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〈萬世師表──孔子與中國儒家藝術〉
台北故宮推出的暑假強檔：「萬世師表─書畫中的孔子」特展，匯聚了諸多孔子及儒家相關藝術文物。呼應此難得的盛事，本期專題特邀策展人吳誦芬談談策展概念、進行名品深度導賞，搭配專文，論述孔子生平事蹟、形象如何被轉譯為藝術，尋訪各地的孔廟名勝，考察其建築形制與遺留下來的祭孔儀式，由多元的視野探索孔子在漢文化圈無遠弗屆的影響力。

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〈故宮南院「交融之美－神戶市立博物館精品展」〉
載著地球彼端的奇珍異寶，海員伸手擋住海上的烈日，遮著眼尋找陸地。聽說那兒的人們，耕種水稻，桑蠶織絲，燒製堅緻美好的瓷器。帶有鹹味的海風徘徊於挺目高鼻與耀目的徽章，並吹過船員們的長褲，讓它鼓脹如風帆，或許這些風也曾經繾綣過遙遠大陸上尖尖的鐘樓與高塔。此時，再炫目的金色屏風，再巨大的地圖，都不能承擔雙方初見的悸動與興奮。

Art & Collection
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〈有病方為貴，無傷不是奇〉
只要身心不是處於完美的狀態，便可稱之為「有病」。現代人應該甚少覺得自己沒個病痛，或是魂魄不安，而借托神明，或是單純季節轉換，過往用成藥壓下的，只得加倍奉還。不過就因病弱，才有機會辨證論治，重新審視自己的身心。無論是內科外證或是心病，都能引諸藥直達病所，凶邪不侵，「壽而康」。

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〈文房四寶新賞〉
文人寫字畫畫，順心順手的文房器具必不可少。這些案頭器具絕非長物，有時更是文人見宇宙光華，神通先祖精神文化的媒介。藉日本東洋陶磁美術館「文房四宝特別展」筆、墨、紙、硯的主題發想，本次特別從近代琢硯大師陳端友、墨硯藏家、特製紙筆愛好者張大千，創作者、藏家及使用者的多方視野，讓大家全方位感受文房器具的各種面貌。

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〈大德寺「禅と茶の至宝」，四百年初公開〉
3月21日到5月19日，「大徳寺龍光院―国宝　曜変天目と破草鞋」，400年來幾乎沒有公開過的大德寺龍光院珍寶，超過200件書畫文物，首度大規模齊聚MIHO MUSEUM。畑中章良、小林仁、門脇むつみ三位日本學者，導介賞析院藏至寶，「從創建起至今代代相承的禪之氣息」、「曜變天目是人類史上前所未有的『奇蹟之器』」，到「在龍光院繼承藏品就等同護持禪之法燈」，深深感受一番。

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〈2018 TOP 10拍賣市場前十大〉
2018年中國文物藝術市場，16席億元名品。宋蘇軾〈木石圖〉4億6360萬港元、潘天壽〈無限風光〉人民幣2億8750萬元、清康熙〈粉紅地琺瑯彩開光花卉碗〉2億3880萬7500港元、清乾隆〈銅點金異獸鈕「乾隆御覽之寶」寶璽〉人民幣1億1098萬元、唐三藏法師玄奘奉詔譯明宣德御製《大般若波羅蜜多經》2億3880萬7500港元領銜各門類。總體市場持續深化理性調整期，唯以古籍善本逆勢而上，迎來史上豐收年。以回顧思考未來，展望2019，且行且看市場起風雲。

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〈七彩雲南，「佛光」遍照〉
雲南，中國唯一同時保留藏傳佛教、漢傳佛教和南傳上座部佛教文化之地。中華文物交流協會及財團法人佛光山文教基金會主辦、雲南省博物館及佛光山佛陀紀念館承辦推動下，舉辦「妙香秘境─雲南佛教藝術展」，展出125件南詔大理國漢傳、藏傳、南傳佛教文物。打破地域之藩籬及文化界線，佛教藝術開出精彩豐碩的成果。

