‘Ritual Calendar’, by Ini Archibong and Testi.
At first glance, the function of Ini Archibong’s piece for Holy Handmade! is cryptic. It’s a statuesque block of black granite with 31 droplets of white marble inserted in two perfectly symmetrical lines. Its intriguing presence is entirely intentional: ‘It’s meant to be viewed as a sculpture to anyone but the owner,’ explains the Basel-based American designer. ‘The owner has the secret knowledge of its function.’
The ‘Ritual Calendar’ is actually a tool for practising mindfulness. Each day of the month, a new droplet-shaped totem is taken out of the calendar and carried in a pocket for the day, before being put back in place at night. ‘So many things are competing for our attention throughout the day,’ says Archibong. ‘When you’re carrying the totem around with you, and you mindlessly put your hands in your pocket, you’re reminded to bring mindfulness to something that you’ve embedded in the object. Whatever power you’ve embedded this piece with, the totems give you the opportunity to tap into it.’
هذه القصة مأخوذة من طبعة August 2017 من Wallpaper.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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هذه القصة مأخوذة من طبعة August 2017 من Wallpaper.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Pas de Deux - Choreographer Wayne McGregor on turning a post-apocalyptic trilogy by Margaret Atwood into a three-act ballet in collaboration with composer Max Richter
Wayne McGregor is the master of creative collaborations. As resident choreographer at the Royal Ballet, a position he has held since 2006, he has translated an eclectic roster of literary, avant-garde and contemporary references into works for the stage, as well as taken the helm on film, TV, fashion and music videos projects, and founded his own London-based studio.
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Guest Editor Marcio Kogan - Marcio Kogan has been prolific since setting up his namesake studio in São Paulo in 1978 (it was renamed Studio MK27 at the turn of the century).
Marcio Kogan has been prolific since setting up his namesake studio in São Paulo in 1978 (it was renamed Studio MK27 at the turn of the century). The 72-year-old architect has since become synonymous with contemporary Brazilian chic, offering a sumptuous blend of raw, textured materials; clean geometric forms; effortless functionality; vernacular design features; and a deep knowledge and appreciation of the rich, tropical modernist architecture legacy of his home country.
DREAM TEAM
A rewatching of a seminal film laid the foundation for JW Anderson's latest collection, a fantastical collaboration with artist Christiane Kubrick
