In the spring of 1941, the 36-year-old Jamaican writer Una Marson was offered a job as a staff producer at the BBC. It seemed a watershed moment for Britain's national broadcaster. A full seven years before the Empire Windrush docked at Tilbury, bringing nearly 500 British citizens from the Caribbean to their “Mother Country, the corporation was opening up one of its much-sought-after editorial posts to a woman of colour. Yet by the time Marson left her job - in deeply troubling circumstances - less than six years later, she had every reason to conclude that the BBC's commitment to racial equality had much further to go.
The BBC had never been exclusively white - on the airwaves, at least. In the 1930s, the Guyanese bandleader Rudolph Dunbar had made numerous appearances on the wireless with what the Radio Times called his Coloured Orchestra”. The singer Elisabeth Welch had her own series, Soft Lights and Sweet Music, while many other music programmes featured what were billed as “Negro spirituals”. As for television, the African-American double-act “Buck and Bubbles” were among the stars of Alexandra Palace's opening night in November 1936.
What's striking in this list of names is that it consists entirely of entertainers - people presented largely as exotic” attractions. And despite a formidable CV that included publishing poetry and running a literary magazine, Una Marson had also been treated as an exotic even problematic - presence in the BBC workplace. Before installing her in the post, managers at the Overseas Service had thought it prudent to check with the Colonial Office in Whitehall that there would be no objection on their part to our appointment of a coloured British subject”. Her arrival was described - by broadcasters and civil servants alike – as an experiment”.
هذه القصة مأخوذة من طبعة April 2022 من BBC History Magazine.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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هذه القصة مأخوذة من طبعة April 2022 من BBC History Magazine.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
The Long Road Back - The Election Was Tough for the Conservatives but the Past Holds Clues on How Parties Can Return From the Brink
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What a summer it’s been so far, with an astonishing election result. There has been much talk of national renewal, and in due course we’ll see what that means. But it felt like a watershed. The new prime minister’s dad was a toolmaker, his mum a nurse; the cabinet is majority comprehensive-educated, with more alumni of Parrs Wood High School than of Eton. Among commentators – not just on the left – there’s been a growing feeling that 14 years of Tory rule, compounded by Brexit, have undermined what the great medieval historian Ibn Khaldun called asabiyyah: group feeling – the glue that makes societies work. And watching TV on election night, I found myself wondering whether, like sediment settling in a glass, the time has finally arrived for a new national narrative
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According to ancient Roman natural philosopher Pliny the Elder, Apicius was “the most gluttonous gorger of all spendthrifts”. The cookbook attributed to him, known simply as Apicius or as De Re Coquinaria (On the Art of Cooking), is one of the oldest collections of recipes surviving from antiquity. Its author may have been Marcus Gavius Apicius, a Roman gourmet of the first century AD who reputedly travelled all the way from Campania to Libya on the hunt for the largest, juiciest prawns.
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Henry’s wary nature is typically attributed to his shaky claim to the throne. The first Tudor monarch was unable to escape the taunt that he was a usurper with no right to call himself king. In fact, his renowned paranoia was the inevitable consequence of a traumatic youth – a trait ingrained long before he harboured ambitions to wear a crown. If we delve deeper into Henry’s background, we can draw a fuller picture of one of our most circumspect of monarchs – one that might elicit sympathy for a long misunderstood king.
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A Pole apart
ROGER MOORHOUSE is absorbed by a little-known but politically significant Polish princess whose life encompassed the major events of the later 18th and 19th centuries
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Æthelstan is one of the greatest of all Anglo-Saxon monarchs. So why, asks Michael Wood, does the first king of the English remain so fiendishly elusive?