International Gallerie - Volume 19 No.1, 2016, MIGRATIONAdd to Favorites

International Gallerie - Volume 19 No.1, 2016, MIGRATIONAdd to Favorites

انطلق بلا حدود مع Magzter GOLD

اقرأ International Gallerie بالإضافة إلى 9,000+ المجلات والصحف الأخرى باشتراك واحد فقط  عرض الكتالوج

1 شهر $9.99

1 سنة$99.99 $49.99

$4/ شهر

يحفظ 50%
عجل! العرض ينتهي في 9 Days
(OR)

اشترك فقط في International Gallerie

شراء هذه القضية $6.99

هدية International Gallerie

7-Day No Questions Asked Refund7 أيام بدون أسئلة
طلب سياسة الاسترداد

 ⓘ

Digital Subscription.Instant Access.

الاشتراك الرقمي
دخول فوري

Verified Secure Payment

تم التحقق من أنها آمنة
قسط

في هذه القضية

A quick look at what has been recorded of Homo sapiens originated around 200,000 years ago, as fossils found at Omo Kibish in Ethiopia, verify that we have migrated through many moons and seasons, through wars, destruction, rehabilitation, and reinvention.
Such cruel irony then, that a civilisation having evolved from the earliest migrants in Africa, some 60,000 years ago, have “black”-listed their progenitors in our race-ridden world. The migration was believed to have been propelled by climate change.

In Kolkata: An Island Of Afghans

“…‘O Kabuliwala! Kabuliwala!’ and the two friends, so unequal in age, would subside into their old laughter and their old jokes…” so wrote Rabindranath Tagore in 1892, in his short story in Bengali, Kabuliwala, about a man from a distant land –– Afghanistan –– living in Calcutta [now Kolkata]. Since then, Kabuliwala has been translated into many Indian and foreign languages with cinematic adaptations and theatrical performances. While until a few decades ago, “real” Kabuliwalas were a common sight on the streets of Kolkata, as in most cities of north, west and central India, stereotypes have formed an ambiguous image of these people today. Moska Najib and Nazes Afroz, two journalist-cum-photographers, co-document the Kabuliwalas of Kolkata, tracing the social transformations within this community over the past 100 years. Shifting fates and cultural integration is intimated in Najib’s [An Afghan herself] own approach, as she articulates how the past accompanies migrants, either scribbled on a piece of paper, in a passport, in memories, and often in their changing geographies. Therefore, while Najib the photographer, scans her own Afghan identity, Afroz is in search of a people and a city [Kolkata] that was once his home.

In Kolkata: An Island Of Afghans

2 mins

African Elites In India

Nowhere else in the world did Sub-Saharan Africans wield power over non-Africans for as long as they did on the Indian subcontinent. Migrant Africans rose to prominence in India as rulers, nobles, statesmen, soldiers, and merchants, or who came as servants, slaves, eunuchs, or concubines in the courts of Indian monarchs. They were known as Habshis and Siddis. Karnataka has the largest concentration of Indian Siddis, but African elites were found elsewhere in the Deccan, Gujarat, Hyderabad, Lucknow, Delhi and Bengal. ‘African Elites in India’ edited by Kenneth Robbins and John McLeod released by Mapin Publishing, is a profound study of the Siddi community, its origins and migration to the Indian subcontinent and its historical legacy. Here, Kenneth Robbins shares some of his reflections on the book.

African Elites In India

4 mins

Jhumpa Lahiri. And The Lure Of A Language

This is a love affair that literally travels beyond boundaries. Pulitzer Prize-winning author Jhumpa Lahiri’s passion for the Italian language is intriguing as she was born in a Bengali family and her mother staunchly claimed and nurtured her Bengali space all though her 50 years in the U.S. as a migrant. Born in London in 1967, she emigrated to the U.S. with her parents; and even as she embraced the adopted land, Lahiri remained a nomad at heart. Her devotion for Italian took her with her family to live in Rome for a few years. Her recent book, In altre parole/In Other Words emerged from there. An autobiographical narrative in Italian, it is a reflection on the learning of a language, an enigmatic belonging to it and the power of reinvention. Having written it for the last few years, Lahiri feels an exhilarating transformation, almost like being reborn. Professor Ombretta Frau traces the journey of language and a migrant soul.

Jhumpa Lahiri. And The Lure Of A Language

3 mins

Favianna Rodrigues. A Voice To Be Heard

Daughter of Peruvian migrants to the United States in the late 60s, Favianna Rodriguez, born in 1978, is an artist, activist, and a force to be reckoned with. Raised in East Oakland, California, after graduating from Hunters Lane High School in 1996, she received numerous scholarships and studied at the Berkeley University of California. Favianna’s earliest mentors were artists and movement leaders in the Chicano and Black Arts Movement. She uses her perspective as a child of migrant workers growing up in a high-crime area to forge her identity as a feminist and activist. While growing, not having witnessed positive images of women of colour in the media, later inspired her to work around issues of equality, race, interdependence, youth activism, and sexuality. When Rodrigues is not making art, she directs CultureStrike, a national arts organisation that engages artists, writers and performers in migrant rights. In 2009, she co-founded Presente.org, a national online organizing network dedicated to the political empowerment of Latino communities. In 2012, she was featured in a documentary series by Pharrell Williams Migration is Beautiful, which addressed how artists responded to failed immigrant policy in the United States. She currently lives and works from Oakland, California. Favianna Rodriguez shares her journey with us.

Favianna Rodrigues. A Voice To Be Heard

3 mins

قراءة كل الأخبار من International Gallerie

International Gallerie Magazine Description:

الناشرGallerie Publishers

فئةArt

لغةEnglish

تكرارYearly

A Journey of Ideas
Gallerie is a celebration of life.
As a tribute to the creative excellence of the world, it features painters, sculptors,crafts-people,
writers, poets, photographers, designers, film-makers, and performing artists, humanists.
It covers lives and cultures in India and around the world with a socio-political-human
interest perspective. While it represents India abroad, it carries international stories for India.
Gallerie is a sharing of ideas, inspiring and uplifting. Features have informative, in-depth stories
treated in a lucid, reader-friendly style accompanied by high quality pictures.
In a generous 10"x13" format of approximately 130 pages, the layout is designed to create an
oasis of calm amid the cacophony on magazine stands today. It is processed, printed and
published in India with international quality production values.
A bi-annual, thirty two issues and eight-awards-old, Gallerie is steadily reaching a
large readership in India and worldwide. Museums, galleries and educational institutions
are among others who subscribe to the magazine. In India, readership is not only with the
discerning decision-maker, but also with a wide spectrum of art and literary enthusiasts.
Overseas, a loyal subscription list is growing with institutions and individuals. Readership
includes the Harvard University, Victoria University, the Freer & Sackler Galleries,
Smithsonian Institution, the Metropolitan Museum, NY, the MOMA, NY,
the New York Public Library, the MOMA, San Francisco, the Asia Museum San Francisco,
the Asia Society, NY, the Tate Gallery, London, the Hayward Gallery, London.
The response has indeed, been encouraging. Today, Gallerie is a collectible, a journal
that readers value and associate with excellence.

  • cancel anytime إلغاء في أي وقت [ لا التزامات ]
  • digital only رقمي فقط