Born in Sidcup, Kent in 1932, Sir Quentin Blake is perhaps Britain’s best loved and most recognisable illustrator. After reading English at Cambridge, he began his career creating satirical cartoons for Punch and The Spectator.
Blake is, of course, best known for his drawings for kids, having illustrated more than 300 children’s books to date for authors including Sylvia Plath, Beatrix Potter, Dr Seuss and Roald Dahl. Most recently, he has self-published The QB Papers, a series of 20 short, themed collections of drawings.
Keen to give back, he taught at the Royal College of Art for 21 years, served as the inaugural Children’s Laureate in 1999 and founded the House of Illustration in London’s King’s Cross in 2014, which houses a permanent gallery dedicated to his work. He is also a patron of a number of charities, including The Big Draw, and was duly knighted for services to illustration in the 2013 New Year’s Honours list. Blake has been trying to retire since 1997.
MAKING A MARK
I suppose if there is a pattern to my day in the studio, it’s that I go and look at what happened yesterday first. I switch on a few Anglepoise lights and think about what I’m going to do. At about 10am, I come to my office across the square. That’s quite good because you’ve walked away from it and you can think about other things. And then I go back and have a bit of a session, stop for lunch for an hour and then go through the afternoon, probably to about 6pm.
هذه القصة مأخوذة من طبعة March 2020 من Artists & Illustrators.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة March 2020 من Artists & Illustrators.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Still life IN 3 HOURS
Former BP Portrait Award runner-up FELICIA FORTE guides you through a simple, structured approach to painting alla prima that tackles dark, average and light colours in turn
Movement in composition
Through an analysis of three masterworks, landscape painter and noted author MITCHELL ALBALA shows how you can animate landscape composition with movement
Shane Berkery
The Irish-Japanese artist talks to REBECCA BRADBURY about the innovative concepts and original colour combinations he brings to his figurative oil paintings from his Dublin garden studio
The Working Artist
Something old, something new... Our columnist LAURA BOSWELL has expert advice for balancing fresh ideas with completing half-finished work
Washes AND GLAZES
Art Academy’s ROB PEPPER introduces an in-depth guide to incorporating various techniques into your next masterpiece. Artwork by STAN MILLER, CHRIS ROBINSON and MICHELE ILLING
Hands
LAURA SMITH continues her new four-part series, which encourages you to draw elements of old master paintings, and this month’s focus is on capturing hands
Vincent van Gogh
To celebrate The Courtauld’s forthcoming landmark display of the troubled Dutch master’s self-portraits, STEVE PILL looks at the stories behind 10 of the most dramatic works on display
BRING THE drama
Join international watercolour maestro ALVARO CASTAGNET in London’s West End to paint a dramatic street scene
Serena Rowe
The Scottish painter tells STEVE PILL why time is precious, why emotional responses to colour are useful, and how she finds focus every day with the help of her studio wall
Bill Jacklin
Chatting over Zoom as he recovers from appendicitis, the Royal Academician tells STEVE PILL about classic scrapes in New York and his recent experiments with illustration