Whistler declared that his aim had been to ‘bring about a certain harmony of colour’, rather than to paint a particular subject. His evocation of fireworks exploding against the night sky may have been inspired by a scene he had witnessed over Cremorne Gardens on the Thames, but it could be taking place anywhere. The painting also looked unfinished, more like a sketch when compared with the painstaking execution of the highly detailed pictures by artists such as Edward BurneJones or William Powell Frith, to which the Victorian public was more accustomed.
Whistler’s journey to the point where he was obliged to defend his artistic philosophy in a courtroom had taken more than two decades. American by birth, he had a peripatetic childhood, moving from his birthplace in Massachusetts to St Petersburg in Russia, where his father worked on the railway, to London and back to Connecticut. His family wanted him to pursue a career in the priesthood or the military, but he had no religious vocation and a spell at America’s West Point Academy made it clear that he was not cut out to be a soldier. A gifted draughtsman, he was determined to be an artist.
هذه القصة مأخوذة من طبعة March 02, 2022 من Country Life UK.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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هذه القصة مأخوذة من طبعة March 02, 2022 من Country Life UK.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
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