Crash McCreery
ImagineFX|August 2020
Armed with little more than a pencil and paper, this artist has designed creatures for some of the biggest films ever made, discovers Garrick Webster
Garrick Webster
Crash McCreery
Every month, a new edition of ImagineFX arrives full of astounding artwork demonstrating a panoply of digital techniques. It makes it easy to forget that sometimes the very simplest drawing tool – a pencil – is all you need for a flourishing career in the world of fantasy art. The astounding portfolio of creature designer and Hollywood legend Mark ‘Crash’ McCreery proves the point.

“I hated crayons because I could never get them sharp enough,” he says. “Colour terrified me because I didn’t understand it. Pencil was always easiest for me – it was all about the purest sense of light, shadow and form.”

From his realistic shading of the liquid metal T-1000 in Terminator 2 (1991) to the dramatic form of Jurassic Park’s stomping T-Rex (1993) and on to the tentacled beard of Davy Jones in Pirates of the Caribbean: Dead Man’s Chest (2006), Crash has captured the imaginations of the directors he’s worked with through the simplicity and charm of hand-drawn artwork. With such incredible natural talent, he’s never needed a powerful computer or advanced software to visualise his thoughts. Instead, he just… you know… starts drawing.

هذه القصة مأخوذة من طبعة August 2020 من ImagineFX.

ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.

هذه القصة مأخوذة من طبعة August 2020 من ImagineFX.

ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.

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