Onward and Upward With the Arts - The First Composer
The New Yorker|February 06, 2023
The cosmic musical visions of Hildegard of Bingen.
By Alex Ross
Onward and Upward With the Arts - The First Composer

Disibodenberg, a nine-hundred-year-old Benedictine monastery in the Rhineland region of western Germany, is a majestically dismal ruin, its roofless buildings overrun by ivy and interspersed with stands of oak, ash, and beech. When I searched out the site, last May, I was the only visitor. I half expected to come across Caspar David Friedrich painting at an easel. One sector, consisting of scattered blocks and fragments of walls, is marked with a sign, in German: "Area of the Hildegard Convent (12th Cent.)." This, according to one guess, is where the nun, theologian, poet, and composer Hildegard of Bingen spent about forty years of her eight-decade life. In her teens, she was enclosed with two other nuns at the monastery, seemingly destined for a life of anonymous devotion. Something of the ambience of the place seeps into Hildegard's hymn to St. Disibod, the Irish bishop for whom the monastery is named: "You hid yourself out of sight/drunk with the smell of flowers in the windows of the saints/reaching towards God." Hildegard did not stay out of sight.

هذه القصة مأخوذة من طبعة February 06, 2023 من The New Yorker.

ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.

هذه القصة مأخوذة من طبعة February 06, 2023 من The New Yorker.

ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.