A new series has taken Russia by storm this summer. Set in a provincial Caucasian town, Chiki (Chicks) is about four girlfriends trying to escape their lives as sex workers and launch a fitness club – the first in the area. Battling a lack of money, ridicule, and violence, the four characters stick together, taking everything in stride.
The series is full of humor and the beautiful, at times unnerving, southern scenery of cornfields, watermelons and dusty roadside kebob cafes. The series was the brainchild of Eduard Oganesyan and Irina Gorbacheva, an actress who plays one of the main characters – the spunky Zhanna who returns to her sleepy hometown in a fancy red car, dreaming of making a new life for herself, her son, and her three friends.
Gorbacheva, a comedic actress who became an Instagram star a few years ago through her hilarious sketches, later said they struggled to finance the pilot episode due to the show’s salty, realistic themes. The show was finally picked up by the online platform More. TV, where it became an instant hit. By early August, some 13 million had viewed it, growing the platform’s clients by 250 percent.
But the show has also had its critics. One activist, Olga Baranets, actually filed a complaint with the police, saying the show “propagated LGBT ideas.” She and others perhaps took issue with a scene in the pilot where Zhanna’s young son dons her clothes and makeup, pretending he is on stage. But the channel argued in response that the series is rated “18 and over,” and watching any show other than the pilot requires registration and payment.
هذه القصة مأخوذة من طبعة September/October 2020 من Russian Life.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة September/October 2020 من Russian Life.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Sidewalk Art
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Over the past century, the ancient people known as the Votes has been exiled twice, has seen its language banned, and has faced the threat of having its villages razed. Today, although teetering on the verge of extinction, it holds fast to one of the last rights it enjoys – the right to bear and to say its own name.
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Here I stand, on the summit of Anik Mountain, drenched to the bone amid zero visibility, driving rain, and a fierce wind.