Jo was my North Star,” Greta Gerwig tells Total Film in her idiosyncratic breathless, sing-song cadence that makes everything sound giddily exciting when we catch up with her for a brisk October walk through New York. “I think it’s almost indistinguishable for me – wanting to be a writer and a creator, and my love for Jo. I don’t know what came first.” She’s rhapsodizing about Jo March, the gusty, uncompromising, direct and honest tomboy in Louisa May Alcott’s 1868 novel following four Victorian-era sisters through adolescence to adulthood via joy, heartbreak, death, and singed skirts.
Jo – with her lust for the arts, clear-eyed sense of self and ear for language – is a character who could be Gerwig after last year’s triumphant directorial debut with Lady Bird, which took her all the way to the Academy Awards. And it’s especially true of the way Gerwig went after Little Women, demanding a meeting with producer Amy Pascal in 2016, sure she was the person to interpret a new, pertinent version despite having never directed before. “I went in, and I said, ‘This movie is about art and women and money, and it’s about the impossibility of all three. It’s about: how do you become an adult, and keep the part of you that was a brave girl alive?’” she shouts over traffic. “I said I should [direct]. And in [any] case, I was able to write the script. So I wrote the script. And then I went away, and I directed Lady Bird. By the time I was done with that, they said, ‘We’re interested in making this movie, and you can direct it...’ The day after the Oscars, I went to a cabin in the woods with all my research and I spent two weeks there alone, trying to figure out if I was true and worthy of this task.”
هذه القصة مأخوذة من طبعة December 2019 من Total Film.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة December 2019 من Total Film.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Snow Time to Die - Red One J.K. Simmons' Santa gets kidnapped. Luckily, Dwayne Johnson's on hand to save him...
If 2022's Violent Night gave us Die Hard in a Santa suit, Jake Kasdan's Red One could be retitled North Pole Has Fallen. The world imagined by Kasdan finds Saint Nick kidnapped two days before Christmas Eve. It's up to Dwayne Johnson's head of security, Callum Drift, and Chris Evans' unscrupulous hacker-for-hire, Jack O'Malley, to hunt down the man in red in time for the big day.
Back With a Vengeance - Sir Ridley Scott returns to the Colosseum with Gladiator II, the long-awaited sequel to the greatest historical epic of this century. Total Film meets the director and cast to discover how Maximus' legacy is echoing in eternity.
Ridley Scott is not a filmmaker to repeat himself. It's a trait that's all the more remarkable when you consider how prolific he's been over the nearly five decades since his feature debut, 1977's The Duellists. Alien prequels Prometheus and Alien: Covenant are the only times he's gone back to the same world, and those films are radical departures from the original.
Bad Romance - Timestalker Alice Lowe falls in love with the wrong man time and time again...
Her antidote to that? Timestalker a dark not-quite-romcom set over the course of centuries. Her protagonist Agnes finds herself attracted to the same man, Alex (Dunkirk's Aneurin Barnard), in every lifetime as she's reincarnated in the 1680s, 1790s, 1980s and the 22nd century. As romantic as that may sound, there's a bit of a catch: 'He's sort of a dickhead. On the surface he's appealing, but under, he's not.'
McQueen & Country
A moment of national pride and terror comes to the screen with World War Two historical drama Blitz. Total Film speaks to writer/director Steve McQueen and his stars Saoirse Ronan and Stephen Graham about uncovering the truth and celebrating the triumph of a defining moment in modern British history.
'I WAS, AND AM STILL, SURPRISED BY EVERY OPPORTUNITY. I'VE BEEN CONTINUOUS AND FEEL AT THE TOP OF MY FORM' JEFF GOLDBLUM
Seth Brundle. Dr. Ian Malcolm. Grandmaster. Jeff Goldblum has played some titanic characters over his 50-year career, and is celebrating a half-century on our screens by going bigger than ever. First he played Zeus in Netflix show Kaos, and now he's the Wizard of Oz in Wicked. Total Film meets the man behind the curtain...
STICKY SITUATION
Seven years on from his last big-screen appearance, marmalade's biggest fan returns for Paddington in Peru. Total Film talks to director Dougal Wilson, actor Hugh Bonneville and the visual-effects wizards who make the magic happen...
BORN TO BE WILD
BROTHERS IS THE MOST SURPRISING ACTION COMEDY OF THE YEAR, AND NOT JUST BECAUSE JOSH BROLIN AND PETER DINKLAGE PLAY CRIMINAL TWINS. TOTAL FILM ROUNDS UP THE STARS TO TALK ABOUT DYSFUNCTIONAL FAMILIES, THE 'HARD AS NAILS' COMEDIES THEY GREW UP WITH, AND MASTURBATING MONKEYS...
TRIPPING THE LIGHT FANTASTIC
ALL WE IMAGINE AS LIGHT Payal Kapadia's film shows the Mumbai you've never seen...
HUMPH DAY BOGART: LIFE COMES IN FLASHES
Behind every great man is a great woman. Or in Humphrey Bogart's case, four great women...
CALLING THE SHOTS
NEVER LOOK AWAY Lucy Lawless directs a bio-doc about a trailblazing camerawoman...