When John Seed published his book Disrupted Realism: Paintings for a Distracted World in 2019, he may not have known the true impact it would have in the art industry. In its title, and through the work of 38 painters, he defined a movement that had been taking shape for years—artwork that is pushing boundaries of traditional realism and playing with abstraction, distortion, line, or form.
“The one thing that I always tell people about the book and the idea behind the book is artists make these things happen. As a curator, and in assembling a book, my role is just to be a good observer. I am not in any way initially grouping artists or trends,” explains Seed. “I am asking questions: What am I seeing across the field of art? What are artists trying? What’s working for them?”
The book came from seven years of Seed logging posts online between 2010 and 2017, where he started to notice a recurring theme in contemporary artwork from around the world. Seed says, “It was all over the place. I saw manifestations of artists feeling realism isn’t adequate for what they were wanting to say.”
هذه القصة مأخوذة من طبعة September 2021 من American Art Collector.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة September 2021 من American Art Collector.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
FULL EXPOSURE
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