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〈唐法風標〉
清代書法家梁巘在《評書帖》中曾言：「唐人尚法。」脫離前代追求的超然神采，大唐書家重視法度，在前人書法整理及規範化的過程中，成就出渾厚雄壯的楷書和豪放不羈之狂草。2019年1月，台灣及日本圍繞唐人書法議題，舉辦「書聖之後─顔真卿及其時代書法特展」、「水月鏡像—懷素《自敘帖》摹刻本與風格傳衍特展」。特邀策展人及研究者，為讀者探究煌煌大唐的尚法風神。

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〈蒔花弄草憶舊時〉
「梅令人高，蘭令人幽，菊令人野，蓮令人淡，春海棠令人艷，牡丹令人豪，蕉與竹令人韻，秋海棠令人媚，松令人逸，桐令人清，柳令人感。」從古至今，花草催生人們的多情浪漫，更引文士愛憐賞玩，創造出中國獨特的瓶花盆景藝術。搭配今年世界花卉博覽會之盛事，本期介紹國立故宮博物院以瓶花盆景為題的「花事．閑情─品味花器與生活特展」及「百卉清供─瓶花與盆景畫特展」。

Art & Collection
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〈大匠之門〉
下半年度最受關注的近代繪畫巨匠堪稱齊白石，北京畫院為其收藏之重鎮。自7月起北京展出「清平福來—齊白石藝術特展」、「胸中山水奇天下—齊白石筆下的山水意境之二」，10月底在東京國立博物館、京都國立博物館展出「中国近代絵画の巨匠 斉白石」。跨越單一展覽的侷限，本刊邀請中日學者撰文，品味齊白石的平直真率、生動傳神。

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〈國寶饗宴〉
2017年國立故宮博物院推出「國寶的形成—書畫菁華特展」，不僅廣受好評，更將文物分級的概念推廣至社會。今年10月，故宮再次「國寶再現」，獻上26件「國寶」書畫精品！本期規劃故宮策展團隊專訪，談述「國寶再現—書畫菁華特展」策展心聲，亦精心準備國寶的專屬小故事、各國文資保存立法始末，為讀者帶來一趟不凡的知識之旅。

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〈仙山奇緣〉
本著對長生不老的渴求，中國古代以來便有神仙夢。秦始皇聽信徐福的「海中有三神山」，派人求丹；葛洪偕鮑姑、家中僮僕及犬羊移居名山，得道成仙。本期以國立故宮博物院的「何處是蓬萊—仙山圖特展」為引，討論畫家匠人刻劃描繪的名山聖境，如何成就經典的仙山藝術。

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〈「空白期」不空白：明正統、景泰、天順瓷器真相大揭密〉
西元1436年至1464年，正值明代陶瓷史上最離奇的28年──「空白期」，或稱黑暗期。時值明英宗、代宗二帝統治的正統、景泰、天順三朝間，皇家御窯如世間蒸發一般消失，成了學界的百年謎團。然而，隨著考古界的新發現，空白期不再空白，黑暗逐漸露出曙光。本期專題邀請專家學者以各種角度切入，為讀者揭開「空白期」的神袐面紗。

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〈采風樂──揚州傳統藝術的昔與今〉
江蘇揚州作為昔日的商業文化中心，承載許多經典的傳統藝術：例如清代的書畫家群體「揚州八怪」，在藝術史上名聞遐邇；而揚州當地的漆藝與製玉工藝，同樣讓人們印象深刻，文化技藝更是流傳迄今。本期專題聚焦揚州傳統藝術，藉專文探討揚州書畫、漆藝與製玉等文脈關聯，深度剖析大型博物館的建設與典藏，帶領讀者穿梭於揚州傳統藝術的昔與今。

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〈一縷奇煙──沉香與中國香文化〉
近年來可見到更多人將品香與生活休閒結合，讓沉寂已久的傳統香文化再度興盛。本期專題特別邀請策展人導賞故宮香玩文化特展、搭配專文帶領讀者認識古代香文化，採訪專家如何傳習香文化，並將之融入生活、介紹成功種植沉香的寶貴經驗，以及呈現上海博物館赴法國舉辦的香文化展，從多面向的角度，回看華夏文明二千多年的香文化。

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〈Rediscover蘇州片〉
16到18世紀，中國江南流行著一批偽仿的書畫作品，由於主要出現在當時的商業中心蘇州地區，所以人們習慣把它稱為「蘇州片」。今春台北故宮首度嘗試以蘇州片策劃「偽好物」特展，本期專題即以蘇州片為主題，希望與讀者一起探索：蘇州片為何出現？偽仿作品要如何與真跡區別？蘇州片的風格源自何處？它們又影響了誰？研究它們又能發掘什麼樣的新學術意義？

