Asia Ladowska puts aside her ink pens and markers, and embraces the digital painting process of a soft and colourful manga character
For this workshop I’m painting a beautiful manga character. My go-to tools are usually traditional media. I’m most comfortable working with ink pens, pencils and markers, and so I’m learning a lot when I’m painting with digital tools.
I have no idea what the end result will look like, so I’ll make sure to share in this workshop every important step and my thinking process, as well as why I make certain decisions that affect the final appearance of the character.
While painting colour concepts and experimenting with different palettes in the sketching phase, I was listening to music and believe it or not, the final colours of this illustration were inspired by a song. I heard the line, “Day gives way to night” and that’s when the deep red and blue sparkled in my mind. If not for the song and the feedback from ImagineFX I’m sure the girl’s hair would have ended up being pastel pink and blue (like the hair of most of my characters that I’ve painted digitally). It’s exciting to experiment with colours that I’ve never used together before.
So, prepare to meet Sunset, a happy girl that’s winking at you from the cover of my favourite art magazine!
1 Generating concept sketches
The brief I receive is pretty straightforward, with a lot of freedom for experimenting. I start by sketching some close-up shots of a woman in her 20s, making sure she’s looking at the viewer and that she’s smiling. I always make the expression of the character I draw myself, so the sketching process has left me in a really good mood!
2 Apply colour tests to the chosen sketch concept
هذه القصة مأخوذة من طبعة April 2019 من ImagineFX.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة April 2019 من ImagineFX.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Jan Wessbecher
Dominic Carter talks to the visual artist about creating his own comic and why sketchbooks are great for creative experiments
Kyounghwan Kim
The Korean character concept artist speaks to Dominic Carter about staying open to ideas and the value of drawing regularly
Slawek Fedorczuk
Dominic Carter talks to the concept artist about what keeps him motivated and the advantages of using physical sketchbooks.
Raquel M. Varela
Raquel is inspired by magic, fantasy and fairy tales. She loves designing female characters from distant worlds. \"My greatest reference is Loish's art, thanks to her I learned to draw the movement and fluidity I like to convey.\"
Estrela Lourenço
Estrela is a children's book author and illustrator. Her work is influenced by her background in character animation and storyboards for clients such as Cartoon Network, and she channels comic strips like Calvin and Hobbes.
Daria Widermanska
Daria, also known as Anako, has been drawing for as long as she can remember. Inspired by Disney and classic anime, she loves creating new characters and often finds that a single sketch can spark a unique story.
Allen Douglas
Allen has been painting professionally since 1994 for the publishing and gaming industries. Inspired by folklore, he distorts the size, relationships and environments of animals, and calls his paintings 'unusual wildlife'.
Thaddeus Robeck
Thaddeus has been drawing from the moment he could hold a pencil, but it was the 2020 lockdowns that gave him the time to focus on honing his skills.
DRAW FASCINATING SYMBOLIC ARTWORK
Learn how JULIÁN DE LA MOTA creates a composition from his imagination with a focus on crafting figures, volumetric modelling, and light and shadow
First Impressions
The artist talks about his journey into the mythological world