In 1973, Ashley Muir designed a shadowy, almost medieval house for wine pioneers Rolfe and Lois Mills. Four decades on, it’s no less powerful.
Farmhouses rarely excite architectural controversy – at least, not at the level occasioned by this home, built 45-odd years ago at Rippon, on the western shore of Lake Wanaka, for the pioneering winemaking Mills family.
Anchored to the brow of a steep – and at the time, mostly bare – escarpment by medieval-style raked buttresses, the mud-brick building came as “a bit of a shock to some people”, says architect Ashley Muir, of Dunedin-based firm Mason & Wales. The NZIA judging panel didn’t even make it to the front door. “A couple of jurors said that a house should never have been allowed there; they drove straight out of Wanaka.”
Half a century later, it’s difficult to understand the consternation. Both structure and site have softened and fused; vines now climb the buttresses, which seem less like foundations, more an outgrowth of the land. During the same period, Rippon has been transformed into an internationally recognised piece of wine country, while the house has been a home for two generations of winemakers.
Muir was in his third year of architectural practice in 1973 when Rolfe and Lois Mills invited him to help them design a house – and that really is the best way to describe the process. “We wanted our personality to be foremost,” says Lois Mills. “We felt the best way to do that was to find a talented young architect who listened. That’s exactly what Ashley did: listened, interpreted and made our ideas exciting.”
هذه القصة مأخوذة من طبعة June 2018 من HOME.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة June 2018 من HOME.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
The Past Is Present
In exhibitions at public galleries around the country, artists reflect on our collective, individual and cultural histories.
Why I Walk Carl Douglas
How the experience of walking reveals our world to us and informs our sense of our place in it.
My Favourite Building Chlöe Swarbrick
Built on Auckland’s Karangahape Road in the 1920s, St Kevin’s Arcade has served as vocational inspiration and a meeting place for the Green MP since she was a teenager.
Humble Special
PAC Studio designs a home on a tiny budget in the bush above the Kaipara Harbour.
Modern Love
Assembly Architects draws on lightweight Californian modernism to craftan elegant mountain retreat.
Family Tree
On a leafy site in the Waikato, Tane Cox crafts a subtle home for three generations
LOW PROFILE
Sometimes, strict covenants can be a blessing in disguise.
Fine Line
A house in a vineyard by Stuart Gardyne shows country living need not be rustic.
Elegant Shed
Ben Daly rehabilitates a farm building with a long family history on the Canterbury Plains.
Perfect Pitch
An encampment by an inlet casually inhabits land at Tawharanui.