Guitar Connoisseur Magazine - Guitar Connoisseur Kevin Eubanks Spring 2019
Guitar Connoisseur Magazine - Guitar Connoisseur Kevin Eubanks Spring 2019
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In this issue
Features interviews with Guitarist Kevin Eubanks and Robben Ford. As well as Luthiers Randy Angella, Gildas Dasviken, Michael Schreiner and Gem Picks.
Kevin Eubanks: From East To West
“Music Is Like A Back Stage Pass To Everything”Understanding, Timing And Audiences, And Comedy And Music, Kevin Eubanks Reveals How Truth Is A Pathless Land In The Pursuit Of An Ever Unfolding Career, As A Multi-Dimensional Guitar Player.
8 mins
Unvailing Randy Angella
Randy Angella Of Concord California Is A Self-taught Luthier Who Has Been Crafting Classical Guitars Since 1975. He Is Known To Make Some Of The Very Finest Sounding Classical Guitars Available Today. Randy Has Built Instruments For Many Of The World’s Top Classical Guitar Players. His Studies Are Deep Reaching Into Areas Not Necessarily Specific To The Guitar. Randy’s Designs Go Against The Grain Of The Strict Orthodox Rules That So Many Classical Builders Adhere To. Here Are Some Thoughts He Shared With Me During Our Conversations. “thickness Of The Timbers In Many Guitars Are Very Thin And Lightly Formed. The Operating Theory Being The Law Of Conservation Of Energy. A Given Mass Acted On By A Known Quantity Of Energy, Will Be Accelerated Faster As The Mass Decreases. Inversely, Acceleration Decreases As The Mass Increases. Guitar Makers Reason, Therefore, That To Produce Maximum Volume, Lightly Built Instruments Will Provide The Maximum Sound. You Can Build A Guitar Thinly And Light And It Will Have Some Very Loud Notes. The Problem Is That A Guitar Built With Only That Concept In Mind Will Have Great Volume But May Not Have Great Tone. They Are Different Ideas. I Know A Man That Can Yell So Loud You Can Hear Him From 200 Yards Out. But He Can’t Sing. To Build A Guitar That Sings You Have To Go Deeper Into How It Makes Music And What Is Musical Sound, Then Match Them” Randy Explained. So How Does The Man Go About Doing This? Let’s Find Out...
10+ mins
Gildas Dasviken Absolute Luthier
Coming From A Long Line Of Engineers, He Has Been Working In The Corporate World, And He Has Had A Strong Interest In Building And Customizing Instruments. “dasviken” Comes From The French Dialect “breton” From Brittany (Brittany). Gildas Found It On An Antique Wedding Ring That Read “a Tao Feal Das Viken” (Yours For Eternity). His Books Are Inspired By Classics From The Past And Inspiring For Generations To Come Dasviken Also Builds Pedals And Cabinets, All Of Which Abide By One Of My Favorite Quote Of His “Can You Tell Me About The Acoustic And Sonic Quality Of Plastics? No? Me Neither.”
10+ mins
Gem Picks: Made In The USA
Gem Picks Was Founded In 2016 In Providence, Rhode Island By Guitarist And Bassist Nick Pagano As A Manufacturer Of Gem-shaped Guitar Picks. After Completing A Lengthy Run Of Live Performances The Year Prior, Pagano Began Looking For A Diamond-shaped Guitar Pick With The Hope To Use Something Novel-looking And Different From The Ordinarylooking Plectrums Commonly Found Throughout The Industry. After An Extensive Search, Which Led To The Discovery That No Such Pick Existed, Pagano Immediately Began Designing And Manufacturing The First-ever Diamond-shaped Guitar Pick. Once Obtaining All Necessary Intellectual Property Rights, Gem Picks Was Officially Launched To The Public In January 2017. Using Social Media, Primarily Instagram, As Their Main Promotional Platform, Gem Picks Continues To Grow And Reach Players All Throughout The World. Since Its Launch, Gem Picks Have Made Their Way To Customers In Every Country (That Can Receive Mail) As Well As All 50 U.s. States. With Four Distinct Gem-themed Models, Gem Picks Heads Into The Future With Plans To Develop More Products Containing One Simple Goal: To Help You, The Player, “express Yourself In Richer Ways’.
