When the British Museum’s major exhibition on the Arctic finally opens, there will be many objects on display far more beautiful than one discoloured 15cm lump of mammoth tusk. Among intricate carvings of the people and animals of the region, superbly fashioned garments that made it possible to live and flourish in some of the coldest places on earth, bone tools so ingeniously made they were copied in iron and became standard equipment for whale hunters, works of contemporary art, and – dating to the 16th century – some of the earliest outsiders’ images of the Indigenous Peoples, it would be easy to overlook the dull brown ivory.
The piece of tusk is among finds from habitation sites in the Siberian Arctic that date back more than 30,000 years. They include decorated jewellery, such as slender bone bracelets and ornamental diadems, and a richly decorated mammoth ivory ladle, which was used for long enough for it to need a careful repair. These valuable pieces were excavated in the 21st century and only published in 2014, and will go on display for the first time in the first major exhibition devoted to the Arctic and its indigenous people, culture, and climate.
The exhibition, postponed from its planned opening in May 2020 by the coronavirus pandemic, will bring objects out of the British Museum stores which date back to its foundation but have never before been seen by the public, augmented by remarkable loans from other institutions, both in the eight modern countries that now encircle the roof of the world and beyond. The show’s co-curator Amber Lincoln, who is also the curator of the Americas section at the British Museum, describes the incised mammoth tusk as an astonishing object – ‘the first Arctic art, the oldest piece of Arctic art we know of’.
هذه القصة مأخوذة من طبعة May/June 2020 من Minerva.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة May/June 2020 من Minerva.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
ROMAN DISCOVERIES AT ANCIENT AUGUSTODUNUM
More than 230 graves have been uncovered at a necropolis in the French city of Autun, revealing a diverse mix in burial practices over a period of nearly 200 years, as well as luxury grave goods from the 3rd and 4th centuries AD that highlight the wealth of some of its ancient inhabitants.
SHAPING THE WORLD: SCULPTURE FROM PREHISTORY TO NOW
The sculptor Antony Gormley and the art historian and critic Martin Gayford have been talking about sculpture with each other for 20 years.
Amelia Edwards (1831-1892)
“I am essentially a worker, and a hard worker, and this I have been since my early girlhood.”
THE GREAT BEYOND
The ancient Greeks thought much about the dead – how their remains should be disposed of, how their spirits might be summoned, how malignant they could be if unavenged. Classicist David Stuttard brings us face to face with the Greek dead.
INTO THE VALLEY OF THE QUEENS
The Great Royal Wife of Ramesses II, Nefertari, was buried in one of the most spectacular tombs of Egypt’s Valley of the Queens. Well-educated and well-travelled, Nefertari played a crucial part in the political life of the pharaoh, and her importance was reflected through her magnificently decorated tomb. Lucia Marchini speaks to Jennifer Casler Price to find out more.
DEIR EL-BAHRI, 1894
Tensions were already high among the archaeologists, surveyors, and artists of the Archaeological Survey of Egypt in 1891 when an eventful dispute arose on Christmas Eve.
PUSHING BOUNDARIES
When the Etruscans expanded to the south and the vast plains of Campania, they found a land of cultural connections and confrontations, as luxurious grave goods found across the region reveal. An exhibition at the National Archaeological Museum in Naples sheds light on these ancient Italians at the frontier. Paolo Giulierini, director of the museum, is our guide.
CUZCO 'CENTRE AND HEAD OF ALL THE LAND'
Cuzco was the heart of the vast Inca empire, but all changed in the 16th century when the capital was conquered by Spanish invaders. Michael J Schreffler investigates the Inca city, and how it went from the centre of one empire to the periphery of another.
A STUDY IN PURPLE
A tiny speck of purple paint from the 2nd century AD may yield clues to how ancient artists created the extraordinary portrait panels that accompanied mummified bodies into the afterlife.
Rome In The 8th Century: A History In Art
John Osborne CAMBRIDGE UNIVERSITY PRESS, £75 HARDBACK - ISBN 978-1108834582