Ian Dean meets Martin Nabelek, who is gaining attention in the CG world with his atmospheric graduation short, OFF.
The standard of student animated shorts has been getting higher and higher, year on year; and OFF, by recent graduate Martin Nabelek, is just one that has caught our eye recently. Created using 3ds Max and Corona, OFF is a haunting short that has echoes of 2001: A Space Odyssey and Interstellar. It contains some beautiful simulation work and subtle art direction.
As an animation student at Tomas Bata University in Zlín, in the Czech Republic, Martin’s final assignment was to create a short, three- to five-minute film. Traditionally, the school is focused on 2D animation and traditional techniques, but Martin made a brave decision to go it alone and to make the film entirely CG.
“My passion for 3D was the reason I decided to study animation in the first place,” says Martin. “Although I had previous experience with CG, ever since I first started using 3ds Max 11 years ago, I’d never really done animation in 3D and only rarely rendered anything animated. My main goal was to learn as much as I could, and apart from the technical side of the project, I also wanted to experiment with abstract and surreal storytelling.”
Martin chose Corona Renderer because it “produces amazing results straight out of the renderer,” which means the filmmaker only needed to turn to After Effects for small adjustments and compositing. “For some advanced sculpting and character creation, I used ZBrush and Topogun,” adds Martin. “My editing software of choice is DaVinci Resolve, especially because it’s particularly easy to jump straight to finishing and colour grading after the edit is locked.”
PREPARE FROM THE OFF
هذه القصة مأخوذة من طبعة February 2017 من 3D World UK.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة February 2017 من 3D World UK.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Nvidia GeForce RTX 4080 Super Founders Edition
On the surface, the GeForce RTX 4080 Super is barely any different from the vanilla GeForce RTX 4080 that was launched in 2022.
MCU VFX moments
Pros choose their favourite CG shots from the Marvel Cinematic Universe
Nosing around on Fallout
We sniff out the story of how FutureWorks brought The Ghoul to life with the creation of his iconic noseless face
DISCOVER RED GIANT GEO'S HANDY TOOLS
Heather Sterland introduces one of the newest additions to Maxon's suite of Red Giant VFX plugins with an atmospheric lunar creation
BUILD AND ANIMATE A FUN-FILLED ROBOT
Expand your horizons with Julio Benavides, who reveals his workflow for creating a charming hard-surface character
DESIGN STRIKING SCULPTS AT SPEED
Learn how to build 3D characters that balance visual quality and efficient workflow with pro advice from Oh Holy Mary
CREATE A CANYON ENVIRONMENT
Build a stunning desert setting with an expert walkthrough from Romain Eboli, who uses high-quality Quixel assets
TURN A 2D CONCEPT INTO AN INCREDIBLE 3D-PRINTED FIGURE
Concept artist Emily Chapman shares her process for sculpting, printing and painting an outstanding model to put on display
Goodbye SAIGON
Trevor Hogg gets held captive by multiple versions of Robert Downey Jr.while uncovering the visual effects of HBO's spy series The Sympathizer
IMPRESSIONISTIC REALISM
Trevor Hogg learns how the artisan aesthetic came to be for The Wild Robot