SUBH MANGAL SAAVDHAN. Director: K. S. Prasanna. Players: Ayushmann Khurrana, Bhumi Pednekar. Music: Tanishk Bagchi, Vayu. Hindi with English sub-titles (Eros).
Hindi movie scripts are galore with stories about first love, parental disapproval, jilted lovers, star-crossed lovers and lovers on the run. There is one interim phase that has stayed silent thus far. Since gay-themed scripts are yet uncommon, the trophy for the love that dare not speak its name needs a new host. In what contends as one of the most awkward matinee courtships ever, Subh Mangal Saavdhan may have just crossed that river. By taking on and punching sexual performance anxiety right where the funny bone unhinges from the libido, this is a delightfully ground-breaking entry buzzing with freshness.
For shy Delhi office worker Mudit (Khurrana), gathering courage to ask the outgoing Sugandha (Pednekar) for a date is merely the first trip-wire. First date turns into many dates, which in turn leads to a marriage proposal. Unknowingly breaking barriers, on one late evening extended entwining on the living room sofa followed by fumbling with a condom, Mudit unexpectedly suspects that he may have erectile dysfunction. What of their pending nuptials? What of their friends? Most importantly, how to keep this tit-bit secret from their extended busy-body families who are already busy planning a bus trip for a traditional wedding in Haridwar?
هذه القصة مأخوذة من طبعة October 2017 من India Currents.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة October 2017 من India Currents.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Elephant and Donkey Tribes of Politics
The Motorcycle Guru Speaks.
On Feminism
It has been eight months since I started my MFA at Bennington College. In the last eight months I have cooked half a dozen meals. I pack my children lunches and I clean up the kitchen after my husband when he makes dinner for the family after he comes home from working in a Silicon Valley tech company. Cooking has never moved me. Motherhood has—but not the baggage of social dos and don'ts that accompanied it. I have done fewer play dates than the meals I have cooked in the past few months, and I rarely go to a birthday party. My husband takes the children to their social engagements. “But is this fair?” you might ask and I answer, “It is not about fairness, it is about what moves you as a person and how to keep that flame of what keeps you alive, burning within you, while negotiating roles in an adult world that still largely favors men over women.”
Of Wedding Bells And Hospital Bills
Not another invite,” I groaned, picking up a thick cream and red colored envelope.
A New Lease Of Life
How an Indian grandmother started making heart-healthy choices.
A Mother Loses Her Child: Fact And Fiction Coalesce
LUCKY BOY by Shanthi Sekaran. G.P. Putnam’s Sons, an imprint of Penguin Random House, New York. 472 pages. Hardcover. $27.00
From The Hood Without A Loo
TOILET: A LOVE STORY. Director Shree Narayan Singh. Players: Akshay Kumar, Bhumi Padnekar, Anupam Kher, Sudhir Pandey, Divyendu Sharma, Subha Khote. Hindi w/ Eng. Sub-tit. (Viacom).
Life, Liberty, And The Pursuit Of Happiness
A LIFE OF ADVENTURE AND DE- LIGHT by Akhil Sharma. W.W. Norton & Company, Inc.: New York. 202 pages. wwnorton.com $24.95 hardcover.
Who Was Enid Blyton?
Raised in and out of India, I don’t remember reading too many Enid Blyton novels—barring those from the Noddy series. I knew, though, they were all the rage among girls—mostly girls. They’d spend hours reading them and like fish in a school, prattle over what they’d read over their lunchboxes.
Victoria And Abdul: It Looks A Lot Like Love
VICTORIA AND ABDUL. Director: Stephen Frears. Screenwriter: Lee Hall, based on book by Shrabani Basu. Cast: Judi Dench, Ali Fazal, Eddie Izzard, Adeel Akhtar, Tim Pigott-Smith and Michael Gambon. Focus Features, 2017. MPAA Rating: PG-13
Looters, Schemers And A Curse
Koh-i-Noor: The History of the World’s Most Infamous Diamond.
