Picasso – Half Man, Half Bull
Minerva|July/August 2017 Volume 28 Number 4

Recent stories rom the world of art, archaeology and museums.

​​​​​​​Lindsay Fulcher
Picasso – Half Man, Half Bull

In Minotaurs and Matadors, an in-depth exhibition at Gagosian in London, the potent mixture of the myth of the bull-man and the corrida (bullfight) are embodied in 182 works by one artist – Pablo Picasso.

Born in 1881 in the Spanish port of Malaga, Picasso was immersed in a Mediterranean culture that both venerated and fought and killed the bull. The corrida was an integral part of his life and it had a lasting effect on him. Matadors, picadors, horses and bulls are recurring subjects in his work but there is more to it than that, for Picasso identified with the Minotaur. As he said: ‘If all the ways I have been along were marked on a map and joined up with a line, it might represent a Minotaur.

Like the mythical bull-man, he was a big beast who could not be tamed and whose animal magnetism attracted women in droves. He carried them back into his labyrinth where he enjoyed them – but could he ever find his way out again?

هذه القصة مأخوذة من طبعة July/August 2017 Volume 28 Number 4 من Minerva.

ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.

هذه القصة مأخوذة من طبعة July/August 2017 Volume 28 Number 4 من Minerva.

ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.

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