錄像藝術創世紀」一展，完整呈現了這個巨大挑戰的成果，並且將台灣錄像藝術梳理成序；本期並整理「台灣當代藝術史國際研討會」內容，詳細剖析台灣錄影藝術的流變！

ART COllects the cerebration and what we face human being & the world.

本期主題：集體過勞的藝術世代 
當上班族開始警醒，甚至在日本出現了「社畜」一詞作為自我解嘲的時刻，在同一個社會中，亦有另一個勞力剝削深植其中的圈子，叫作藝術圈。 

創作成形之前，申請補助、獲得投資已非易事，對藝術的熱情亦被扭曲成一種單方向愛戀的無悔付出。漸漸的，創作端與勞力端明白自己已經「窮得只剩下夢想」，但另一端的交易市場仍舊掀動著金錢巨浪，毫無停歇的跡象。 

藝術市場和藝術圈中，是否只能永遠充斥臨時工、自由業者或派遣工？本期專題的探討，將進一步討論、並走入過勞世代的黑洞核心……

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December 2016

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ARTCO monthly
Broadening the Visions of Chinese Contemporary Art.

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《典藏-今藝術 ARTCO》 Magazine - February 2018

《典藏-今藝術 ARTCO》 Magazine - February 2018

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