GET ME SOMEONE WHO CAN WRITE ABOUT A guy tramping through the snow!” a cigar-chomping producer bellows into his phone. You could be forgiven for wondering if that’s how Mark L Smith got the gig on Netflix movie The Midnight Sky, given that it’s similarly snow-shrouded to his Oscar winning frontiersman tale The Revenant. But there’s much more to the story than that. For starters, half of it unfolds in the even chillier environs of space.
Based on Lily Brooks-Dalton’s 2017 novel Good Morning, Midnight, it’s set in 2049, and centres on Augustine Lofthouse (George Clooney, who also directs), an astronomer based at a remote Arctic station. When a humanity-ending global catastrophe (something to do with the atmosphere) strikes, his colleagues fly off to be with their families at the end.
But Lofthouse – who’s dying from cancer – stays behind, using the little time left to him to try and contact the Aether: a space vessel returning from a recently discovered moon of Jupiter, whose crew includes Felicity Jones’s Sully. This involves a perilous journey to another station – accompanied by Iris (Caoilinn Springall), a close-mouthed young girl who’s somehow been left behind…
It was the writer’s manager who brought the book to him. He was immediately smitten. “I just fell in love with the characters and the world,” Smith tells SFX. “Lily BrooksDalton is such a wonderful writer. I love stories that strip away a lot of the technology, like a Revenant situation, where it’s man against nature, and man against himself.
هذه القصة مأخوذة من طبعة Holiday Special 2020 من SFX.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة Holiday Special 2020 من SFX.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS
