A leopard with a unicorn horn thunders through a cloudscape of burnt oranges and moonlit blues, pursued by an emancipated big top, its guy ropes dangling and far from terra firma. Birds circle the leopard, who has a bullseye target on one side of its face, and a bell around its neck.
It’s an arresting scene, so far from conventionality, but this extraordinary cast of characters, objects and motifs are par for the course for Antonio Segura Donat, the painter behind this dreamlike scene. All of his paintings are dramatic to behold, radiating a jewel-like kaleidoscopic quality and a menagerie of exotic creatures, from elephants and parrots, to big cats and rhinos.
Antonio Segura Donat’s work can be found under his pseudonym, DULK. This is, of course, not his real name, but he started his career as a graffiti artist and DULK was his tag.
“It doesn’t mean anything,” the Valencia-born and based artist explains in perfect English, cloaked in a melodic Spanish accent. “I just like how the lettering looks.”
He has shown work all over the world with solo shows as far afield as Rome, Los Angeles and London. In that modern measure of success, he has more than 236,000 likes on Facebook and his Instagram page boasts some 86,000 followers, many of whom heap praise on his paintings in the comments beneath. And yet Antonio maintains a quiet modesty about what he does. You get the impression that he doesn’t take his success to date for granted.
هذه القصة مأخوذة من طبعة May 2020 من Artists & Illustrators.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة May 2020 من Artists & Illustrators.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Still life IN 3 HOURS
Former BP Portrait Award runner-up FELICIA FORTE guides you through a simple, structured approach to painting alla prima that tackles dark, average and light colours in turn
Movement in composition
Through an analysis of three masterworks, landscape painter and noted author MITCHELL ALBALA shows how you can animate landscape composition with movement
Shane Berkery
The Irish-Japanese artist talks to REBECCA BRADBURY about the innovative concepts and original colour combinations he brings to his figurative oil paintings from his Dublin garden studio
The Working Artist
Something old, something new... Our columnist LAURA BOSWELL has expert advice for balancing fresh ideas with completing half-finished work
Washes AND GLAZES
Art Academy’s ROB PEPPER introduces an in-depth guide to incorporating various techniques into your next masterpiece. Artwork by STAN MILLER, CHRIS ROBINSON and MICHELE ILLING
Hands
LAURA SMITH continues her new four-part series, which encourages you to draw elements of old master paintings, and this month’s focus is on capturing hands
Vincent van Gogh
To celebrate The Courtauld’s forthcoming landmark display of the troubled Dutch master’s self-portraits, STEVE PILL looks at the stories behind 10 of the most dramatic works on display
BRING THE drama
Join international watercolour maestro ALVARO CASTAGNET in London’s West End to paint a dramatic street scene
Serena Rowe
The Scottish painter tells STEVE PILL why time is precious, why emotional responses to colour are useful, and how she finds focus every day with the help of her studio wall
Bill Jacklin
Chatting over Zoom as he recovers from appendicitis, the Royal Academician tells STEVE PILL about classic scrapes in New York and his recent experiments with illustration