MQA’s Spencer Chrislu on reaching out to the Record Industry.
MOST PEOPLE WHO HAVE HEARD MUSIC RECORDINGS encoded with Master Quality Authenticated agree that it sounds really good1—but even they recognize that at least one major challenge remains: ensuring that listeners can actually, get in MQA format, the music they most love. I spoke with Spencer Chrislu, MQA’s director of content services, about the company’s efforts to meet this challenge.
JIM AUSTIN: Please tell us about your background.
SPENCER CHRISLU: Wow, where do I start? I’ve been a music fan all my life, and fell in love with high-end audio as a teenager. I’ve always been fascinated by music production, and wanted to be a recording engineer from early on. I went to school at the University of Illinois and graduated with a BS in Electrical Engineering. After moving to California, I got the incredible opportunity to work with Frank Zappa for the last three years of his life, and later moved on to work on high-resolution DVD-Audio releases for Warner Music, where I met Bob Stuart [then with Meridian Audio]. After 14 years at Warner, and after hearing the first generation of MQA, I jumped at the idea of working together with Bob.
JA: What is your role at MQA?
SC: I am the director of content services, which means that I’m involved with helping and advising on the production and archiving of tapes from various vaults around the world,
to the nuts and bolts of making the MQA production process work inside the studios. Since we’re a small team, I’m also heavily involved in new partner engineering discussions and taking some of the administrative burdens off the engineers.
JA: What are the advantages of MQA for music producers and consumers?
هذه القصة مأخوذة من طبعة September 2016 من Stereophile.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة September 2016 من Stereophile.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Michael Des Barres and the Art of Aural Obsession
Listening to music inspires us to take action. Upon hearing an I.E.-Instant Earworm-we must then determine the best way we can go about listening to it again (and again) at our convenience.
PLANET OF SOUND
BLACK FRANCIS ON HARNESSING THAT MAGIC PIXIES DUST
T+A R 2500 R STREAMING RECEIVER PHONO MODULE
In my review of the T+A R 2500 R receiver (August 2024 issue), I covered many of its features and took as deep a dive as time and column inches allowed.
Audia Flight FLS10
The dogma of separates has long reigned supreme among audiophiles: If you're serious about sound quality, you're supposed to need a dedicated preamp and power amp.
Totem Acoustic Element Fire V2
Totem Acoustic was founded in 1987, in Montreal, Canada, by a former high school math teacher named Vince Bruzzese. The company's first product, the Model 1 loudspeaker,' impressed me so much I bought a pair.
MoFi Electronics MasterDeck
Get two mouthy jazz drummers in a room and watch the sparks fly. Talented turntable designer Allen Perkins, the brain behind Spiral Groove,2 Immedia's RPM turntables,³ and various SOTA models, is first and foremost a jazz drummer.
Soulution 727
AImost 14 years have passed since a review of a Soulution product appeared in the pages of Stereophile.\"
The Spin Doctor checks out the Kuzma Safir 9, a superarm from Slovenia.
The British audio scene from the late 1970s through the mid-1980s was pretty strange. Audio as a hobby was a big deal, with widespread appeal to a much younger crowd than today. Audiophiles were guided by a flurry of what my friends called \"hi-fi pornos,\" audio magazines that filled the racks at the newsagents.
Alex goes to Japan
Arriving in Japan from the United States is like being turned upside down. This condition lasts for much of the first week. When I visited in November, the time difference between Tokyo and New York was 14 hours. \"The floating world\" is a term for the pleasure-addled urban culture of Edo-period Japan, but it's also an apt description for the twilit and not-entirely-unpleasant weirdness of first arriving in Tokyo. Everything seems slightly unreal.
Wilson Audio Specialties The WATT/Puppy
Since the original WATT/Puppy concept kicked off in the late 1980s,' there has been a 40-year evolution leading to the latest version reviewed here.