Watch This Space
The New Yorker|December 18, 2023
The global ambitions of Invader's street art.
By Lauren Collins. Photographs by Lou Escobar
Watch This Space

The ground was squelchy, leading the mind to wonder what sort of organic matter was decomposing underfoot. A topsoil of potato-chip bags and soda cans disturbed the silence that Invader and his accomplice, Mr. Blue, were trying to preserve. It was 1:03 A.M. on a Wednesday in midJuly. They had parked their van nearby, and were picking their way down an overgrown service path that led to a sliver of land alongside the A4 highway, just past the eastern limit of Paris.

“Flatten yourself against the wall if a car comes,” Invader told me.

He wriggled past a phantasmagorical fern.

“You always get some crazy plants, with all the carbon dioxide from the cars,” he said.

Our destination was a forty-foot-high concrete pillar that supported a smaller road passing over the A4. Traf fic raced by at eighty miles an hour. Invader rummaged in the underbrush, trying to find a pair of polypropylene supermarket totes, filled with supplies, that Mr. Blue had tossed out of the van on an earlier run past the site. Mr. Blue, meanwhile, was wrestling with a telescopic ladder. He extended it and propped it against the pillar while Invader, kneeling, laid out a series of panels made from fifteen-centimetre-square tiles. They were labelled A1, A2, A3, A4, Bi, B2, B3, and B4.

“Tt’s like a bank robbery,” he had said a few minutes before. I know exactly how everything needs to go.”

هذه القصة مأخوذة من طبعة December 18, 2023 من The New Yorker.

ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.

هذه القصة مأخوذة من طبعة December 18, 2023 من The New Yorker.

ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.

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