JOHN PIPER was one of the most diverse and best-loved of English Modern artists. In retrospect, he can be regarded in many ways as a bundle of contradictions, being simultaneously an old-fashioned romantic and an antiquarian with a penchant for the Ballets Russes and avant-garde French painting. The fact that he was able to meld his diverse tastes and interests into a single, albeit multi-faceted, aesthetic is a lasting tribute to his energy and vision and places him as one of the great British polymaths of the 20th century.
As a direct result of his eldest brother being killed in the second battle of Ypres in 1915, Piper was obliged, despite his wish to go to art school, to fill his brother’s place and join the family law firm. This was a career for which he was singularly unsuited and his failure to pass the Law Society’s examination created an impasse that was only resolved by his father’s death in March 1927. Once released from the office, he applied to the Royal College of Art, but was diverted to Richmond School of Art for a year to improve his life-drawing skills, before he could be admitted.
Having finally achieved entry to the Royal College, he only remained for four terms, as his insistence on marrying Eileen Holding, a fellow student from Richmond, was in contravention of its rules. Thus, in his late twenties and without formal qualifications, he launched on his professional career, supplementing his income with journalism, a practice he kept up throughout his life.
هذه القصة مأخوذة من طبعة April 08, 2020 من Country Life UK.
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هذه القصة مأخوذة من طبعة April 08, 2020 من Country Life UK.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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Save our family farms
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A very good dog
THE Spanish Pointer (1766–68) by Stubbs, a landmark painting in that it is the artist’s first depiction of a dog, has only been exhibited once in the 250 years since it was painted.
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Best of British
In this collection of short (5,000-6,000-word) pen portraits, writes the author, 'I wanted to present a number of \"Great British Commanders\" as individuals; not because I am a devotee of the \"great man, or woman, school of history\", but simply because the task is interesting.' It is, and so are Michael Clarke's choices.
Old habits die hard
Once an antique dealer, always an antique dealer, even well into retirement age, as a crop of interesting sales past and future proves
It takes the biscuit
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It's always darkest before the dawn
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Tarrying in the mulberry shade
On a visit to the Gainsborough Museum in Sudbury, Suffolk, in August, I lost my husband for half an hour and began to get nervous. Fortunately, an attendant had spotted him vanishing under the cloak of the old mulberry tree in the garden.
