‘The Bed’, by Elmgreen & Dragset and Georg Jensen
Georg Jensen’s HQ occupies a yellow-brick, former porcelain factory building in the leafy neighbourhood of Frederiksberg, Copenhagen. It’s a suitably impressive place, befitting a world-renowned heritage brand, but what sets it apart is what it contains, rather than its architecture. On its first floor is the world’s largest silver smithy, where the time-honoured craft of shaping hollowware by hand, and without the use of moulds, is still practised. There are up to 25 silversmiths working at a time, on an output of varying scale and design, from small spoons to magnificent tureens, and from the art nouveau creations of the brand’s eponymous founder to contemporary tea sets by Marc Newson (see W*200) and Kengo Kuma. Despite the clatter of hammers, the mood is calm and purposeful.
On a cold, blustery day in January, artists Michael Elmgreen and Ingar Dragset have flown over from Berlin to develop their Handmade project with Georg Jensen. Chief creative officer Nicholas Manville gives them a tour, showing them the 3D printers used for prototyping, introducing them to a craftsman who has been toiling over a Henning Koppel fish dish, then lingering on an egg-shaped bonbonnière from 1908, laden with amber and green agate. This is followed by a visit to the archive, a Wunderkammer crammed with historic pieces and original sketches.
هذه القصة مأخوذة من طبعة August 2019 من Wallpaper.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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هذه القصة مأخوذة من طبعة August 2019 من Wallpaper.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Guiding Light - Designer Joe Armitage follows his grandfather's footsteps in India, reissuing his elegant midcentury lamp and creating a new chandelier for Nilufar Gallery
For some of us, family inheritances I tend to be burdensome, taking up space, emotionally and physically, in both our minds and attics. For the London-based designer and architect Joe Armitage, however, a family heirloom has taken him somewhere lighter and brighter, across generations and continents, and into the path of Le Corbusier. This is the story of a lamp designed by Edward Armitage in India 72 years ago, which has today been expanded into a collection of lights by his grandson Joe.
POLE POSITION
A compact Melbourne house with a small footprint is big on efficiency and experimentation
URBAN OASIS
At an art-filled Mexico City residence, New York designer Giancarlo Valle has put his own spin on the country's traditional craft heritage
WARM FRONT
Designer Clive Lonstein elevates his carefully curated Manhattan home with rich textures and fabrics
BALCONY SCENE
A Brazilian island hotel offers a unique approach to the alfresco experience
ENSEMBLE CAST
How architect Anne Holtrop is leaving his mark on the Middle East
Survival mode
A new show looks at preparing for a post-apocalyptic landscape (and other catastrophes)
FLASK FORCE
A limited-edition perfume collaboration between two Spanish craft masters says it with flowers
BLOOM SERVICE
A flower-shaped brutalist beauty in Geneva gets a refresh
SECOND NATURE
A remodelled museum in Lisbon, by Kengo Kuma & Associates, meshes Japanese and Portuguese influences to create a space that sits in harmony with its surroundings