STEP ONE
My aim was to create a hot, dusty sunset in Africa – based on a single photograph of an elephant from Dubbo zoo. Her flared ears and prominent right forefoot inspired the idea of a matriach protecting her family from strangers in her homeland.
The paper was clipped to a piece of MDF board with at least three layers of plain paper underneath to provide a slight amount of ‘give’. I sketched my ideas onto a half-sheet of warm Burgundy paper with white pastel pencil. Sketches on tough Colourfix paper can easily be re-done if needed – using a kneadable eraser.
STEP TWO
Using pastels broken into thirds, I quickly laid in sky colours with side-strokes of the pastels in colours ranging from dark Burnt Siennas through to touches of Gold and Lemon Yellow. The pastels blended themselves on the surface with the use of a few layers. As always, I was more concerned with finding a pastel of the correct tone and hue, rather than which brand (softness) of pastel I was using.
I loosely filled in the distant elephants in shades of raw and burnt umber. Overall they remained cooler and less detailed – further away – than the main elephant.
هذه القصة مأخوذة من طبعة No 170 من Artists Palette.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة No 170 من Artists Palette.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Eye of Observation
Draw, draw, and draw some more; develop your artist’s eye of observation. Sterling advice from a lady who believes that seeing shapes in paintings requires a truly ‘arty’ eye.
Pelicans To Portraits
This lady has painted everything from pelicans to portraits. She has completed commissions including cats, dogs, horses, possums, numerous beach scenes … and even a Scottish piper.
Gregory John Brennan: Lost Profession
Looking back on his early career as a bulldozer driver, this rural New South Wales painter laments the days when he was too young to appreciate his outstanding potential as an artist.
Pastels: Once We Were Important
A simplified and well named painting tells a powerful and interesting story. This clever pastel artist is delighted to share her techniques for the benefit of others.
Fibre Art
This artist feels that the hardest lesson she had to learn was to believe in herself … and once she did that, everything started to fall into place and her confidence grew.
Water Lily Magic
Instead of paper and paint, this artist uses fabric and threads … and she uses a sewing machine instead of a brush. The textures, colours and prints of fabrics thrown together with threads fascinate her, and often give inspiration for her designs.
Loading Wheat – 1920s
It is rare to see an artist displaying this level of skill and understanding in capturing the activity and atmosphere of bygone days from Australia’s agricultural history.
‘Jama' – King Cheetah
This exquisitely talented lady believes that every artist has failures … but it is important to remember that every success is better than the one before.
Blahuta's Ute
Early in the year we ran a feature about ‘Utes in the Paddock’ – a landmark project by several notable artists. In this article, one of those artists shares his story and some of his views … and describes the process of creating his own piece of an amazing collaborative work.
Artists' Easels
Many important tools are employed by artists in creating their paintings. Artists’ easels are now available in a host of styles and configurations to enhance the creative process. Some of your favourite art materials suppliers are more than pleased to highlight a selection of the many products being offered.