Shape language is one of the main components of drafting compelling character designs for animation. It’s often the key thing to keep in mind when designing more than one character for an animated show, because having a range of silhouettes can help break the monotony of a character line-up, especially when working within a particular style.
I’ve also found that a supplemental component in designing characters is the use of colour. Colour is a valuable design tool, and it’s helpful for me as a character designer to be able to utilise colour to emphasise cohesion among my designs.
When used purposefully, shape and colour can truly make or break a design. I hope my advice can serve as a guide to help make you become a stronger character designer.
هذه القصة مأخوذة من طبعة September 2020 من ImagineFX.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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هذه القصة مأخوذة من طبعة September 2020 من ImagineFX.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Jan Wessbecher
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Kyounghwan Kim
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Slawek Fedorczuk
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Raquel M. Varela
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Estrela Lourenço
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Daria Widermanska
Daria, also known as Anako, has been drawing for as long as she can remember. Inspired by Disney and classic anime, she loves creating new characters and often finds that a single sketch can spark a unique story.
Allen Douglas
Allen has been painting professionally since 1994 for the publishing and gaming industries. Inspired by folklore, he distorts the size, relationships and environments of animals, and calls his paintings 'unusual wildlife'.
Thaddeus Robeck
Thaddeus has been drawing from the moment he could hold a pencil, but it was the 2020 lockdowns that gave him the time to focus on honing his skills.
DRAW FASCINATING SYMBOLIC ARTWORK
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