This tranquil part of the Thames was a gathering place for the Pre-Raphaelite Brotherhood
I HOPE, like me, you saw the Burne-Jones exhibition at Tate Britain this winter. The jewel-like colours in his major works—The Love Song, Laus Veneris, The Rose Bower, Love among the Ruins —and the calm, beautiful girls (modelled on real people) tripping down The Golden Stairs took my breath away.
Those distinctive Pre-Raphaelite profiles, rich settings and powerful use of symbolism speak of a new generation of artists developing a philosophy for art, design and politics that snapped at the Establishment’s heels.
Burne-Jones was far from destined for greatness. Born plain Edward Jones in 1833 in Birmingham, his was a poor family (his father a framer, his mother dead within a week of his birth). He escaped from this unpromising start because he was a clever child, winning a place at King Edward’s School, then Exeter College, Oxford.
هذه القصة مأخوذة من طبعة March 06, 2019 من Country Life UK.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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هذه القصة مأخوذة من طبعة March 06, 2019 من Country Life UK.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
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The original Mr Rochester
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Get it write
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Souvenirs of greatness
FOR many years, some large boxes have been stored and forgotten in the dark recesses of the garage. Unpacked last week, the contents turned out to be pots: some, perhaps, nearing a century old—dense terracotta, of interesting provenance.
Plants for plants' sake
The garden at Hergest Croft, Herefordshire The home of Edward Banks The Banks family is synonymous with an extraordinary collection of trees and shrubs, many of which are presents from distinguished friends, garnered over two centuries. Be prepared to be amazed, says Charles Quest-Ritson
Capturing the castle
Seventy years after Christian Dior’s last fashion show in Scotland, the brand returned under creative director Maria Grazia Chiuri for a celebratory event honouring local craftsmanship, the beauty of the land and the Auld Alliance, explains Kim Parker
Nature's own cathedral
Our tallest native tree 'most lovely of all', the stately beech creates a shaded environment that few plants can survive. John Lewis-Stempel ventures into the enchanted woods
All that money could buy
A new book explores the lost riches of London's grand houses. Its author, Steven Brindle, looks at the residences of plutocrats built by the nouveaux riches of the late-Victorian and Edwardian ages
In with the old
Diamonds are meant to sparkle in candlelight, but many now gather dust in jewellery boxes. To wear them today, we may need to reimagine them, as Hetty Lintell discovers with her grandmother's jewellery
