IF THERE’S ONE THING you can be certain about with Marvel Studios, it’s that it’s always 10 steps ahead of its audience. That’s not easy considering that it has made six of the 20 biggest-grossing films ever, its fandom includes more than 30 million social media followers, and it has spawned a cottage industry revolving around trying to unearth spoilers about forthcoming titles. Yet it continues to keep most of its secrets locked down, in order to surprise and delight. Case in point: when Kevin Feige, President of Marvel Studios, announced at San Diego Comic-Con 2019 the slate for Phase Four of the Marvel Cinematic Universe – including, for the first time, series-based storytelling to air exclusively on Disney+ – the studio had already been developing all of it since 2018, including WandaVision and The Falcon And The Winter Soldier.
Knowing the value of their wide range of supporting Avengers characters, Feige and the creatives at Marvel Studios saw Disney+ as an opportunity to finally give focused attention to the stories the films haven’t been able to dig into. The Falcon And The Winter Soldier, a six-part one-off series, will honor a deeper exploration of the baton pass from the end of Avengers: Endgame – where Old Steve Rogers (Chris Evans) gives his Captain America shield to Sam Wilson (Anthony Mackie) and a rehabilitated Bucky Barnes (Sebastian Stan) – and what those two men do with it next.
CASTING THE SPELLMAN
هذه القصة مأخوذة من طبعة March 2021 من SFX.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة March 2021 من SFX.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS
