Among a growing number of architects seeking to bridge the gap between conscious social interactions and aesthetic training is the Madras Office for Architects and Designers (MOAD) that focuses on situation-specific solutions
Have you ever looked at a built o designed structure and wondered ‘What were they thinking?’ I remember the first time I had one of those moments. I was about six years old, trying to get to my grandfather’s library. It was placed on a floor of its own – a mezzanine of sorts; and for the lack of space, a short staircase with steps steeper than usual led to it. Scaling it involved a lot of grunts and pants, and, as a six-year-old, just mastering the act of taking continuous steps, that was my personal Everest. Over time, I have had many more of those what-were-they thinking moments – ‘Why does it have to look like mangled steel? Did it have to be phallic-shaped? Really? A fish building?!’
Arguably, architecture now is a profession largely disconnected from the people directly impacted by its works. The contemporary world is predominantly built by folks who have rarely taken the time to understand how people unlike them experience their designs. If what we seek is a sustainable form of settlement, then architects and designers have to work much harder in creating salubrious spaces for all human beings.
So, how might we go about bridging the gap? How might our shared built environments – our homes, our hospitals, our schools and our public spaces – be shaped differently if the people who actually used the spaces were part of the decision-making processes? Architect/designer Mahesh Radhakrishnan seems to have the proverbial key to the solution. He is among a growing number of architects and designers who seek to combine conscious social interactions with their aesthetic training to make design more relevant to people’s lives. His practice, the Madras Office for Architects and Designers (MOAD), provides architectural and design services for communities that can have their needs addressed through situation-specific solutions.
هذه القصة مأخوذة من طبعة Aprill - May 2018 من Arts Illustrated.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة Aprill - May 2018 من Arts Illustrated.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
A Sky Full Of Thoughts
Artist James Turrell’s ‘Twilight Epiphany Skyspace’ brings together the many nuances of architecture, time, space, light and music in a profound experience that blurs boundaries and lets one roam free within their own minds
We Are Looking into It
Swiss-based artists Jojakim Cortis and Adrian Sonderegger talk to us about the evolving meaning and purpose of photography and the many perspectives it lends to history
Cracked Wide Open
Building one of the world’s largest domes was no mean task for anyone, let alone an amateur goldsmith, so how did Filippo Brunelleschi accomplish building not one, but two of them?
In Search of a Witness
In conversation with legendary artist Arpana Caur on all things epiphanic, on all things pandemic, and on all things artistic
Where the Shadows Speak
The founder of Sarmaya Arts Foundation takes us through the bylanes of his journey with Sindhe Chidambara Rao, the custodian of the ancient art form of shadow puppetry – Tholu Bommalata
Bodies in Motion
What happens to the memory of a revelatory experience when it is re-watched through the frames of a screen? It somehow makes the edges sharper and the focal point clearer, as we discover through Chandralekha’s iconic Sharira
Faces in the Water
As physical ‘masks’ become part of our life, we take a look at artists working with different aspects of ‘faces’ and the things that lurk beneath the surface.
A Meeting at the Threshold
The immortal actor exemplified all that is admirable about his profession, from his creative choices to his work philosophy, and his passing was a low blow. This is our tribute to the prince among stars – Irrfan
The Imperfect Layout To The Imperfect Mystery
Jane De Suza’s ‘The Spy Who Lost Her Head’ doesn’t feature a protagonist with superhuman skills of deduction, nor a plot that fits together like a jigsaw puzzle. Here, quirks and imperfections are pushed into the spotlight
Free and Flawed
Greta Gerwig revitalises the literary classic, Little Women, highlighting the literary journey of its temperamental and wonderfully flawed female protagonist, Jo March