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〈流動的紫砂意象〉
多數的飲茶者或陶器收藏家皆有一套屬於自己的「紫砂經」，然在學術上有關紫砂壺的研究、探討卻有所不足。令人驚喜的是，近期有三檔值得矚目的紫砂特展，分別由不同的角度展現紫砂的樣貌，本期專題呼應此盛事，以一系列專文介紹紫砂的魅力，包括展覽解析、生產脈絡、收藏概況與探訪專家等，盼以宏觀的視野，帶領讀者沉浸一場豪華的紫砂饗宴。

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〈34件億元拍品的市場格局　2017中國藝術品市場回顧及前十大排行〉
2017年的中國藝術拍賣市場，創下六年來總成交額新高，並一舉拍出34件過億藝術品，高端藝術品更是創造了另人驚喜的天價。本期專題將對2017年中國藝術市場總體表現完整回顧，針對中國書畫、陶瓷、工藝品各大主項之表現和十大高價拍品專文介紹，並期盼2018年能持續以穩健的步伐朝向更具規範、理性及更國際化的方向邁進。

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〈綺麗巧天工　中國的織繡藝術〉
「織繡」，一項逐漸為人遺忘的傳統藝術，充滿了人為的巧思與手作的溫度，甚至可由實用工藝躋身於藝術之林。本期專題聚焦於中國的織繡藝術，首先介紹當今與過往重要的織品特展、深入了解織繡技藝的傳承情形、呈現結合傳統修復技藝與現代科技的修復實例，帶領讀者一窺在媒材選擇、創作手法和藝術表現上皆令人驚豔的古代緙絲與刺繡作品。

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〈台北故宮品牌的故事　乾隆皇帝的文物收藏與包裝藝術展〉
台北故宮從品牌的角度出發，解析乾隆如何透過收藏、鑑賞文物，到收納、包裝、生產等一系列作為，打造「乾隆品牌」。本期專題邀請六位策展人進行一場紙上導覽，聚焦於乾隆如何讓古今、中西文物並陳，透過兼具功能性與藝術化的包裝設計，傳達出帝王品牌的獨特魅力，帶領讀者全面瞭解乾隆在藝術文化上傲視古今的成就。

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〈悔僧　陳洪綬的藝術〉
一個個變形扭曲的人物，是陳洪綬在晚明對政治、社會感到嚴重幻滅下，寄寓自身失落、悔恨的幽微心聲。呼應在美國加州的「悔僧：陳洪綬藝術幻想與幻滅」展覽，本期專題特邀策展人介紹展覽與當前學術研究面向，呈現學者如何緊扣陳洪綬的生平，深入解讀畫作複雜的意義網絡，也搭配相關專文、精選九件畫家代表作，為讀者探照陳洪綬更形立體且明晰之面貌。

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〈溪山無盡〉
一般談到古代中國繪畫，往往以山水畫為代表，山水畫乍看千篇一律，實則蘊含各式各樣的深意，值得人們細細探掘。美國大都會藝術博物館即日起推出「溪山無盡—中國山水畫傳統」展，引導觀眾進一步瞭解山水畫龐大的圖繪體系及其深厚的文化意涵。本期專題不僅針對此展覽進行深度導賞，也搭配四篇專文，盼由多面向之切近觀察，為讀者勾勒出山水畫更立體、明晰的面貌。

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〈國朝第一趙孟頫〉
今秋北京故宮推出備受矚目的「趙孟頫書畫特展」，這位中國藝術史上影響力巨大的藝術家，風格多元而藝術成就高，身兼書畫家、鑑藏家和政治家，卻因身世與境遇長期存在著爭議性，直到近代才得到宏觀的梳理與詮釋。本期專題將為讀者完整介紹這位藝術大師，除了其豐富的書畫創作歷程與面向，也從風格、畫意、辨偽問題等不同觀點，勾勒出趙孟頫「冠絕古今」的偉大成就。

