Christian Louboutin is leading his label to global domination, one shoe, clutch and fragrance at a time. He invites ALICE FRANKLIN to his Parisian home and waxes lyrical.
ANCIENT GANDHARA ART; global warming and commercial overproduction; French psychoanalyst Jacques Lacan. When I settle in for a chat with the charming and supremely hospitable Christian Louboutin at his crow’s-nest home nestled just above the heart of the 1st arrondissement in Paris, I hadn’t envisaged our conversation would span quite such a range of varied subjects.
But within five minutes of being in Louboutin’s company, it’s clear that his creative process is anything but linear. His design vernacular is influenced by a vast library of references across different historical periods, and a plethora of industries and cultures. Our tête-a-tête quickly becomes an exercise in subject hopping as we talk collaborative partnerships, the importance of cross-pollination in ideas and how to build an empire.
But before I even get to sink into a sofa with the Frenchman who made red soles famous – his previous appointment had run a little late and you don’t rush a designer who’s invited you into his home, after all – it is an unexpected and humbling treat to get a glimpse of his most recent limited-edition collection with acclaimed Indian craftsman Sabyasachi, in a private presentation (arranged for someone far more important than me) showcased – where else? – but in the eaves of his own strikingly furnished residence.
What a sensational showcase of your work with Sabyasachi. You first worked together in 2015, how did that come about?
هذه القصة مأخوذة من طبعة November 2017 من Prestige Hong Kong.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة November 2017 من Prestige Hong Kong.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
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