“I hated crayons because I could never get them sharp enough,” he says. “Colour terrified me because I didn’t understand it. Pencil was always easiest for me – it was all about the purest sense of light, shadow and form.”
From his realistic shading of the liquid metal T-1000 in Terminator 2 (1991) to the dramatic form of Jurassic Park’s stomping T-Rex (1993) and on to the tentacled beard of Davy Jones in Pirates of the Caribbean: Dead Man’s Chest (2006), Crash has captured the imaginations of the directors he’s worked with through the simplicity and charm of hand-drawn artwork. With such incredible natural talent, he’s never needed a powerful computer or advanced software to visualise his thoughts. Instead, he just… you know… starts drawing.
هذه القصة مأخوذة من طبعة August 2020 من ImagineFX.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة August 2020 من ImagineFX.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
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