In just over a decade, Andrea Trimarchi and Simone Farresin, of Amsterdam-based studio Formafantasma, have developed a powerful design language based on social, political and ethical themes, combined with diverse historical references and topped off with a sublime multidisciplinary aesthetic. Every project from the Italian pair has made us reconsider how we consume, produce, design and relate to objects and manufacturing. It’s a career trajectory that makes them a natural candidate for Re-Made.
This year, the studio’s interest shifted towards exhibition design and temporary installations, a new direction that they first explored with a set creation for the Rijksmuseum’s exhibition ‘CaravaggioBernini. Baroque in Rome’, and later through their own solo show, ‘Cambio’, at London’s Serpentine Galleries. They have also been commissioned to work on the design of exhibitions coming up next year at Rome’s Palazzo delle Esposizioni, exploring the relationship between science and art, and at Utrecht’s Centraal Museum, focusing on the idea of the garden.
So it felt appropriate to enlist the studio to also create the set in which Wallpaper* Re-Made will be presented next year in Milan. Though it’s still rather early to make concrete plans for the design of the space, we have spent the past few months in discussion with Trimarchi and Farresin, conversations that have allowed us to delve deep into the pair’s wider design approach.
هذه القصة مأخوذة من طبعة August 2020 من Wallpaper.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة August 2020 من Wallpaper.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Pas de Deux - Choreographer Wayne McGregor on turning a post-apocalyptic trilogy by Margaret Atwood into a three-act ballet in collaboration with composer Max Richter
Wayne McGregor is the master of creative collaborations. As resident choreographer at the Royal Ballet, a position he has held since 2006, he has translated an eclectic roster of literary, avant-garde and contemporary references into works for the stage, as well as taken the helm on film, TV, fashion and music videos projects, and founded his own London-based studio.
Waking Moments - Design makes a welcome return to the Dakar Biennale, sounding out a clarion call to Africa's new creative generation
After a 20-year hiatus, design returns to the Dakar Biennale this year and, for curator Ousmane Mbaye, it comes at a pivotal time. ‘My curatorial practice is based on three aspects,’ he says. ‘A desire to do a design inventory in Africa; to record the materials being used; and to present the current generation of designers in Africa and its diaspora, and see their visions realised.’
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Guest Editor Marcio Kogan - Marcio Kogan has been prolific since setting up his namesake studio in São Paulo in 1978 (it was renamed Studio MK27 at the turn of the century).
Marcio Kogan has been prolific since setting up his namesake studio in São Paulo in 1978 (it was renamed Studio MK27 at the turn of the century). The 72-year-old architect has since become synonymous with contemporary Brazilian chic, offering a sumptuous blend of raw, textured materials; clean geometric forms; effortless functionality; vernacular design features; and a deep knowledge and appreciation of the rich, tropical modernist architecture legacy of his home country.
DREAM TEAM
A rewatching of a seminal film laid the foundation for JW Anderson's latest collection, a fantastical collaboration with artist Christiane Kubrick
