Working on his own and with artist Marcos Ramírez ERRE, Arizona photographer DAVID TAYLOR envisions the US-Mexico border, both as it is, and as a state of mind.
Whenever David Taylor heard talk of a “big, beautiful wall” along the US-Mexico border during the 2016 presidential campaign, he immediately pictured its pitfalls—its simplistic premise and its impracticality in a region so geographically, politically and socially diverse. Taylor, who has been immersed in border-related photographic projects spanning several years, probably knows the line of demarcation from Texas to Tijuana about as intimately as any civilian can know it. He once hiked 12 miles round trip to reach a rocky summit in the Tinajas Altas Mountains, where the ridge he followed crisscrosses the official border. He has encountered migrants, landowners and park rangers. And his regular presence along the border eventually allowed him to navigate it without drawing much attention from US Border Patrol agents and other officials.
هذه القصة مأخوذة من طبعة November - December 2016 من art ltd..
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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هذه القصة مأخوذة من طبعة November - December 2016 من art ltd..
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
The Schorrs
A recent show of drawings at the SBMA highlights longtime collectors Lenore and Herbert Schorr, who have gathered work by emerging artists on two coasts.
Reno/ Las Vegas
A new survey shows the range of contemporary art in the Silver State.
Lake ISEO, Italy
Vistors were walking on water experiencing Christo’s “Floating Piers” this summer.
Claire Falkenstein
From Venezia to Venice, California, Claire Falkenstein (1908-1997) proved herself to be a versatile and pioneering artist, in three and more dimensions.
Made in La 2016: a, the, Though, Only
This year’s edition of the Hammer biennial luxuriates in the de-materialized, the ephemeral, and the transitory.
Carmen Herrera
Engaging geometric painting both as image and as physical entity, to memorable effect, the 101-year old Cuban-born artist is having a career moment.
Catherine Morris
The Sackler Center for Feminist Art’s “A Year of Yes,” 10-year anniversary celebration becomes an intervention.
Spotlight: Portland
The arrival of the 51st NCECA Conference this March puts a spotlight on Northwest clay.
Seeing Seca
The five 2017 awardees recognized by SFMOMA’s group demonstrate the wide range of Bay Area contemporary art practices.
On View
A quick roundup of noteworthy museum shows on view this fall.
