Indie king Jim Jarmusch turns his wry eye to flesh-eaters in the all-star comedy-horror The Dead Don’t Die. James Mottram meets the man who makes zombies look cool.
“It’s really Tilda Swinton’s fault. Let’s blame her,” muses Jim Jarmusch about his new zombie comedy, The Dead Don’t Die. The kernel for it came after Jarmusch made his 2013 vampire movie, Only Lovers Left Alive, with Swinton. “For a few years after that, Tilda was always saying, ‘When are you going to make the zombie film?’” Trouble is Jarmusch – as well versed as he is in horror classics – was not a fan of the undead.
“Among horror films, zombies are my least favourite. I’ve never seen The Walking Dead, for example. So I’m not a zombie guy. I’m more of a vampire guy… vampires are so sophisticated and elegant and sexual in a way. And they can change into a bat or a wolf, and they’re highly intelligent. Zombies are just dumb-ass vessels, walking around. They’re just stupid entities. They’re just the undead coming back.”
Nevertheless, after Swinton’s pestering, Jarmusch decided to script The Dead Don’t Die, a typically droll tale set in a small American town called Centerville. After “polar fracking” leads the Earth to spin off its axis, suddenly the undead are rising from their graves. Moreover, they’re all gravitating towards what they once loved – Chardonnay, Wi-Fi and coffee among other things – not to mention sating their lust for flesh.
هذه القصة مأخوذة من طبعة Summer 2019 من SFX.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة Summer 2019 من SFX.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS
