Over the years, the landmark Unsell- Cabell House, in Kirkwood’s historic district, had fallen into disrepair, its deep yard a tangled web of overgrown trees and shrubs and portions of its wood siding, vulnerable to insects and weather, in a state of decay. Yet its telltale Victorian charms—triple-sash Jefferson windows, fancy brackets and scrollwork, louvered shutters throughout—caught the attention of Emily Hoffman, an architecture buff, in early 2015. Nearly every week on her run past the house, she imagined all the possibilities if only someone would make the home a passion project. That someone turned out to be Emily and her husband, Matt Hoffman.
“Emily wanted a historic house in Kirkwood, and she was in love with this one,” says Matt, a developer of rental properties. “We knew we had to move fast rather than let it go to market.”
After showing up at the county courthouse for an auction that was abruptly canceled and, a week later, watching as a Coming Soon sign went up in the yard, the Hoffmans bid on the property sight unseen. “We just kind of went for it without looking,” Emily recalls. The couple hired Ben Ellermann, of Blaes Architects in Webster Groves, to guide the renovation and design a 2,500-square-foot addition to replace an existing structure dating back to the 1960s.
هذه القصة مأخوذة من طبعة January/February 2021 من DesignSTL.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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هذه القصة مأخوذة من طبعة January/February 2021 من DesignSTL.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Cut from the Same Cloth
“Turkey Tracks” is a 19th-century quiltmaking pattern that has the appearance of little wandering feet. Patterns like the tracks, and their traditions and myths, have been passed down through the generations, from their frontier beginnings to today, where a generation of makers has embraced the material as a means of creating something new. Olivia Jondle is one such designer. Here, she’s taken an early turkey track-pattern quilt, cut it into various shapes, and stitched the pieces together, adding calico and other fabric remnants as needed. The result is a trench coat she calls the Pale Calico Coat. Her designs are for sale at The Rusty Bolt, Jondle’s small-batch fashion company based in St. Louis. —SAMANTHA STEVENSON
Color Block
A background in sculpture trained artist Aly Ytterberg to see objects more fully.
A Modern Story
How a little log cabin went from being a home to a guest house
IN GOOD TIME
With the help of interior designer Robert Idol, a Kirkwood couple creates a home that pays homage to the past, yet feels just right for their modern young family.
Let's Dish
"Food Raconteur” Ashok Nageshwaran wants to tell you a story.
The Right Move
New shops and showrooms bring exciting opportunities for local designers, makers, and arts organizations to sell their wares to home enthusiasts here and everywhere.
Green Dreams
Painter and gardener Lauren Knight branches out.
Cultivating Kokedama
Chris Mower of White Stable Farms discovered the Japanese style of gardening in Italy. Now, he’s bringing it to St. Louis.
Graphic Mood
Letters, icons, and illustrations that speak in a hand-drawn language
AUDRA's New Digs
Audra Noyes, of the Saint Louis Fashion Fund Incubator’s first class, opens an atelier in Ladue.