6 mins
Robben Ford Purple House
In The World Of Blues Guitar, There Are A Million Great Players Yet Few Standout Head And Shoulders Above The Rest Like Robben Ford. Robben Was One Of The Very First And Most Influential Players For Me Personally Since I Was A Young Boy. We Both Grew Up In The Same Rural Area In Northern California’s Coastal Mountains Just Above San Fransisco. He’s A Hometown Hero To Many That Live Here.He Has Given Back To Our Community Greatly Over The Years With Free Local Performances And Even Did An “artist In Residence” Stint At Our Local Junior College (Mendocino College) For A Semester Years Ago. His Brothers Are All Fantastic Musicians As Well And They All Played Together On And Off For Decades As The Ford Brother’s Blues Band. The Amount Of Natural Musical Talent That Runs In The Blood Of The Ford Family Is Astounding To Me. This Assignment Was Finally My Opportunity To Pick The Man’s Brain One On One About His Guitars, Amps, And Pedals. Robben Recently Relocated To Nashville Tn And Is Looking Forward To Spending More Time In The Studio And Less Time On The Road. His Latest Album, Purple House, Was Recorded Much Differently Than His Previous Efforts And You’ll Find Some Very Interesting Information About How He Found The Right Guitars And Amps For This Record Inside This Interview.I Think Many Of You Will Be Very Surprised To Learn That His Telecaster And Dumble Ods Are Nowhere To Be Found On Purple House! This Was A Shock To Me And I Think That It’s A Great Lesson We Can All Learn From The Maestro: Remain Flexible And Always Experiment Even If You Have A $150,000 Holy Grail Dumble Ods That You Need To Put On The Shelf Because It’s Not Working For You!
9 mins
Michael Schreiner: Modern Day 19th-Century Luthier
I Once Had A Sick Guitar. Not Just Any Guitar, Mind You. This One Is Truly Special. My Instrument Was Made By The French Builder, René Lacôte, In 1823. Paul Pleijsier In The Netherlands, A Classical And Electric Guitar Player, Also A Researcher Of 19th-century Guitars, Tells Me That Although There Is A Substantial Number In Existence, He Has Cataloged And Documented Only 84 Of These Instruments.By The Early 1800s, Paris Had Become A Center Of Instrument Making And Many Of The Ateliers Churning Out This Newly Popular Instrument Modeled Their Construction After The Instrument’s Coming From Lacôte’s Shop. Of All The Great Instrument Makers Living In Paris At That Time, It Was René Lacôte Who Was Dubbed The “stradivarius Of The Guitar”. He Was A Student And Apprentice To The Famous Pons Family Of Instrument Makers. Joseph Pons, Born In 1776 And Son Of Cesar Pons, Was Commissioned By The Wife Of Napoléon, Empress Marie Louise, To Make A Guitar For Her Favorite Court Musician, Mauro Giuliani.The Many Lacôte Guitars Remaining Today Are All Different, A Fact That Reveals The Master’s Constant Quest To Improve Performance And Playability, Through Developments In Manufacturing Technique, Innovative Features, And Rare Materials.I Found My René Lacôte At A Dealer In Rochester Ny. I Tried About A 6 Or 8 Other 19th Century Guitars, Many Without Labels, And Even A Panormo. You Might Call Panormo The London Rival Of Lacote. The Lacôte Was Not In The Greatest Shape, The Victim Of Numerous Dismal Repairs, And Sporting A Poorly Matched Spruce Patch Under The Bridge. This Was The Result Of A Repair Needed After One Of The Owners Tried To Use Steel Strings On An Instrument That Was Made To Be Played With Gut Strings. The Tension Of The Steel Strings Pulled Off Not Only The Bridge But Most Of The Wood From The Soundboard Below It. It Wasn’t Pretty.
10+ mins
Guitar Connoisseur Magazine Description:
Publisher: Guitar Connoisseur Magazine
Category: Music
Language: English
Frequency: Monthly
Instead of focusing on the manufacturing industry as most guitar magazines do, Guitar Connoisseur covers, craft luthiers and "Haute Guitars". Anything in the periphery of guitars is covered such as Handmade guitars, Amps, Pedals, Pickups, and just about anything boutique that's catering in a small scale to the high-end guitar market.
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