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〈遺我雙鯉魚──吳門書札中的文人私密生活〉
古代文人不沾染塵俗煙火嗎？實際上，他們比想像中來得生活化，書信往返間，不僅談論國家朝政、藝文雅事，也涉及醫病健康、婚喪喜慶、甚至柴米油鹽之類的瑣事，點滴積累了人情的溫度。上海博物館推出以蘇州文人信札為主題的精品展，而本期的專題除了為讀者介紹此展，亦搭配一系列研究與導賞，邀您一同穿越古代文人不為人知的私密生活和真實情感。

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〈永宣宮廷藝術〉
明代永樂至宣德兩朝，政治穩定、經濟蓬勃成長，皇帝及宮廷均致力於文化事業的發展，宮廷藝術繁榮鼎盛，展現盛世品味與格調。台北故宮和上海龍美術館現正推出的特展，皆聚焦此一關鍵時期，本期專題特別為讀者介紹這兩檔難得一遇的精彩好展，搭配集結了各大品類、超過30餘件精品之導賞，由宏觀與微觀兼顧的視野，回看明代「永宣」藝術文化傲視古今的偉大成就。

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〈一代書聖于右任〉
「一代草聖」于右任曾挺身改革草書，使其成為易寫、易識，易規範又美觀的字體，誠為書法史上一起劃時代的變革。國立故宮博物院即日起首度以于右任為主題推出特展，呼應此藝文盛事，本期專題從于右任書法實踐歷程及酬應面向等議題切入，引介書跡、回顧市場動向，並帶領讀者尋訪隱於街市的相關題署，從不同的文化視野探索于右任的書法成就和影響力！

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〈找尋王維──傳世作品及畫史重探〉
近日海外新發現、傳作者為唐代王維的〈著色山水〉在美國密西根大學展出，引發全球藝術史學者的熱烈討論。然而自古以來，世人對王維畫藝評價跌宕起伏，直到晚明董其昌尊其為中國文人畫的南宗祖師，才又使王維浮上了檯面。本期的《典藏．古美術》專題將帶領讀者，從王維傳世作品，以及王維對東方藝術文化的重大影響，從多方面、多角度之切近觀察，一探這位神祕大師的風貌！

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〈失落的王朝祕寶─青銅器的工藝與美學〉
不久前，日本藤田美術館舊藏的四件商晚期青銅器，在買家熱烈競逐下拍出人民幣8.77億元天價，呼應此一市場盛事，本期《典藏‧古美術》專題「失落的王朝祕寶─商周青銅器的工藝與美學」，從考古時空脈絡切入，再輔以名品導賞，同時點評精彩專拍及引介重量級古董商，綜覽數十年來高古青銅器市場，帶領讀者深入青銅鼎盛時期的工藝和美學，看見商周重器面貌於古今之流變。


Art & Collection
The leading brand among the global Chinese art magazines
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〈2016市場十大  書畫∣瓷器∣工藝品〉
本期專題呈現了這一代新藏家與企業主如何挾大量資本進入藝術品市場，造就2016年十多件高達人民幣億元拍品的驚人奇蹟！剖析中國藏家以何種角度思考收藏這件事，例如藉此塑造企業文化價值，或藉籌設美術展館向大眾開放等方向邁進。在這期《典藏‧古美術》中，我們看到了不同收藏家群體各自深耕和進化的軌跡。

Art & Collection
The leading brand among the global Chinese art magazines
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〈光色映澈─中國玻璃器〉
究竟玻璃在藝術和科學上展現出何種神奇的力量？本期「光色映澈─中國玻璃器」專題，帶領讀者從各種不同的角度聚焦，玻璃如何改變過去文化及人類活動樣貌。異國傳來的玻璃何以傳入中國古代宮廷與佛寺？進而影響中國裝飾工藝史的發展？同時，讀者也可透過台北故宮的當期展覽，一覽玻璃器工藝的發展高峰。另外，更有專文從科技史角度出發，探索古人如何運用玻璃，為生活帶來新穎且延續至今的感官體驗！


《典藏古美術 Art & Collection》 Magazine Cover - July 2019 Edition

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《典藏古美術 Art & Collection》 Magazine - April 2018

Art & Collection
The leading brand among the global Chinese art magazines

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《典藏古美術 Art & Collection》 Magazine - August 2017

《典藏古美術 Art & Collection》 Magazine - August 2017

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