Even though it’s a relatively new TV technology, it’s already obvious that not all mini LED TVs, which replace a conventional LED backlight with one featuring thousands of tiny light sources, are created equal. A mini LED backlight is only one part of the picture quality story – the number of available dimming zones is another. And in the case of this 75in range-topper from Samsung, it's a story with a happy ending.
Elsewhere in this issue we audition a relatively affordable (£1,500) 4K mini LED set from TCL that combines its backlight with local dimming across 160 zones. Here, we’re looking at a high-end (£7,000) 8K mini LED TV that boasts an eye-popping 1,920 local dimming zones. And while my experience suggests that moving to mini LED can bring a positive performance difference to any TV, Samsung's QE75QN900A proves that going the extra mile can really help unlock the technology's full potential.
I'm getting ahead of myself. Let’s start exploring this set properly from the outside in – because that outside is so spectacular.
To infinity and beyond
This is the latest Samsung flatscreen to feature the brand's so-called ‘Infinity’ design. The screen is housed in a frame so narrow you can barely see it when sitting directly in front. What’s more, because the switch to mini LED removes the lenses and packaging that bulk up regular LED lighting, the set's sides are much trimmer than you might expect. The QE75QN900A therefore becomes a much better wall-mounting option than previous Samsung 8K bigscreens.
هذه القصة مأخوذة من طبعة Summer 2021 من Home Cinema Choice.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة Summer 2021 من Home Cinema Choice.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
AV Avenger
You should think twice before accepting an invitation to play Resident Evil 4 with spatial audio in a haunted prison, warns Steve May
Catalogue classic Star Wars: Ep. VI - Return of the Jedi → Ultra HD Blu-ray, Disney
Forty years on from the movie's cinema release, Anton van Beek ponders what might have been if things had gone a little diff erently during the making of Return of the Jedi…
Feedback
Got an axe to grind? Need to comment on current tech? Want to share your knowledge with our readers? Team HCC is here to help
M&K Sound V12
TIME ON TEST: Three years REVIEWER: Steve Withers
Sony 'bar demands to be upgraded
This well-specified Dolby Atmos soundbar may have a mid-range price tag, but you'll soon want to spend more, cautions Steve May
Short and sweet
Marantz's compact AV receiver returns with a new look and boosted features – Jamie Biesemans slips it into his AV rig
Discreet delivery
A slim, stylish Scandinavian on-wall system impresses Mark Craven with its handling of the sweet stuff
One project, two rooms
Dan Sait reports on a custom install where a JVC PJ/ Atmos system is joined by a stylish media den
THE KING OF B RDA HOLLYWOOD
Three of his movies have taken over $2billon at the global box office, he's pioneered SFX and 3D technologies, and he's been to the very bottom of the Pacific Ocean. That's James Cameron by the way, not Anton van Beek
System selector!
Given three similar budgets, Mark Craven, Steve May and John Archer assemble three different AV setups focused on movies, streaming and gaming
