Maryhill Museum of Art presents 40 paintings by renowned American realist Richard F. Lack.
Richard Lack (1928-2009) remembered studying with R. H. Ives Gammell (1893-1981) at the Fenway Studios in Boston: “He was very direct, very frank. No hyperbole; just right to the point—which I appreciated, although I got a little irritated in the beginning because as a precocious art student you don’t like to have people tell you that your work is awful.”
Lack went on to become a distinguished teacher and, in 1999, the American Society of Portrait Artists presented him with their first Founder’s Award. This award is “given to artists who have elevated and continued the tradition of fine portraiture, through works of exceptional merit and the consistent, thorough training of younger artists. Throughout his long and distinguished career, Lack’s work has exhibited the highest standard of both artistry and craftsmanship.”
Lack studied with Gammell in the early ’50s when Gammell was finishing his pictorial sequence based on Francis Thompson’s poem The Hound of Heaven, which he had begun over a decade earlier. The poem inspired “pictorial ideas for which I remained unable to find imagery susceptible of conveying my meaning,” he wrote. A breakthrough came from his reading the writings of Carl Jung. “For an artist interested in the imaginative appeal of his thesis more than in its lasting scientific, validity, Jung demonstrates convincingly the close relationship between myths, symbols, and poetic imagery, and the perpetually recurring emotional patterns of human life from which they evolved…”
I saw his Hound of Heaven sequence at a museum in Worthing, West Sussex, many years ago. I frequently vacationed in nearby Storrington where Thompson (1859-1907) wrote his immortal poem.
هذه القصة مأخوذة من طبعة September 2018 من American Art Collector.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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هذه القصة مأخوذة من طبعة September 2018 من American Art Collector.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Guardians of the Temple – Simon Dinnerstein reflects on The Fulbright Triptych 50 years later.
The Palmer Museum of Art at Penn State University exhibits Simon Dinnerstein's The Fulbright Triptych haunts the visual lexicon of 20th century American representational art. Fifty years have passed since Dinnerstein completed the painting in 1974.
A City Perspective
Leslie Gaduzo has always been interIested in art. Since childhood, he has been drawing constantly, from single point perspective drawings at age 10 to complex architectural drawings.
Living Legacy
The Butler Institue hosts Allied Artists of America's 110th Annual Juried Exhibition.
Elegant yet Approachable
The second edition of the RTIA Show presents even more art to explore and expanded special programming.
Figuratively Speaking
New York has always been an epicenter of artists on the edge of excellence, pushing the envelope and finding their voices.
JAMES AYERS: The Importance of Play
Like many artists, James Ayers' work took a turn during the Covid-19 pandemic. Seeing the enjoyment his kids took from playing with paint in his studio and exploring their creativity inspired him.
GINA MINICHINO: Playing with Food
Gina Minichino started her journey in visual arts because of Charles Schulz. \"He was my earliest influence for drawing and the reason I wanted to be a cartoonist,\" she says.
Island Light
The Cuttyhunk Island Artists' Residency is held in a sprawling, 100-year-old house on an island off the southern coast of Massachusetts.
Solitary Forms
Hogan Brown has been working with Arcadia Contemporary for two and half years and is excited to be featured in his first solo show at the gallery. He doesn't take for granted the many talented figurative painters Arcadia represents and is thrilled to be among them.
Living the Dream
Counterintuitively, David Gluck was a painter before taking up tattooing little more than a decade ago. While skin is a completely different substrate and ink a far cry from oil paint, the skills must be transferrable to some degree because there is a wait-time of nine months to get an appointment with him.