Forget, for a moment, that Tim Burton didn’t actually like circuses as a kid – his heart broke for the captive animals, his throat constricted as trapeze artists somersaulted through the air – and this reimagination of Dumbo seems like the perfect fit. No other Hollywood filmmaker of the last four decades has so championed outsiders and celebrated makeshift families. What’s more, it was Burton’s 2010 billion-dollargrossing Alice In Wonderland that kickstarted the current wave of live-action takes on Disney’s cartoon classics.
Following on from Maleficent (indebted to Sleeping Beauty), Cinderella, Alice Through The Looking Glass, The Jungle Book and Beauty And The Beast, Dumbo pads out the poignant tale of a parachute-eared pachyderm (the 1941 original was just 64 minutes) by herding the humans front and centre. Sure, it still ticks off the key points of the beloved story, with Ehren Kruger’s script finding room for snorted feathers, sorrowful clown paint and dancing pink elephants, but no longer are events seen through Dumbo’s big, round, glistening eyes.
هذه القصة مأخوذة من طبعة April 2019 من Total Film.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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هذه القصة مأخوذة من طبعة April 2019 من Total Film.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
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