Max Lamb’s upcoming show ‘Urushi Wajima’ at London’s Gallery Fumi is the culmination of a nearly ten-year love affair with the finest Japanese urushi lacquer, and with the craftspeople in Wajima – in Ishikawa prefecture, on the northern tip of the Noto peninsula – who live and breathe the craft. ‘I’ve been in Wajima four times and just love working with all the craftspeople involved,’ says Lamb. His designs merge generations of tradition with his humorous and no-nonsense approach to the creative terrain between art and furniture.
If one can talk about a hierarchy of lacquer-producing regions in Japan, Wajima comes out on top. Wajima-nuri, as lacquer products from the small city (population 25,000) are known in Japan, are famed for superior durability. Their rigorous production involves layer upon layer of increasingly fine base coats, with careful drying, sanding and smoothing between each layer, until the final glossy top layer is applied, perhaps with some additional decoration in fine gold-leaf or coloured urushi.
Lamb’s first hands-on experience with the tradition was back in 2010, when he participated in an exhibition at the Japanese Embassy in London called ‘Collacqueration’. One of his early three-legged split-wood stools was given the all-over lacquer treatment by a Wajima craftsperson.
هذه القصة مأخوذة من طبعة October 2019 من Wallpaper.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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هذه القصة مأخوذة من طبعة October 2019 من Wallpaper.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
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DREAM TEAM
A rewatching of a seminal film laid the foundation for JW Anderson's latest collection, a fantastical collaboration with artist Christiane Kubrick
