AFTER COLLABORATING ON Doctor Strange and the Sinister films, filmmaking partners C Robert Cargill and Scott Derrickson decided to adapt the 2004 horror short story “The Black Phone” into a feature film, by combining the elements of the tale with Derrickson’s own traumatic childhood memories.
Written by Stephen King’s son Joe Hill (find it in his 2005 short story collection 20th Century Ghosts), it tells the story of a 13-year-old boy named John Finney who is kidnapped by a serial killer. When the Galesburg Grabber locks Finney inside his soundproof basement, the boy discovers a seemingly disconnected black phone, through which he’s somehow able to speak to the killer’s previous victims.
“One day in 2005, I entered a book store and found Joe Hill’s book of short stories with ‘The Black Phone’, not knowing who he was at the time,” says Derrickson, who co-produced and co-wrote the film with Cargill. “I read ‘The Black Phone’ while standing in the store, and I immediately recognised that the story’s concept would make for a good horror film.”
Cargill and Derrickson toyed with the idea of turning the story into a feature for more than a decade. They finally moved ahead with the project in early 2020, when the pair decided to step away from the Doctor Strange sequel over creative differences with Marvel Studios. “Back when Sinister was in production, about 10 years ago, before that film was released Scott and I talked about The Black Phone as being our next film,” says Cargill.
هذه القصة مأخوذة من طبعة January 2022 من SFX.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة January 2022 من SFX.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS