Reflections on home and the world from across the Great Wall
There is such a thing as the mehfil-e-Beijing.
The “Indian community”—that well-known monolith—gets together for a “musical afternoon of evergreen Bollywood songs”. Tea is served after.
Before you think I’m sending this up, I’ve actually been to something like this at a friend’s home. The singers took it in turns— more Rafithan Nigam, praise be—a couple of semi-professionals played a harmonium and a keyboard, a man I know jammed on the tabla. There was even a quiz.
No, I didn’t sing. But I did kill the treats on offer afterwards—jalebis!—and my family enjoyed the desi music, offered up with zest and received without judgement.
The only odd thing, and only I seemed to notice, was that in a room full of South Indians, only one non-Bollywood number was attempted. It didn’t matter, really. People had come from far and wide. I haven’t seen most of them since.
What I do remember was how happy the singers were to sing.
By the time this magazine hits the stands, I’ll have been resident in Beijing for 11 months. We arrived in the hot weather, when the spotting is good for the lesser-shirted Beijinger. The male of the species lounges about in public with its ganji rolled up under its boobs.
هذه القصة مأخوذة من طبعة July - September 2017 من The Indian Quarterly.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة July - September 2017 من The Indian Quarterly.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
The Image-Maker
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The Nawab's Last Sigh
Rudely awakened by the fact of independent India, an aristocrat in Meerut clung to his past. Now, he tells Sunaina Kumar, all he has left are his memories of a glorious age.
The Guest
Vaiyavan is the nom de plume of MSP Murugesan. Born in 1936, he did sundry jobs before obtaining postgraduate degrees by correspondence and then served as an English and Tamil teacher till his retirement in 1996. His writing career began in 1956. Multifaceted and prolific, he has to his credit a long list of short story collections, novels, plays, literary essays, poems and children’s stories. He has won several awards including Tamil Nadu government awards for best book on culture (1982) and best science book (1992) and the Malcolm Adiseshiah award for active participation in neo-literacy activities (1996). In his short stories and novels, Vaiyavan revels in a zest for life. Humaneness is the hallmark of his work, as the pain and pleasure, trials and tribulations of people in different rungs of society are described in minute detail. —CGR
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The Birth of a Parent
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The Art Scene
For the new kid on the block, it certainly has pedigree. The Centre for Con-temporary Art, housed within Delhi’s Bikaner House complex, finally opened its portals to welcome art aficionados during this year’s edition of the India Art Fair. Nature Morte was invited to stage the centre’s much-awaited inaugural show, an opportunity the gallery found too irresistible to pass up. The ambitious exhibition it mounted, The Idea of the Acrobat, occupied both floors of the recently renovated building and brought together the works of a dozen well known artists in a multitude of media. The line-up included Bharti Kher, Atul Dodiya, Dayanita Singh, Shilpa Gupta, Ayesha Singh, Khyentse Norbu and LN Tallur to name but a few.
Long, Long Ago
Arundhuti Dasgupta and Utkarsh Patel recount obscure creation myths from around the world, many echoing each other
Family Business
AT THE DINDUKKAL BUS DEPOT, the abortionist pushed her way through the crowd thronging the bus and finally managed to board it. She placed her travel bag beside her on the seat, calling out to her niece to hurry up. The young woman renewed her efforts to break free of the tangle of limbs and claim the seat reserved for her.
A Goan Childhood
Fragments of memory of a time long gone, from a life lived far away. By Selma Carvalho