When our collector was looking for a country home, she went to the East End of Long Island where she rented a house owned by James McMullen. McMullen designed the posters for Lincoln Center including shows such as My Fair Lady, Carousel, The King and I and South Pacific. There is now a permanent exhibition of his posters in the lobby of the Mitzi E. Newhouse Theater.
Fortunately, for the collector, many of McMullen’s original works were in the house when she lived there. Spring Salt Marsh particularly attracted her because it depicted the local landscape and the animals she saw there every day. Years later, when she bought her own home, she was able to acquire the painting for her collection.
Her first home was in the arts and crafts style, and she decorated and collected accordingly, purchasing Stickley furniture and a group of ceramic plaques with a vellum glaze by artists at the Rookwood Pottery Company. Two of them grace the kitchen in her new condominium, accompanied by an arts and crafts vase she purchased in England.
“I was hesitant, at first, about the art I was collecting,” she admits, “even though I minored in art history at university. Gradually, as the years passed and I bought work for the house, I became more confident.” Each piece she purchases has a special meaning for her whether it is of Moroccan slippers or the local landscape.
هذه القصة مأخوذة من طبعة April 2020 من American Art Collector.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة April 2020 من American Art Collector.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Guardians of the Temple – Simon Dinnerstein reflects on The Fulbright Triptych 50 years later.
The Palmer Museum of Art at Penn State University exhibits Simon Dinnerstein's The Fulbright Triptych haunts the visual lexicon of 20th century American representational art. Fifty years have passed since Dinnerstein completed the painting in 1974.
A City Perspective
Leslie Gaduzo has always been interIested in art. Since childhood, he has been drawing constantly, from single point perspective drawings at age 10 to complex architectural drawings.
Living Legacy
The Butler Institue hosts Allied Artists of America's 110th Annual Juried Exhibition.
Elegant yet Approachable
The second edition of the RTIA Show presents even more art to explore and expanded special programming.
Figuratively Speaking
New York has always been an epicenter of artists on the edge of excellence, pushing the envelope and finding their voices.
JAMES AYERS: The Importance of Play
Like many artists, James Ayers' work took a turn during the Covid-19 pandemic. Seeing the enjoyment his kids took from playing with paint in his studio and exploring their creativity inspired him.
GINA MINICHINO: Playing with Food
Gina Minichino started her journey in visual arts because of Charles Schulz. \"He was my earliest influence for drawing and the reason I wanted to be a cartoonist,\" she says.
Island Light
The Cuttyhunk Island Artists' Residency is held in a sprawling, 100-year-old house on an island off the southern coast of Massachusetts.
Solitary Forms
Hogan Brown has been working with Arcadia Contemporary for two and half years and is excited to be featured in his first solo show at the gallery. He doesn't take for granted the many talented figurative painters Arcadia represents and is thrilled to be among them.
Living the Dream
Counterintuitively, David Gluck was a painter before taking up tattooing little more than a decade ago. While skin is a completely different substrate and ink a far cry from oil paint, the skills must be transferrable to some degree because there is a wait-time of nine months to get an appointment with him.